Preface Part A: The Renaissance And Baroque Periods Chp. 1: Late Renaissance Polyphony Chp. 2: Two-Voice Eighteenth Century Counterpoint Chp. 3: The Fugue Part B: Chromatic Harmony Chp. 4: Borrowed Chords Chp. 5: Neapolitan 6th Chords Chp. 6: Augmented 6th Chords Part C: The Classical Period (1750-1825) Chp. 7: Variation Technique Chp. 8: Sonata Form Chp. 9: Rondo Forms Part D: Extended And Chromatic Harmony Chp. 10: 9th,11th, and 13th Chords Chp. 11: Altered Dominants Chp. 12: Chromatic Mediants Part E: The Nineteenth And Twentieth Centuries Chp. 13: The Romantic Period (1825-1900) Chp. 14: The Post-Romantic Impressionistic, and Related Styles Chp. 15: The Contemporary Period (1910-1945) Chp. 16: Twelve-Tone Technique Postlude: Music Since 1945 Appendixes Glossary Index
"synopsis" may belong to another edition of this title.
Volume II of Music in Theory and Practice is an introduction to musical styles from the Renaissance to the present. It includes more complex chords, an emphasis on larger forms, and strategies for composition analysis. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.About the Author:
Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
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