Published by Oberon Books, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Bloomsbury Publishing PLC, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Published by Bloomsbury Publishing PLC, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Published by Bloomsbury 3PL, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Published by OBERON BOOKS, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: Russell Books, Victoria, BC, Canada
Softcover. Condition: New. Special order direct from the distributor.
Published by Oberon Books Ltd, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 240 pages. 9.13x5.91x0.71 inches. In Stock.
Published by Bloomsbury Publishing PLC, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Published by Bloomsbury 3PL, 2008
ISBN 10: 1840026014 ISBN 13: 9781840026016
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cicely Berry, voice director for the Royal Shakespeare Company, is one of the most influential voice coaches of our time. In her astonishing new book, she looks closely at the interchange between sound and rhythm in language, showing how it can change the nuance of the meaning and take the director, actor, and audience further into the world of the play.