A welcome return to the author of the much-loved and admired ‘Girl with a Pearl Earring’. poignant tale of two families brought reluctantly together, an intimate story of childhood friendships, sexual awakening and human frailty.
January 1901, the day after Queen Victoria’s death.
Two families visit neighbouring graves in a fashionable London cemetery. One is decorated with a sentimental angel, the other with an elaborate urn. The Waterhouses revere the late Queen and cling to Victorian traditions, while the Colemans look forward to a more modern society. To their mutual distaste, the families are inextricably linked when their daughters become friends behind the tombstones. And worse still, befriend the gravedigger’s muddy son.
As the girls grow up, and the new century finds its feet, as cars replace horses and electricity outshines gas lighting, the nation emerges from the shadows of oppressive Victorian values to a golden Edwardian summer. It is then that the beautiful, frustrated Mrs Coleman makes a greater bid for personal freedom, with disastrous consequences, and the lives of the Colemans and Waterhouses are changed forever.
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In Falling Angels, Tracy Chevalier has combined a moving elegy to the lost innocence of the 21st century's grandmothers and great-grandmothers with a reminder of the strength and modernity of their aspirations and achievements. Maude and Livy are aged six in 1901, when Queen Victoria has just died and the whole country is in mourning. In 1910 they are almost young women who have experienced their own personal losses and belong to a generation who are no longer prepared to wear black for months to mark the death of Edward VII. Their families, the Colemans and the Waterhouses ("no relation to the painter"), meet in a graveyard beside their family graves. One has a large marble angel erected above it, the other an urn (an allusion more to the morbidity of a Victorian columbarium than the eternity of Keats' pre-Victorian "unravish'd bride of quietness"). Their choices of a monument to death seem to reflect their differing attitudes to life, but Chevalier makes clear that these two families are forever linked in their fates and aspirations.
The story moves swiftly, switching to multiple narratives: young but quickly maturing Maude and Livy; the adult Colemans and Waterhouses; their servants; and Simon the gravedigger boy. Chevalier has chosen carefully who speaks when, and who, more importantly, keeps silent. Livy's little sister Ivy May is one of the most beguiling figures of the work, but is given only two sentences of her own (and those two bring a lump to the throat). Mrs Coleman's experiences with the campaign for women's suffrage are marginalised through silence; Maude and Livy tell instead of their reaction to the women's antics. And while Falling Angels may be a story of women, despite, or perhaps because of their exclusion from contemporary politics, Simon's observations are the most honest and revealing.
Chevalier herself writes after the story's end that "the Acknowledgements is the only section of a novel that reveals an author's "normal" voice. Every character uses their "normal" voice in this novel, and Chevalier's own voice excels in ensuring that each one is unique (for example, everything is "delicious" for Livy), so that, like Mr Coleman mourning his daughter growing up, you will "miss her when she goes". --Olivia DickinsonReview:
Praise for Girl With a Pearl Earring:
‘A jewel of a novel’ Time
‘This novel will win prizes’ The Times
‘A wonderful novel, a truly magical experience’
‘A vibrant, sumptuous novel...triumphant...a beautifully written tale that mirrors the elegance of the painting that inspired it.’ Wall Street Journal
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Book Description HarperCollins, 2001. Hardcover. Book Condition: New. book. Bookseller Inventory # 7108257