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This Side of Paradise: Scott F. Fitzgerald (Penguin F Scott Fitzgerald Hardback Collection) - Hardcover
Synopsis
These sumptuous new hardback editions mark the 70th anniversary of Fitzgerald's death.
Increasingly disillusioned by the rejection slips that studded the walls of his room and his on/off engagement to Zelda Sayre, Fitzgerald began his third revision of the novel that was to become This Side of Paradise.
The story of a young man's painful sexual and intellectual awakening that echoes Fitzgerald's own career, it is also a portrait of the lost generation that followed straight on from the First World War, 'grown up to find all Gods dead, all wars fought, all faiths in man shaken' and wanting money and success more than anything else.
"synopsis" may belong to another edition of this title.
About the Author
Francis Scott Fitzgerald was born in 1896 in Saint Paul, Minnesota, and educated at Princeton. Stationed in Alabama, he met and later married Zelda Sayre. His first novel, This Side of Paradise published in 1920, was a tremendous critical and commercial success. Fitzgerald followed with The Beautiful and the Damned in 1922, The Great Gatsby in 1925 and Tender is the Night in 1934. He was working on The Last Tycoon (1941) when he died, in Hollywood, in 1940.
From the Back Cover
These sumptuous new hardback editions mark the 70th anniversary of Fitzgerald's death.
Increasingly disillusioned by the rejection slips that studded the walls of his room and his on/off engagement to Zelda Sayre, Fitzgerald began his third revision of the novel that was to become This Side of Paradise.
The story of a young man's painful sexual and intellectual awakening that echoes Fitzgerald's own career, it is also a portrait of the lost generation that followed straight on from the First World War, 'grown up to find all Gods dead, all wars fought, all faiths in man shaken' and wanting money and success more than anything else.
Excerpt. © Reprinted by permission. All rights reserved.
This Side of Paradise
By F. Scott Fitzgerald, Patrick O'Donnell, Coralie Bickford-SmithPenguin Publishing Group
Copyright © 2011 F. Scott Fitzgerald
All rights reserved.
ISBN: 978-0-14-119409-7All rights reserved.
Book One
The Romantic Egotist
Amory, Son of Beatrice
Amory Blaine inherited from his mother every trait, except the stray inexpressible few, that made him worth while. His father, an ineffectual, inarticulate man with a taste for Byron and a habit for drowsing over the Encyclopędia Britannica, grew wealthy at thirty through the death of two elder brothers, successful Chicago brokers, and in the first flush of feeling that the world was his, went to Bar Harbor and met Beatrice O’Hara. In consequence, Stephen Blaine handed down to posterity his height of just under six feet and his tendency to waver at crucial moments, these two abstractions appearing in his son Amory. For many years he hovered in the background of his family’s life, an unassertive figure with a face half-obliterated by lifeless, silky hair continually occupied in “taking care” of his wife, continually harassed by the idea that he didn’t and couldn’t understand her.
But Beatrice Blaine! There was a woman! Early pictures taken on her father’s estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent–an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy–showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had–her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O’Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.
In her less important moments she returned to America, met Stephen Blaine and married him–this almost entirely because she was a little bit weary, a little bit sad. Her only child was carried through a tiresome season and brought into the world on a spring day in ninety-six.
When Amory was five he was already a delightful companion for her. He was an auburn-haired boy, with great, handsome eyes which he would grow up to in time, a facile imaginative mind and a taste for fancy dress. From his fourth to his tenth year he did the country with his mother in her father’s private car, from Coronado, where his mother became so bored that she had a nervous breakdown in a fashionable hotel, down to Mexico City, where she took a mild, almost epidemic consumption. This trouble pleased her, and later she made use of it as an intrinsic part of her atmosphere–especially after several astounding bracers.
So, while more or less fortunate little rich boys were defying governesses on the beach at Newport, or being spanked or tutored or read to from “Do and Dare,” or “Frank on the Mississippi,” Amory was biting acquiescent bell-boys in the Waldorf, outgrowing a natural repugnance to chamber music and symphonies, and deriving a highly specialized education from his mother.
“Amory.”
“Yes, Beatrice.” (Such a quaint name for his mother; she encouraged it.)
“Dear, don’t think of getting out of bed yet. I’ve always suspected that early rising in early life makes one nervous. Clothilde is having your breakfast brought up.”
“All right.”
“I am feeling very old today, Amory,” she would sigh, her face a rare cameo of pathos, her voice exquisitely modulated, her hands as facile as Bernhardt’s. “My nerves are on edge–on edge. We must leave this terrifying place tomorrow and go searching for sunshine.”
Amory’s penetrating green eyes would look out through tangled hair at his mother. Even at this age he had no illusions about her.
“Amory.”
“Oh, yes.”
“I want you to take a red-hot bath–as hot as you can bear it, and just relax your nerves. You can read in the tub if you wish.”
She fed him sections of the “Fźtes Galantes” before he was ten; at eleven he could talk glibly, if rather reminiscently, of Brahms and Mozart and Beethoven. One afternoon, when left alone in the hotel at Hot Springs, he sampled his mother’s apricot cordial, and as the taste pleased him, he became quite tipsy. This was fun for a while, but he essayed a cigarette in his exaltation, and succumbed to a vulgar, plebeian reaction. Though this incident horrified Beatrice, it also secretly amused her and became part of what in a later generation would have been termed her “line.”
“This son of mine,” he heard her tell a room full of awe-struck, admiring women one day, “is entirely sophisticated and quite charming–but delicate–we’re all delicate; here, you know.” Her hand was radiantly outlined against her beautiful bosom; then sinking her voice to a whisper, she told them of the apricot cordial. They rejoiced, for she was a brave raconteuse, but many were the keys turned in sideboard locks that night against the possible defection of little Bobby or Barbara. . . .
These domestic pilgrimages were invariably in state; two maids, the private car, or Mr. Blaine when available, and very often a physician. When Amory had the whooping-cough four disgusted specialists glared at each other hunched around his bed; when he took scarlet fever the number of attendants, including physicians and nurses, totalled fourteen. However, blood being thicker than broth, he was pulled through.
The Blaines were attached to no city. They were the Blaines of Lake Geneva; they had quite enough relatives to serve in place of friends, and an enviable standing from Pasadena to Cape Cod. But Beatrice grew more and more prone to like only new acquaintances, as there were certain stories, such as the history of her constitution and its many amendments, memories of her years abroad, that it was necessary for her to repeat at regular intervals. Like Freudian dreams, they must be thrown off, else they would sweep in and lay siege to her nerves. But Beatrice was critical about American women, especially the floating population of ex-Westerners.
“They have accents, my dear,” she told Amory, “not Southern accents or Boston accents, not an accent attached to any locality, just an accent”–she became dreamy. “They pick up old, moth-eaten London accents that are down on their luck and have to be used by some one. They talk as an English butler might after several years in a Chicago grand opera company.” She became almost incoherent– “Suppose–time in every Western woman’s life–she feels her husband is prosperous enough for her to have–accent–they try to impress me, my dear–”
Though she thought of her body as a mass of frailties, she considered her soul quite as ill, and therefore important in her life. She had once been a Catholic, but discovering that priests were infinitely more attentive when she was in process of losing or regaining faith in Mother Church, she maintained an enchantingly wavering attitude. Often she deplored the bourgeois quality of the American Catholic clergy, and was quite sure that had she lived in the shadow of the great Continental cathedrals her soul would still be a thin flame on the mighty altar of Rome. Still, next to doctors, priests were her favorite sport.
“Ah, Bishop Wiston,” she would declare, “I do not want to talk of myself. I can imagine the stream of hysterical women fluttering at your doors, beseeching you to be simpatico”–then after an interlude filled by the clergyman–
“but my mood–is–oddly dissimilar.”
Only to bishops and above did she divulge her clerical romance. When she had first returned to her country there had been a pagan, Swinburnian young man in Asheville, for whose passionate kisses and unsentimental conversations she had taken a decided penchant–they had discussed the matter pro and con with an intellectual romancing quite devoid of soppiness. Eventually she had decided to marry for background, and the young pagan from Asheville had gone through a spiritual crisis, joined the Catholic Church, and was now–Monsignor Darcy.
“Indeed, Mrs. Blaine, he is still delightful company–quite the cardinal’s right-hand man.”
“Amory will go to him one day, I know,” breathed the beautiful lady, “and Monsignor Darcy will understand him as he understood me.”
Amory became thirteen, rather tall and slender, and more than ever on to his Celtic mother. He had tutored occasionally–the idea being that he was to “keep up,” at each place “taking up the work where he left off,” yet as no tutor ever found the place he left off, his mind was still in very good shape. What a few more years of this life would have made of him is problematical. However, four hours out from land, Italy bound, with Beatrice, his appendix burst, probably from too many meals in bed, and after a series of frantic telegrams to Europe and America, to the amazement of the passengers the great ship slowly wheeled around and returned to New York to deposit Amory at the pier. You will admit that if it was not life it was magnificent.
After the operation Beatrice had a nervous breakdown that bore a suspicious resemblance to delirium tremens, and Amory was left in Minneapolis, destined to spend the ensuing two years with his aunt and uncle. There the crude, vulgar air of Western civilization first catches him–in his underwear, so to speak.
The Romantic Egotist
Amory, Son of Beatrice
Amory Blaine inherited from his mother every trait, except the stray inexpressible few, that made him worth while. His father, an ineffectual, inarticulate man with a taste for Byron and a habit for drowsing over the Encyclopędia Britannica, grew wealthy at thirty through the death of two elder brothers, successful Chicago brokers, and in the first flush of feeling that the world was his, went to Bar Harbor and met Beatrice O’Hara. In consequence, Stephen Blaine handed down to posterity his height of just under six feet and his tendency to waver at crucial moments, these two abstractions appearing in his son Amory. For many years he hovered in the background of his family’s life, an unassertive figure with a face half-obliterated by lifeless, silky hair continually occupied in “taking care” of his wife, continually harassed by the idea that he didn’t and couldn’t understand her.
But Beatrice Blaine! There was a woman! Early pictures taken on her father’s estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent–an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy–showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had–her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O’Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.
In her less important moments she returned to America, met Stephen Blaine and married him–this almost entirely because she was a little bit weary, a little bit sad. Her only child was carried through a tiresome season and brought into the world on a spring day in ninety-six.
When Amory was five he was already a delightful companion for her. He was an auburn-haired boy, with great, handsome eyes which he would grow up to in time, a facile imaginative mind and a taste for fancy dress. From his fourth to his tenth year he did the country with his mother in her father’s private car, from Coronado, where his mother became so bored that she had a nervous breakdown in a fashionable hotel, down to Mexico City, where she took a mild, almost epidemic consumption. This trouble pleased her, and later she made use of it as an intrinsic part of her atmosphere–especially after several astounding bracers.
So, while more or less fortunate little rich boys were defying governesses on the beach at Newport, or being spanked or tutored or read to from “Do and Dare,” or “Frank on the Mississippi,” Amory was biting acquiescent bell-boys in the Waldorf, outgrowing a natural repugnance to chamber music and symphonies, and deriving a highly specialized education from his mother.
“Amory.”
“Yes, Beatrice.” (Such a quaint name for his mother; she encouraged it.)
“Dear, don’t think of getting out of bed yet. I’ve always suspected that early rising in early life makes one nervous. Clothilde is having your breakfast brought up.”
“All right.”
“I am feeling very old today, Amory,” she would sigh, her face a rare cameo of pathos, her voice exquisitely modulated, her hands as facile as Bernhardt’s. “My nerves are on edge–on edge. We must leave this terrifying place tomorrow and go searching for sunshine.”
Amory’s penetrating green eyes would look out through tangled hair at his mother. Even at this age he had no illusions about her.
“Amory.”
“Oh, yes.”
“I want you to take a red-hot bath–as hot as you can bear it, and just relax your nerves. You can read in the tub if you wish.”
She fed him sections of the “Fźtes Galantes” before he was ten; at eleven he could talk glibly, if rather reminiscently, of Brahms and Mozart and Beethoven. One afternoon, when left alone in the hotel at Hot Springs, he sampled his mother’s apricot cordial, and as the taste pleased him, he became quite tipsy. This was fun for a while, but he essayed a cigarette in his exaltation, and succumbed to a vulgar, plebeian reaction. Though this incident horrified Beatrice, it also secretly amused her and became part of what in a later generation would have been termed her “line.”
“This son of mine,” he heard her tell a room full of awe-struck, admiring women one day, “is entirely sophisticated and quite charming–but delicate–we’re all delicate; here, you know.” Her hand was radiantly outlined against her beautiful bosom; then sinking her voice to a whisper, she told them of the apricot cordial. They rejoiced, for she was a brave raconteuse, but many were the keys turned in sideboard locks that night against the possible defection of little Bobby or Barbara. . . .
These domestic pilgrimages were invariably in state; two maids, the private car, or Mr. Blaine when available, and very often a physician. When Amory had the whooping-cough four disgusted specialists glared at each other hunched around his bed; when he took scarlet fever the number of attendants, including physicians and nurses, totalled fourteen. However, blood being thicker than broth, he was pulled through.
The Blaines were attached to no city. They were the Blaines of Lake Geneva; they had quite enough relatives to serve in place of friends, and an enviable standing from Pasadena to Cape Cod. But Beatrice grew more and more prone to like only new acquaintances, as there were certain stories, such as the history of her constitution and its many amendments, memories of her years abroad, that it was necessary for her to repeat at regular intervals. Like Freudian dreams, they must be thrown off, else they would sweep in and lay siege to her nerves. But Beatrice was critical about American women, especially the floating population of ex-Westerners.
“They have accents, my dear,” she told Amory, “not Southern accents or Boston accents, not an accent attached to any locality, just an accent”–she became dreamy. “They pick up old, moth-eaten London accents that are down on their luck and have to be used by some one. They talk as an English butler might after several years in a Chicago grand opera company.” She became almost incoherent– “Suppose–time in every Western woman’s life–she feels her husband is prosperous enough for her to have–accent–they try to impress me, my dear–”
Though she thought of her body as a mass of frailties, she considered her soul quite as ill, and therefore important in her life. She had once been a Catholic, but discovering that priests were infinitely more attentive when she was in process of losing or regaining faith in Mother Church, she maintained an enchantingly wavering attitude. Often she deplored the bourgeois quality of the American Catholic clergy, and was quite sure that had she lived in the shadow of the great Continental cathedrals her soul would still be a thin flame on the mighty altar of Rome. Still, next to doctors, priests were her favorite sport.
“Ah, Bishop Wiston,” she would declare, “I do not want to talk of myself. I can imagine the stream of hysterical women fluttering at your doors, beseeching you to be simpatico”–then after an interlude filled by the clergyman–
“but my mood–is–oddly dissimilar.”
Only to bishops and above did she divulge her clerical romance. When she had first returned to her country there had been a pagan, Swinburnian young man in Asheville, for whose passionate kisses and unsentimental conversations she had taken a decided penchant–they had discussed the matter pro and con with an intellectual romancing quite devoid of soppiness. Eventually she had decided to marry for background, and the young pagan from Asheville had gone through a spiritual crisis, joined the Catholic Church, and was now–Monsignor Darcy.
“Indeed, Mrs. Blaine, he is still delightful company–quite the cardinal’s right-hand man.”
“Amory will go to him one day, I know,” breathed the beautiful lady, “and Monsignor Darcy will understand him as he understood me.”
Amory became thirteen, rather tall and slender, and more than ever on to his Celtic mother. He had tutored occasionally–the idea being that he was to “keep up,” at each place “taking up the work where he left off,” yet as no tutor ever found the place he left off, his mind was still in very good shape. What a few more years of this life would have made of him is problematical. However, four hours out from land, Italy bound, with Beatrice, his appendix burst, probably from too many meals in bed, and after a series of frantic telegrams to Europe and America, to the amazement of the passengers the great ship slowly wheeled around and returned to New York to deposit Amory at the pier. You will admit that if it was not life it was magnificent.
After the operation Beatrice had a nervous breakdown that bore a suspicious resemblance to delirium tremens, and Amory was left in Minneapolis, destined to spend the ensuing two years with his aunt and uncle. There the crude, vulgar air of Western civilization first catches him–in his underwear, so to speak.
(Continues...)
Excerpted from This Side of Paradise by F. Scott Fitzgerald, Patrick O'Donnell, Coralie Bickford-Smith. Copyright © 2011 F. Scott Fitzgerald. Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
"About this title" may belong to another edition of this title.
- PublisherPenguin Classics
- Publication date2010
- ISBN 10 014119409X
- ISBN 13 9780141194097
- BindingHardcover
- LanguageEnglish
- Number of pages304
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This Side of Paradise. (Penguin Classics)
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London. Penguin Books Ltd/Penguin Classics, 2010
ISBN 10: 014119409X
ISBN 13: 9780141194097
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Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Bickford-Smith, Coralie (illustrator). London. Penguin Books Ltd/Penguin Classics. 2010. Reprint. Originally published in 1920 and for the first time in this edition in 2000. Crown Octavo 7½" by 5" (190 mm x 126 mm) approx. 260 pp and notes. White boards with bordered silver titles to the upper board and spine. Small mark at the bottom edge; no other wear. Striped silver and white dust wrapper with white inly and silver titles to the front wrap and spine panel. A nick and some light rubbing along the bottom of the jacket but no other wear. Near fine. Edited and with an introduction and notes by Patrick O'Donnell. This hardback editions was originally published to mark the 70th anniversary of Fitzgerald's death. Increasingly disillusioned by the rejection slips that studded the walls of his room and his on/off engagement to Zelda Sayre, Fitzgerald began his third revision of the novel that was to become 'This Side of Paradise'. It is the story of a young man's painful sexual and intellectual awakening that echoes Fitzgerald's own career. It is also a portrait of the lost generation that followed straight on from the First World War, 'grown up to find all Gods dead, all wars fought, all faiths in man shaken' and wanting money and success more than anything else'. The dust jacket will be protected with a new inert archival quality acetate sleeve which is removable. Please contact us if you would like any more information or additional photographs. Postage price quoted outside the UK is for a book up to 1kg using UPS. For books sent within the UK, there will be no extra charge for books up to 2kg which are sent by Royal Mail. Postage quoted in the UK is the actual cost (£3.45). All books are sent in protective packing and custom book box. If your book is intended as a gift, please let us know and we will gift wrap it free of charge with a card and any message. Seller Inventory # 4MAY2023013
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Hardcover. Condition: new. Bickford-Smith, Coralie (illustrator). Hardcover. Increasingly disillusioned by the rejection slips that studded the walls of his room and his on/off engagement to Zelda Sayre, Fitzgerald began his third revision of the novel that was to become This Side of Paradise.These sumptuous new hardback editions mark the 70th anniversary of Fitzgerald's death.Increasingly disillusioned by the rejection slips that studded the walls of his room and his on/off engagement to Zelda Sayre, Fitzgerald began his third revision of the novel that was to become This Side of Paradise.The story of a young man's painful sexual and intellectual awakening that echoes Fitzgerald's own career, it is also a portrait of the lost generation that followed straight on from the First World War, 'grown up to find all Gods dead, all wars fought, all faiths in man shaken' and wanting money and success more than anything else. Presents the story of a young man's painful sexual and intellectual awakening that echoes Fitzgerald's own career. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780141194097
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