If the Creek Don't Rise - Softcover

Williams, Rita

Softcover

ISBN 10: 0156032856 ISBN 13: 9780156032858

Publisher: Mariner Books, 2007

Synopsis

When Rita Williams was four, her mother died in a Denver boarding house. This death delivered Rita into the care of her aunt Daisy, a headstrong woman who had married the most prominent black landowner in Nebraska and spirited her sharecropping family out of the lynching South. They reinvented themselves as ranch hands and hunting guides out West. But one by one they slipped away, to death or to an easier existence elsewhere, leaving Rita as Daisy's last hope to right the racial wrongs of the past and to make good on a lifetime of thwarted ambition.

If the Creek Don't Rise tells how Rita found her way out from under this crippling legacy and, instead of becoming "a perfect credit to her race," discovered how to become herself. Set amid the harsh splendor of the Colorado Rockies, this is a gorgeous, ruthless, and unique account of the lies families live--and the moments of truth and beauty that save us.

About this title

About the Author

Rita Williams lives in Los Angeles. She has been an actor, musician, professor, recovery counselor, and radio announcer as well as a writer. Her previous work has appeared in the LA Weekly and O, the Oprah Magazine. This is her first book.

From the Back Cover

"A remarkable memoir . . .Every page allows me to live in her thoughts and marvel at how all of us who grew up poor and female are bonded, regardless of where we were raised or who raised us."--Oprah Winfrey, O, The OprahMagazine

"Part adventure story, part painful memoir, fresh, fierce, and funny as hell. You'll cheer for Rita Williams!" E. Lynn Harris, author of Not a Day Goes By, Any Way the Wind Blows, and I Say a Little Prayer

When Rita Williams was four, her mother died in a Denver boarding house. This death delivered Williams to the care of her aunt Daisy, a headstrong woman who had married the most prominent black landowner in Nebraska and spirited her sharecropping family out of the lynching South.They reinvented themselves as ranch hands and hunting guides out West.But one by one they slipped away, leaving Rita as Daisy s last hope to right the racial wrongs of the past and make good on a lifetime of thwarted ambition.If the Creek Don't Risetells how Rita found her way out from under this crippling legacy and, instead of becoming a perfect credit to her race, discovered how to become herself.

"That Williams survived her rudderless youth is a testament to her resilience. That she could write about it with such unblinking forthrightness is admirable." San Francisco Chronicle

"It takes a while to recover from this book, which is the most important tribute I can pay it." Los Angeles Times Book Review

Rita Williams lives in Los Angeles. She has been an actor, musician, professor, cook, gardener, recovery counselor, and radio announcer as well as a writer. Her previous work has appeared in LA Weekly and O, The Oprah Magazine. This is her first book."

From the Inside Flap

When Rita Williams was four, her mother died in a Denver boarding house. This death delivered Rita into the care of her aunt Daisy, the last surviving African American widow of a Union soldier and a maverick who had spirited her sharecropping family out of the lynching South and reinvented them as ranch hands and hunting guides out West. But one by one they slipped away, to death or to an easier existence elsewhere, leaving Rita as Daisy s last hope to right the racial wrongs of the past and to make good on a lifetime of thwarted ambition. If the Creek Don t Rise tells how Rita found her way out from under this crippling legacy and, instead of becoming "a perfect credit to her race," discovered how to become herself.
Set amid the harsh splendor of the Colorado Rockies, this is a gorgeous, ruthless, and unique account of the lies families live-and the moments of truth and beauty that save us.
"

Excerpt. © Reprinted by permission. All rights reserved.

­Playback
 
Out my kitchen window, the November wind off the Pacific whipped up light frothy waves on Silver Lake. The oddly beautiful smog­-­seasoned light burnished the last of the lemons, making them look sweeter than they were. I was just spritzing juice on a bowl of raspberries when my cat, Banana Sanchez, cool from her dalliance in the garden, settled to warm herself on the answering machine downstairs. The playback button engaged. I heard a familiar gravid throat clearing, a deep breath and a ­sigh.
 
           “Rita? This is Rose.” A pause, as if waiting to see if I’d pick up. I didn’t. “All right, here it is. Daisy called Mary and Mary called me and I’m calling you. Daisy say she fixin to die. You got to come.” Still another pause, in which my oldest sister seemed to be calculating how frank to be on the machine. “Don’t know what you aimin to do, but I ain’t goin no ­place.”
 
           An abyss opened up right there over the cutting board. Backed up against the Pacific, with two decades between me and my life in Steamboat Springs, Colorado, I still felt the same numb fright at a summons from Daisy that I’d felt when I first went to live with her at the age of four. The odds that Daisy was truly “fixin to die” right now were slim. She had been playing that card for as long as I could remember. But I’d always known I’d have to go back once more, as an adult. And Daisy was in her nineties. Even she couldn’t live forever. It was ­time.
 
           I called the airline and bought a nonrefundable ticket. Then I called the hospital and asked to speak to my ­aunt.
 
           “I’m sorry, ma’am,” the nurse said. “Mrs. Anderson took and checked herself out last week.” There was no need to add, “Against doctor’s ­orders.”
 
           I had to laugh. Daisy had probably made those deathbed phone calls to Rose and Mary from her home phone in Hayden. Nothing terrified her more than being caged, and no pain was more excruciating than the prospect of entrusting her body to a doctor. She would have threatened to sue the nurses, the hospital, the janitors, the entire town of Steamboat Springs to get herself ­out. 
       
        I dialed Daisy’s number and waited, imagining her creeping toward the phone. She picked up on the eighth ring. “Hell-oo?” She still hollered into the receiver as if she had to make her voice carry all the way to ­California.
 
           “Daisy, it’s ­Rita.”
 
           “Reeter Ann Williams? Good land.” Her voice sounded higher than it had six months ago, more ­pushed.
 
           “Heard you needed some help. I’ll be coming in Friday night late. Won’t probably see you till Saturday ­morning.”
 
           “Well, I’ll make up the bed and thaw out a ­rabbit.”
 
           “Yes, ma’am,” I said. No need to start a fight right off by telling her that I intended to “waste good money” on lodging and a rental car. “I’ll call you when I get to ­town.”
 
           “Well, I’m fixin to sell my books at the Christmas sale Saturday.” I had to bite my tongue not to ask whether she meant to sell them from her deathbed, the priest standing by to deliver the final sacrament.
 
           “Okay, I’ll help you,” I said, and I got off the phone, noticing that that old feeling had me in its spell, that sensation of sparring and dodging out of ­range.
 
~~~
 
"I’d forgotten what it was like to fly into Steamboat Springs. The prop planes that looked so big on the tarmac at Denver International shrank against the fourteen­-­thousand­-­foot blade­-­sharp peaks of the Continental Divide. My breath grew shallow as the engines ground to the top of their range and the aircraft began to hop around like a waterdrop on a hot griddle. I always managed to fly in just ahead of a ­storm.
 
           Only twelve other passengers could ride this little prop plane, mainly skiers accustomed to Rocky Mountain turbulence. Across the aisle, a kid in a ski hat was engrossed in an electronic toy—probably a snowboarder planning to spend Thanksgiving on the curl. A businesswoman was equally engrossed by the screen of her laptop. Only the working man with a white swath across his forehead where his tan ended and his cap began stared rigidly at the seat back in front of him, as if he too was holding his ­breath.
 
           At last the pilot throttled back for the descent, and the plane took to bucking as if it had no intention of setting its wheels down anywhere near Steamboat Springs. I could not shake the image of a search party coming upon the wreckage of the aircraft and our bodies frozen among the pines of Berthoud Pass. Finally we broke cloud cover and the Yampa Valley lay below ­us.
 
           My hometown was transformed. An infestation of shingled condos extended from the edge of the highway to the base of Mount Werner. The mountain face itself had been given over completely to the service of skiers, hundreds of wide gores scoring its flanks to create ski runs. I remembered when it was lowly Storm Mountain, debuting as a ski resort with a tattered little rope tow on a slope groomed by an orange snowcat. Daisy had been quite confident it would go belly­-­up in a season. But now I could see significant expansion on either side of Steamboat Springs. Wryly, I thought of an old sixties bumper sticker: Don’t Californicate ­Colorado.
 
           The plane lit on the icy runway, crow­-­hopped a little to the left, righted itself, reversed thrust. “Made it in before the blizzard,” the pilot said over the PA when he’d brought us to a ­stop.            I walked down the stairs to the tarmac androlled my little suitcase past what I could have sworn was the site of the A&W stand where I spent my saved allowance on my first root beer float. The arctic air clutched my throat. Hadn’t felt that particular nip in a while. I hurried toward the tiny shed of a terminal, smaller than a single luggage carousel at ­LAX.
 
           Inside, a wall was devoted almost entirely to snowboards. Where were the skis? But a surge of delight went through me as I saw the sensible face of a woman who had to be a Steamboat local behind the car rental counter. At seven thousand feet of constant sun and wind, people wrinkle early, and here was a woman like those I’d grown up with, more concerned with what she was doing than how she looked doing it. The wings on her eyeglasses hooked to the frame at the bottom—a style that had died out at least twenty years ago. Her hair had faded to the color of a weathered barn. She wore a tired white turtleneck under a plaid wool shirt, layers to protect her core. The label on her pocket protector read susan. Something about the steadiness of her mien was familiar. Was she one of the Buchanan ­girls?
 
           I was about to ask when a woman wearing a nuclear yellow ski suit and lizard­-­skin cowboy boots cut in front of me. “Did I leave my cell phone?” She set her plastic water bottle down on the counter and her acrylic nails clicked against the wood like bugs skittering on ­glass.
 
           “Got any Jeeps left?” I asked, as if she hadn’t ­spoken.
 
           It was the boots that did it. You had to earn the right to wear cowboy boots like that. You had to scrounge around for years in mud and shit up to your ankles in cheap ones lined with cardboard that you tried to dry out overnight by the coal stove. Of course you had to wear them out damp the next morning. And you’d certainly wear them to show that Black Angus calf you’d hand­-­raised through Future Farmers of America, or 4­-­H. Daisy took me to F.M. Light & Sons when I was fifteen to get outfitted to help her at the county fair, and thirty years later I was still wearing the boots—olive­-­green suede with a wide heel and the subtlest swirl of scarlet stitching. Back then, their beauty was absolutely numinous to me, and that feeling never changed over the years as I traveled from New York to the high California desert. But in Colorado they were practical as well, in terrain that harbored Rocky Mountain spotted ticks, horse- and deerflies, stinging nettles. I was the only black girl I knew who delighted in Garth Brooks’s “Blame it all on my roots, I showed up in boots.” I was still in sentimental love with the West, the romance of cowboy and horse, all those symbols of ennobled loneliness. And my secret sorrow would always be that I hadn’t been able to make that life work for me. How was it possible that the membrane separating me from my redneck roots was still so thin that merely touching down on Colorado soil dissolved ­it?
 
           Still, I restrained myself from telling neon­-­clad Ashley or Courtney or whatever­-­her­-­name­-­was to haul her ass to the end of the line and wait her turn. After all, I had long since thrown in my lot with the Botox crew in LA, and I was no stranger to a manicure. Susan had picked up on my tone, however, and we both stared at the interloper until she wilted. “Haven’t seen your phone,” Susan said curtly, then turned her full attention to me. “Welcome to Steamboat Springs, ma’am. How may I help ­you?”

Copyright © 2006 by Rita ­Williams
 
All rights reserved. No part of this publication may be reproduced
or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the ­publisher.
 
Requests for permission to make copies of any part of the work
should be mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887­-­6777.

Edition details

• Publisher: Mariner Books
• Publication date: 2007
• Language: English
• ISBN 10: 0156032856
• ISBN 13: 9780156032858
• Binding: Paperback
• Number of pages: 336