3D Cinema and Beyond
Sanja Obradovic
Sold by Rarewaves.com UK, London, United Kingdom
AbeBooks Seller since 11 June 2025
New - Hardcover
Condition: New
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Add to basketSold by Rarewaves.com UK, London, United Kingdom
AbeBooks Seller since 11 June 2025
Condition: New
Quantity: 1 available
Add to basketThis book brings together essays that engage with mainstream entertainment, experimental film and historical scholarship as part of a larger context for examining the grammar of 3D cinema, its histories and its futures. From cinema and television to video games and augmented reality, the essays consider an 'expanded field' of stereoscopic visual culture. Contributors explore historic and emerging technologies, singular and trendsetting practices, narrative and documentary approaches and the overall perceptual experiences of 3D media. This groundbreaking collection includes Sergei Eisenstein's extraordinary 1947 essay 'On Stereocinema,' translated for the first time in its entirety; a landmark address by Wim Wenders; and the last essay written by 3D-pioneer researcher Ray Zone. The first book of its kind to investigate 3D arts in its various forms, it will be admired for its rigour and accessibility by scholars across disciplines in the visual arts.
Seller Inventory # LU-9781783200399
This book brings together essays that engage with mainstream entertainment, experimental film and historical scholarship as part of a larger context for examining the grammar of 3D cinema, its histories and its futures. From cinema and television to video games and augmented reality, the essays consider an 'expanded field' of stereoscopic visual culture. Contributors explore historic and emerging technologies, singular and trendsetting practices, narrative and documentary approaches and the overall perceptual experiences of 3D media. This groundbreaking collection includes Sergei Eisenstein’s extraordinary 1947 essay 'On Stereocinema,' translated for the first time in its entirety; a landmark address by Wim Wenders; and the last essay written by 3D-pioneer researcher Ray Zone. The first book of its kind to investigate 3D arts in its various forms, it will be admired for its rigour and accessibility by scholars across disciplines in the visual arts.
JANINE MARCHESSAULT is a Professor of Cinema and Media at York University. She is a founder of the Future Cinema Lab, and the 2014-2016 inaugural Director of Sensorium: Centre for Digital Arts Research at York. In 2012, she was awarded a Trudeau Fellowship to pursue her curatorial and public art research. She is the author of Ecstatic Worlds: Media, Utopias and Ecologies (MIT 2017); Cosmic Media: Marshall McLuhan (Sage 2005); and (co)editor of numerous collections. She is a member of the CinemaExpo67.ca research group and a founding member of the Public Access Collective. Her latest curatorial project is an expanded cinema festival XL Outer Worlds―commissioning five IMAX films by artists @Cinesphere 2019. She is the Project Director of Archive/Counter-Archive research project involving more than 14 community archives in Canada, exploring 21st century moving image archives as art forms and new historical knowledge (counterarchives.com).
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