for soprano, tenor, and baritone soloists, SATB choir, and orchestra
In this Christmas cantata Vaughan Williams uses and a wide range of musical styles to create a compelling, vivid, and highly original retelling of the Christmas story. Composed in 1953-4, Hodie (This Day) was Vaughan Williams's final large-scale choral-orchestral work, and was premiered under his own baton in Worcester Cathedral as part of the 1954 Three Choirs Festival. It comprises sixteen movements, including 'narrations' of words from the Bible, chorals, and a variety of other forms for both soloists and choir. The words are taken from diverse sources, with sacred texts from the Vespers of Christmas Day and the Bible interspersed with secular texts by poets including John Milton, Thomas Hardy, and the composer's own wife Ursula Vaughan Williams.
"synopsis" may belong to another edition of this title.
Ralph Vaughan Williams, born in Gloucestershire on 12 October 1872, read History at Cambridge and went to the Royal College of Music where his teachers were Parry, Wood, and Stanford.
Vaughan Williams believed in the value of music education and wrote practical competition pieces, serviceable church music, and with the 49th Parallel (1940-41) he found a new outlet in writing for film. His profoundly disturbing Symphony No.6 (1948) received international acclaim with more than a hundred performances in a little over two years. His great sensitivity to the 20th-century human condition, his flexibility in writing for all levels of music making, and his unquestionably great imagination combine to make him one of the key figures in 20th century music.
Ralph Vaughan Williams had a long association with Oxford University Press; over 200 publications are available in the Oxford catalogue.
"About this title" may belong to another edition of this title.
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