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With so ambitious a project, which at times must have been like catching water in a sieve, inevitably there are omissions--a disappointing lack of Celtic art, for example--but ample room is allocated to associated subjects such as art history, criticism and galleries, as well as European influence elsewhere in the world, and the choices of focus, if less "radical" than the publishers would have us believe, certainly breathe new life into old themes. By re-drawing the lines of development to show evolution rather than succession or progression, Kemp and his contributors have succeeded in assembling and contextualising a whole every bit as accessible and authoritative as its multifarious parts, a record of which they as a team, and we as a society, should be justly proud. --David Vincent
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