In a garden sit the aged Kublai Khan and the young Marco Polo--Tartar emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts the emperor with tales of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. Soon it becomes clear that each of these fantastic places is really the same place.
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"so important for thinking about the rich layers of life around us, our frailties, how we question and how we find meaning." (Red)
"Invisible Cities changed the way we read and what is possible in the balance between poetry and prose... The book I would choose as pillow and plate, alone on a desert island" (Jeanette Winterson)
"Whole chapters of unforced poetic prose in which insight and fantasy are perfectly matched-an exquisite world" (Observer)
"'Invisible Cities is perhaps his most beautiful work-the artist seems to have made peace with the tension between man's ideas of the many and the one" (New York Review of Books)
"The most beautiful of his books throws up ideas, allusions, and breathtaking imaginative insights on almost every page. Each time he returns from his travels, Marco Polo is invited by Kublai Khan to describe the cities he has visited-Although he makes Marco Polo summon up many cities for the Khan's imagination to feed on, Calvino is describing only one city in this book. Venice, that decaying heap of incomparable splendour, still stands as substantial evidence of man's ability to create something perfect out of chaos" (Paul Bailey Times Literary Supplement)
'A subtle and beautiful meditation' Sunday Times
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