Preface Part A: The Renaissance And Baroque Periods Chp. 1: Late Renaissance Polyphony Chp. 2: Two-Voice Eighteenth Century Counterpoint Chp. 3: The Fugue Part B: Chromatic Harmony Chp. 4: Borrowed Chords Chp. 5: Neapolitan 6th Chords Chp. 6: Augmented 6th Chords Part C: The Classical Period (1750-1825) Chp. 7: Variation Technique Chp. 8: Sonata Form Chp. 9: Rondo Forms Part D: Extended And Chromatic Harmony Chp. 10: 9th,11th, and 13th Chords Chp. 11: Altered Dominants Chp. 12: Chromatic Mediants Part E: The Nineteenth And Twentieth Centuries Chp. 13: The Romantic Period (1825-1900) Chp. 14: The Post-Romantic Impressionistic, and Related Styles Chp. 15: The Contemporary Period (1910-1945) Chp. 16: Twelve-Tone Technique Postlude: Music Since 1945 Appendixes Glossary Index
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Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
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Book Description McGraw-Hill, 2008. Paperback. Book Condition: New. Bookseller Inventory # P110073101885
Book Description McGraw-Hill, 2008. Paperback. Book Condition: New. 8th. Bookseller Inventory # DADAX0073101885
Book Description McGraw-Hill, 2008. Paperback. Book Condition: New. book. Bookseller Inventory # 0073101885
Book Description McGraw-Hill. PAPERBACK. Book Condition: New. 0073101885 New US Edition Textbook, Ships with Emailed Tracking from USA. Bookseller Inventory # Z0073101885ZN