"OMFG, I nearly up and died from laughter when I read Flatscreen. This is the novel that every young turk will be reading on their way to a job they hate and are in fact too smart for." --Gary Shteyngart, author of Super Sad True Love Story
Indie-lit star and Faster Times editor Adam Wilson delivers the gleefully absurd, effortlessly heartwarming story of one young man's struggle to shake off the listless, sexless, stoned mantle of suburban teenage life and become something better. Fortunately (maybe) for Eli, his apathetic quest finds a catalyzing agent in one Mr. Seymour J. Kahn, a paraplegic sex addict and two-bit silver screen star who initiates a mad decent into debasement and (of course) YouTube stardom--a transformation from which there will be no going back.
"synopsis" may belong to another edition of this title.
Adam Wilson is the author of the novel Flatscreen (Harper Perennial, 2012). His fiction has appeared in many publications including The Paris Review, The Best American Short Stories, Tin House, The Literary Review, The New York Tyrant, Gigantic, and many others. He is currently a regular contributor to both BookForum and The Paris Review Daily. His essays have appeared in The New York Times, The New York Observer, Time Out New York, and elsewhere. Adam holds a BA from Tufts University and an MFA from Columbia University. A former employee of Brooklyn's famous BookCourt bookstore, he now teaches creative writing at NYU and The Sackett Street Writer's Workshop. He lives in Brooklyn with his cat.
Flatscreen tells the story of Eli Schwartz as he endures the loss of his home, the indifference of his parents, the success of his older brother, and the cruel and frequent dismissal of the opposite sex. He is a loser par excellence--pasty, soft, and high--who struggles to become a new person in a world where nothing is new.
Into this scene of apathy rolls Seymour J. Kahn. Former star of the small screen and current paraplegic sex addict, Kahn has purchased Eli's old family home. The two begin a dangerous friendship, one that distracts from their circumstances but speeds their descent into utter debasement and, inevitably, YouTube stardom.
By story's end, through unlikely acts of courage and kindness, roles will be reversed, reputations resurrected, and charges (hopefully) dropped. Adam Wilson writes mischief that moves the heart, and Flatscreen marks the wondrous debut of a truth-telling comic voice.
"About this title" may belong to another edition of this title.
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