The Lusiads (Oxford World's Classics) - Softcover

Camoes, Luis Vaz De

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9780192801517: The Lusiads (Oxford World's Classics)

Softcover

ISBN 10: 0192801511 ISBN 13: 9780192801517

Publisher: Oxford Paperbacks, 2001

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First published in 1572, The Lusiads is one of the greatest epic poems of the Renaissance, immortalizing Portugal's voyages of discovery with an unrivalled freshness of observation. At the centre of The Lusiads is Vasco da Gama's pioneer voyage via southern Africa to India in 1497-98. The first European artist to cross the equator, Camoes's narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem's twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind's knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet it speaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision. The first translation of The Lusiads for almost half a century, this new edition is complemented by an illuminating introduction and extensive notes.

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Review:

"Arms are my theme, and those matchless heroes Who from Portugal's far western shoresBy oceans where none had ventured Voyaged to Taprobana and beyond."

So begins Landeg White's excellent new translation of one of the greatest epic poems of the Renaissance, Camoens' The Lusiads, which tells the story of the creation of the Portuguese Empire through the feats of one of its greatest voyagers, Vasco da Gama, as he recounts his voyage to India in 1497.

As its opening lines suggest, Camoens' poem drew on the classical heritage of Homer and Virgil in fashioning a poem of national and imperial identity. The geographical scope of the poem is truly epic as it surpasses its classical forebears, taking in West Africa, the Cape of Good Hope, the Indian Ocean and the Far East, and culminating in Camoens' extraordinary global vision of the world in Canto 10. Yet as White points out in his excellent introduction, the tone of the poem is also deeply elegiac; published in 1572, the poem is written at the point of the waning of the Portuguese Empire to which Camoens' was so passionately committed.

White's translation should be complimented for rescuing the poem from the indifferent prose version of William Atkinson's 1952 translation. In retaining the power of Camoens' octavos, White avoids always rhyming his couplets, which prevents the sense of lines becoming mangled. This is a fine translation, which provides a new and accessible version of the epic of Portuguese nationhood. --Jerry Brotton

About the Author:

Landeg White is Former Director, Centre for Southern African Studies, University of York and former editor of Journal of Southern African Studies (OUP); published poet and author of works on colonialism, Apartheid and African poetry. His latest book is Bridging the Zambezi: a Colonial Folly (Macmillan 1993)

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