In this series of moving recollections involving both his childhood and his work as a mature artist, John Fowles explains the impact of nature on his life and the dangers inherent in our traditional urge to categorise, to tame and ultimately to possess the landscape. This acquisitive drive leads to alienation and an antagonism to the apparent disorder and randomness of the natural world.
For John Fowles the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive.
This fascinating text gives a unique insight into the author and offers the key to a true understanding of the inspiration for his work.
"synopsis" may belong to another edition of this title.
John Fowles was born in 1926. He won international recognition with The Collector, his first published title, in 1963. He was immediately acclaimed as an outstandingly innovative writer of exceptional imaginative power, and this reputation was confirmed with the appearance of his subsequent works: The Aristos, The Magus, The French Lieutenant's Woman, The Ebony Tower, Daniel Martin, Mantissa, and A Maggot. John Fowles died in Lyme Regis in 2005. Two volumes of his Journals have recently been published; the first in 2003, the second in 2006.
"About this title" may belong to another edition of this title.
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Paperback. Condition: new. Paperback. 'The most original argument for wilderness preservation I have encountered' Washington PostIn this series of moving recollections involving both his childhood and his work as a mature artist, John Fowles explains the impact of nature on his life and the dangers inherent in our traditional urge to categorise, to tame and ultimately to possess the landscape. This acquisitive drive leads to alienation and an antagonism to the apparent disorder and randomness of the natural world.For John Fowles the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive.This fascinating text gives a unique insight into the author and offers the key to a true understanding of the inspiration for his work. A series of recollections that concern both the childhood and work of the writer John Fowles. For him, the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780099282839
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Paperback. Condition: New. In this series of moving recollections involving both his childhood and his work as a mature artist, John Fowles explains the impact of nature on his life and the dangers inherent in our traditional urge to categorise, to tame and ultimately to possess the landscape. This acquisitive drive leads to alienation and an antagonism to the apparent disorder and randomness of the natural world. For John Fowles the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive. This fascinating text gives a unique insight into the author and offers the key to a true understanding of the inspiration for his work. Seller Inventory # LU-9780099282839
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Condition: New. 2000. New Ed. Paperback. A series of recollections that concern both the childhood and work of the writer John Fowles. For him, the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive. Num Pages: 96 pages. BIC Classification: BGLA. Category: (G) General (US: Trade). Dimension: 194 x 126 x 7. Weight in Grams: 78. . . . . . Seller Inventory # V9780099282839