Worlds of Music is a unique introduction to ethnomusicology, the ideal text with which to experience and understand the meanings of music in the lives of diverse human communities. Writing about cultures they have studied at first hand, the authors describe and analyze the indigenous musics of Africa, North and South America, Eastern Europe, India, Indonesia, and Japan. They also show how ethnomusicologists "get inside" a culture to document its music. Free from excessive jargon and assuming no formal musical background, Worlds of Music conveys the excitement of ethnomusicology by focusing in depth on the music of a small number of representative groups; looks at music both on its own terms and as a human activity in diverse historical, social, and cultural contexts; features fascinating biographies and oral histories of musicians in diverse cultures; includes many original photographs, drawings, and transcriptions of musical examples; and encourages active student involvement by showing how a beginner may document, play, and even build the instruments used in the music of another culture.
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1. The Music-Culture as a World of Music. 2. North America/Native America. 3. Africa/Ewe, Mande, Dagbamba, Shona, BaAka. 4. North America/Black America. 5. Europe/Central and Southeastern Regions. 6. India/South India. 7. Asia/Indonesia. 8. East Asia/China, Taiwan, Singapore, Oversees Chinese. 9. Latin America/Chile, Bolivia, Ecuador, Peru. 10. Music of the Arab World. 11. Discovering and Documenting a World of Music.
Timothy J. Cooley is Professor of Ethnomusicology at the University of California, Santa Barbara, where he teaches courses in Polish and American vernacular, and folk, and popular music, as well as music and sports, and music and tourism. He also is affiliated faculty with the university's Global and International Studies Program. He earned a Master's degree in Music History at Northwestern University, and received his Ph.D. in Ethnomusicology at Brown University, where he studied with Jeff Todd Titon. His book MAKING MUSIC IN THE POLISH TATRAS: TOURISTS, ETHNOGRAPHERS, AND MOUNTAIN MUSICIANS won the 2006 Orbis Prize for Polish Studies, awarded by the American Association for the Advancement of Slavic Studies. He enjoys playing Polish mountain fiddle music, American old-time banjo, and singing in choirs. A revised second edition of his book SHADOWS IN THE FIELD: NEW PERSPECTIVES FOR FIELDWORK IN ETHNOMUSICOLOGY, edited with Gregory F. Barz, was published in 2008. Cooley served as the editor of ETHNOMUSICOLOGY, the journal of the Society for Ethnomusicology. His most recent book, SURFING ABOUT MUSIC (2014) considers how surfers from around the world musically express their ideas about surfing and the surfing communities, and how surfing as a sport and lifestyle is represented in popular culture.
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