She was taught to submit, to obey . . . but she dreamed of an empire.
The sole heir to the House of Omura, a venerable family of Kobe sake brewers, nineteen-year-old Rie hears but cannot heed her mother's advice: that in nineteenth-century Japan, a woman must "kill the self" or her life will be too difficult to bear. In this strict, male-dominated society, women may not even enter the brewery—and repressive tradition demands that Rie turn over her family's business to the inept philanderer she's been forced to marry. She is even expected to raise her husband's children by another woman—a geisha—so that they can eventually run the Omura enterprise.
But Rie's pride will not allow her to relinquish what is rightfully hers. With courage, cunning, brilliance, and skill, she is ready to confront every threat that arises before her—from prejudice to treachery to shipwrecks to the insidious schemes of relentless rivals—in her bold determination to forge a magnificent dynasty. . . and to, impossibly, succeed.
An epic and breathtaking saga that spans generations as it sweeps through the heart of a century, Joyce Lebra's The Scent of Sake is a vivid and powerful entry into another world. . . and an unforgettable portrait of a woman who would not let that world defeat her.
"synopsis" may belong to another edition of this title.
Joyce Lebra is the celebrated author of 11 non-fiction titles. She is a scholar of Japan and notable professor emeritus at the University of Colorado.
She was taught to submit, to obey . . . but she dreamed of an empire.
The sole heir to the House of Omura, a venerable family of Kobe sake brewers, nineteen-year-old Rie hears but cannot heed her mother's advice: that in nineteenth-century Japan, a woman must "kill the self" or her life will be too difficult to bear. In this strict, male-dominated society, women may not even enter the brewery—and repressive tradition demands that Rie turn over her family's business to the inept philanderer she's been forced to marry. She is even expected to raise her husband's children by another woman—a geisha—so that they can eventually run the Omura enterprise.
But Rie's pride will not allow her to relinquish what is rightfully hers. With courage, cunning, brilliance, and skill, she is ready to confront every threat that arises before her—from prejudice to treachery to shipwrecks to the insidious schemes of relentless rivals—in her bold determination to forge a magnificent dynasty...and to, impossibly, succeed.
An epic and breathtaking saga that spans generations as it sweeps through the heart of a century, Joyce Lebra's The Scent of Sake is a vivid and powerful entry into another world...and an unforgettable portrait of a woman who would not let that world defeat her.
Chapter One
It was a day Rie would never forget, the day her mother told her who her husband would be. That day she had knelt in the frigid courtyard scrubbing the wooden sake barrels, barrels so large they had to be lifted by ropes and pulleys. She gripped the big brush in both hands and scrubbed back and forth, back and forth until her muscles ached. She rubbed her blue-cold hands together and held them over her nose and mouth. Then she scratched under the cotton scarf that held back her long thick hair and shifted on the rush mat on which she was kneeling. As she did so, she glanced through the misty screen of her breath at the door of the brewery and inhaled the pungent, mildewy smell of yeast, the smell that permeated every corner of the drafty old wooden house and brewery buildings. Women were never to enter the forbidden door that gaped darkly before her.
"Let a woman enter the brewery and the sake will sour," the old ones always said. Her mother had warned her of this since childhood. But Rie relished the yeasty smell of brewing sake that hung in the air. She had always played near the door and the barrels as a child. As a little girl, she had waited, terrified, for the news that the sake had soured. It never had. Now that she was grown, now that she had her own secret opinions of what women could accomplish, she made it her duty to wash the barrels, a task she took on when she knew her father was not looking. As atonement.
This time he caught her. "Rie! Haven't I warned you to stay away from the brewery door? It's too dangerous to be so close to the kura, brewing building, and washing barrels is not your responsibility."
Rie looked up to see her father looming over her, frowning, hands thrust into the sleeves of the indigo work kimono he always wore. His white chicken-feather eyebrows were dusted with frost and seemed to stand erect in anger.
Understand me, she longed to say. See me as doing my best for you and the house. But she couldn't say it.
Rie stood and bowed, looking down at her feet. Her father, Kinzaemon IX, head of the House of Omura, was the one person in the world she most wanted to please. He represented all nine generations of the ancestors, a long line to which both he and now Rie owed on, the obligation that could never be repaid but toward which one must strive throughout one's life.
At first when her brother had died, so had all her father's hopes and dreams. But after weeks of grieving, he had uttered the portentous words that would change her life: "So now, Rie, the future of the Omura House rests with you. You alone are the one who will maintain the honor and prosperity of the house. Remember, this is a heavy responsibility."
Everyone knew that sake brewing was a man's world, and Kinzaemon could have brought a geisha's son into the house. But with the Kansai chonin, the merchants, they often preferred to adopt a husband for a daughter, an adult clerk who had proven his mettle and would be an asset to the family business. It was common practice among brewers, a good business strategy.
And she had felt it, felt the weight of the generations fall upon her, the hope her father had bestowed upon her. She could not bear his sad eyes or the way her mother got busy every time she neared so as not to let on that she had been crying. Rie had promised herself then that she would take this loss from their shoulders, this burden, and carry it as her own.
Now, as she washed the barrels, she pictured her little brother Toichi's large brown eyes, his sweet face. She should have been watching him closer, her father's only son. He had been her responsibility, and now he was gone. Her guilt was a burden she would bear the rest of her life, the result of her own carelessness and disregard of her responsibility to the house. As she finished scrubbing the last of the barrels all she got was blue-cold hands and a scolding from her father. "Yes, Father. But I do not want to leave this job to others. It's too important. And I'm not so near the door." She glanced up briefly, and looked down again.
"Get back to the kitchen!" Kinzaemon bellowed.
Rie was careful not to let her anger and disappointment show. She bowed, dropped the brush, and ran toward the door leading through the earthen corridor to the rooms of the house. The kitchen. That was the place of women. How unreasonable of her father to expect her to be only a confined "girl in a box."
Now she was the first and only child. The samurai knew what to do about barren wives who had only daughters. A mistress could always be found to provide an heir for the house. Still, the Kansai merchant houses found daughters useful. The midwives liked to announce with the birth of a daughter: "It's a girl, so the house will prosper." With a son you really had a gamble, true enough. You had to take what you got, and that could be a bright boy or a dull one. Her baby brother Toichi had been bright. Still, with a daughter, intelligent or not, you had a range of choices for an adopted husband for her. And for an important house like the Omuras, there were plenty of prospects, excellent ones.
With Toichi gone, it was imperative that Rie take an interest in the business, this she knew, to learn as much as she could from her imperious father and chief clerk, Kin. "Knowing about the brewery will help your husband in the future, the house. I want our brewery to be number one," her father had always said.
Excerpted from The Scent of Sakeby Joyce Lebra Copyright © 2009 by Joyce Lebra. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00030649497
Seller: Once Upon A Time Books, Siloam Springs, AR, U.S.A.
Paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear . Seller Inventory # mon0000910257
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Fair. Original. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Seller Inventory # 0061662372-7-1
Seller: BookHolders, Towson, MD, U.S.A.
Condition: Poor. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: first ] [ Water Damage: MODERATE ] Small coffee stain on first few pages Publisher: Avon Pub Date: 2/17/2009 Binding: Paperback Pages: 366 first edition. Seller Inventory # 6837677
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0061662372I5N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0061662372I3N10
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_454386458
Seller: Foxtrot Books, Yankton, SD, U.S.A.
Soft cover. Condition: Very Good. Very Good Condition paperback 364 pages. Seller Inventory # 022418
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. 1 Original. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 46508272-6
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0061662372I3N00