The one and only Fay Weldon tells the story of her turbulent and controversial life.
From the 1930s to the 2000s, Fay Weldon has seen and lived our times. As a child in New Zealand, young and poor in London, unmarried mother, wife, lover, playwright, novelist, feminist, anti-feminist, spag-bol-cook, winer-and-diner, there are few waterfronts that she hasn’t covered, few battles she hasn’t fought. An icon to many, a thorn-in-the-flesh to others, she has never failed to excite, madden, or interest. Her life and times cover love, sex, babies, blokes, poverty, work, politics, and not a few Very Famous Names.
Moving from New Zealand to London to Scotland, from the UK to points east and west, Weldon has sipped, gulped, and sometimes spat out the things that make us what we are today.
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Born Franklin Birkinshaw in Barnt Green, Birmingham, in 1931, most of Weldon's childhood was spent in New Zealand. Her father, a philandering doctor, played only a minor, if biologically necessary, role in her existence. She was raised, along with her older sister Jane, by her formidable mother and her bohemian grandmother, a woman once on intimate terms with HG Wells, Rebecca West and Edith Nesbitt. (Weldon's family, it turns out, has an impressive literary pedigree; her grandfather, Edgar, uncle Selwyn and, for a brief while, her mother were all novelists.) Arriving in London just after the Second World War, her mother kept the brood together by working as a servant; the experience of living below stairs later helped Weldon to script the television drama Upstairs, Downstairs. After St Andrews University, Weldon worked in the Foreign Office until becoming pregnant. Defying conventions of the times, she remained a single parent. Following a stint as a consumer agony aunt for the Daily Mirror she drifted into advertising before in utter desperation entering into a crushingly awful marriage of financial (in)convenience. With cool, unwavering honesty she details, in the third person, the truly depressing experience of being hitched to a celibate, Masonic headmaster who encouraged her to work in a seedy West End night-club. She escaped, found true love and, working alongside poets such as Edwin Brock, David Wevill and Peter Porter, went on to pen such winning advertising slogans as "Go to Work on An Egg" and "Unzip a Banana" and began writing seriously. Riddled with Weldon's customary wayward and even mildly contradictory opinions, this frank, acerbic and witty memoir can be infuriating on occasions but is certainly never dull.--Travis Elborough
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