Dionysos Dithyramben by Nietzsche Friedrich (54 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Zehn Jahre dahin -, kein Tropfen erreichte mich, kein feuchter Wind, kein Thau der Liebe - ein regenloses Land . Nun bitte ich meine Weisheit, nicht geizig zu werden in dieser Dürre: ströme selber über, träufle selber Thau, sei selber Regen der vergilbten Wildniß!' (Zitat auf S. 3 in diesem Buch)Friedrich Nietzsche.Dionysos-Dithyramben.Erstdruck: C. G. Naumann Verlag, Leipzig 1888.Durchgesehener Neusatz, der Text dieser Ausgabe folgt Alfred Kröner Verlag, Leipzig 1922.Taschenbuch-Format (Paperback).Vollständige Neuausgabe, LIWI Verlag, Göttingen 2022.LIWI Literatur- und Wissenschaftsverlag.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Die 'Dionysos-Dithyramben' sind ein Gedichtzyklus des Philosophen Friedrich Nietzsche, der zunächst als Anhang der philosophischen Dichtung 'Also sprach Zarathustra' erschien. Der Titel für den Zyklus wurde erst später hinzugefügt und bezieht sich auf den Dionysos, den Gott der ewigen Wiederkunft und der Lebensbejahung. Die Sammlung umfasst neun Dithyramben jeweils in freiem Rhythmus verfasst.

gebundene Ausgabe. 478 Fraktur Druckschrift / Einband etw. berieben u. bestaubt, Buchschnitt etw. bestaubt SL06 *.* Sprache: Deutsch Gewicht in Gramm: 470.

Condition: Good. 1988. No Edition Remarks. 461 pages. White paper cover. German text. Binding remains firm. Pages are lightly tanned throughout. Paper cover has mild edgewear with curling to corners and reading creases. Sticker to rear cover. Wear marks overall.

Condition: vg+. vg+ 1st Wilhelm Goldman verlag 1964 German edition paperback digest In stock shipped from our UK warehouse.

Leatherbound. Condition: NEW. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1891 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 40 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1929 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 60.

5. Auflage. 252 S. Sprache: Deutsch Gewicht in Gramm: 400 Kl.-8°. Original-kartoniert, gut und sauber.

(=dtv/de Gruyter Dünndruck-Ausgabe) Kl. 8°. 461 Seiten und Buchanzeigen. Roter Original-Karton. Der Buchrücken ist ausgeblichen. Sonst von sehr guter Erhaltung! Sprache: Deutsch Gewicht in Gramm: 800.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1906 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 553.

30 Blatt (Bärbütten). 4°. Orig.-Pappbd. (Druck d. Nietzsche-Gesellschaft) - Eines von 440 Exemplaren. - (Einbd. leicht lichtrandig u. geringfügig gebraucht).

Leather Bound. Condition: New. Language: Yiddish. {Size: 14.60 x 22.86 cms} This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1929. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Yiddish, Pages:- 57, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 57.

Condition: Gut. Vyd. 1. 163 S. ; 25 cm Guter Zustand. EY1835 Sprache: Deutsch Gewicht in Gramm: 650 Gebunden. Fester Pappeinband mit Schutzumschlag.

Gr.-8°, gebundene Ausgabe. Condition: Akzeptabel. Nr. 280 von 440 Exemplaren,. Ohne Schutzumschlaf, Buchrücken beschädigt, Einband lichtrandig, unaufgeschnittenes Exemplar, Zustand zufriedenstellend Sprache: Deutsch Gewicht in Gramm: 1010.

Condition: New.

gebundene Ausgabe. 4352 S. 515 + 441 + 604 + 567 + 410 + 478 + 483 + 478 + 376 Seiten / Einbände bestaubt u. etw. berieben, Seiten etw. vergilbt NL01 *.* Sprache: Deutsch Gewicht in Gramm: 3450.

fester Einband. . Leinen gelb, 449 Seiten, Rückenschildchen, Lesebändchen, Gr8°. * guter Zustand (ohne Schutzumschlag), (K16). 770 gr.

Softcover. New edition. Very Good+ in wraps. Published in German. Light foxing on front panel; Friedrich Nietzsche Samtliche Werke Volume 6.

Hardcover. Condition: Good. 449p. (Nietzsche Werke: Dritter Band.).

Hardcover. Condition: gebraucht; wie neu.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Die Reihe Monographien und Texte zur Nietzsche-Forschung (MTNF) setzt seit mehreren Jahrzehnten die Agenda in der sich stetig Nietzsche-Forschung. Die Baende sind interdisziplinaer und international ausgerichtet und spiegeln das gesamte Spektrum d.

Leipzig, C.G. Naumann, 1889 + (1890 - released 1892). 8vo. Very nice contemporary half calf with five raised bands, gilt ornamentations, and gilt lettered title to spine. Double gilt lines to boards. A bit of wear to capitals and corners. A nice, clean, and tight copy. Internally fresh and clean, uncut. (8), 144 pp. + 21, (1) pp., 1 f. (contents). The scarce first edition of the epitome of Nietzsche's final project -a re-valuation of all values ("Eine Umwerthung aller Werthe"), -his hugely interesting "declaration of war" (preface p. (4): "Diese Schrift ist eine grosse Kriegserklärung"), which was written during his last productive year, just before his big breakdown in Turin. - Bound together with the first printing of the "Dionysian Dithyrambs", which appeared as a separate appendix to the fourth part of "Also sprach Zarathustra"."Götzen-Dämmerung" ("The Twilight of the Idols") must be said to constitute the culmination of the production of this giant of philosophy, who turned mad after having finished it.Early in 1889 Nietzsche began to exhibit signs of serious mental illness, and in Turin he finally broke down, and was brought back to Basel by his friends. "The Twilight of the Idols" was released merely a few weeks after this collapse, and Nietzsche never wrote again.Nietzsche had 1.000 copies of the work privately printed. The work is considered one of his most popular, and it is here that we find some of the most frequently quoted passages from the works of Nietzsche, e.g. "What does not kill me, only makes me stronger" (p.2.: "Was mich nicht umbringt, macht mich stärker").The Twilight was meant as an introduction to, or summary of, Nietzshe's philosophy, and as such it is one of his most interesting works. It is written almost as in a rage of fever -in only about a week-, and as he himself states at the end of the preface: "Turin, am 30. September 1888, am Tage, da das erste Buch der Umwerthung aller Werthe zu ende kam." (i.e. "Turin, on September 30. 1888, on the day that the first book on the re-valuation of all value came to an end."). This highly polemical work makes clear reference to Wagner's opera "Götterdämmerung", and it presents us with a sharp critique of the most influential philosophers in history, e.g. Kant, Plato, Socrates, and of Christianity in general, but also the likes of Rousseau, Hugo, Renan, Mill, Darwin, Dante etc. are attacked as the causes of cultural decadence in Europe, and only the likes of Caesar, Napoleon, Dostojevski, Goethe and Thukydides represent the opposite -healthy and strong- strand.Nobody who had read this work could have been surprised with the mental collapse of the author.Of the 1.000 copies, 659 still remained unsold by October 1893.Though Nietzsche is primarily understood and remembered as one of the greatest philosophers of all times, his poems occupy a central place in his literary production and many of them (e.g. the Dithyrambs) are intimately linked with the philosophy, for which he is so famous today. The first printing of the "Dionysian Dithyrambs" furthermore occupies a central place in the legendary feud over the rights to his works that emerged after his break-down. Nietzshe no longer had any say in the matter of which or where his remaining works were to be printed, and a complicated struggle over the right to decide over these works begins to unfold with the printing of these first six "Dionysian Dithyrambs"."The first of the "books" to be published without his editorial corrections was actually a collection of nine poems, entitled "Dionysian Dithyrambs", which Nietzsche had gathered together during the last few months of 1888. One of them, "Last Will" ("Letzter Wille"), had originally been composed in 1883. The remaining five poems [being the five that are present here, together with "Last Will"] also saw their first drafts during the "Zarathustra" period but did not receive their final revisions until 1888. He prepared the manuscript for printing and composed a dedication on 1 January 1889, but then decided to withhold it temporarily for future publication. Shortly thereafter he was insane. One year later, Gast and Naumann decided to publish the poems in same volume as the first public edition "Zarathustra IV" and because three of the poems already appeared in the text - albeit in a slightly revised format - they elected to print the other six poems in an addendum entitled "Dionysian Dithyrambs". But what started out as a simple publishing venture soon became the focal point of a complicated struggle to decide who would control the contents and the timing of the publication of Nietzshe's literary estate. Naumann had finished the printing of "Zarathustra IV" - which included the addendum of six "Dinysian Dithyrambs".on 23 November 1890, with every intention of introducing the work at the Easter Book Fair of 1891. But on 24 March and again on 29 March, Franziska wrote to Overbeck pleading that the work not be published. On 1 April, Gast received a similar letter. Naumann was sent a telegram demanding that he withhold "Zarathustra IV" until the issues of blasphemey and liability could be settled. On 13 April, the publisher reluctantly agreed to postpone publication until these issues were resolved.Elisabeth took this opportunity to begin searching for a new publisher who would assume responsibility for all of her brother's works, including the remaining copies that he had paid to have self-published. Negotiations dragged on for months as Elisabeth continued to browbeat Naumann on a number of issues. Finally, on 9 February 1892, a contract was signed in which C.G. Naumann gained control of all of Nietzsche's previously published works. The "Dionysian Dithyrambs" appeared as an addendum to the fourth part of "Zarathustra IV", which had been printed in late 1890, and were finally released to the public in March of 1892.Publication of all nine poems - with the proper revisions - had to wait another six years." (Schaberg: pp. 173-.

28 x 22 cm. Titelvignette mit reinem Blattgold aufgelegt. 32 Seiten. Rotbrauner Orig.-Maroquinband mit Titelprägung und Vignette auf Vorderdeckel, Kopfgoldschnitt. (Signiert KGS = Kunstgewerbeschule Weimar). - Eines von 130 Exemplaren auf starkem Bütten der eminent seltenen Ausgabe. Die gesamte buchkünstlerische Ausstattung lag in den Händen von Henry van de Velde. Die Dionysos-Dithyramben sind ein Gedichtzyklus von Friedrich Nietzsche und sein letztes, von ihm zum Druck bestimmtes Werk. Ein buchkünstlerisches Juwel. Sehr schönes Exemplar. - Sarkowski 1200. - Schauer, Bd. II,16 mit Abbildung. - Papiergesänge 31.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. In Yiddish. 49, [2] pages. With original glassine dust jacket. 229 x 167 mm. WorldCat: Libraries worldwide that own item: 1. Dionysian-Dithyrambs (German: Dionysos-Dithyramben) is a collection of nine poems written in the fall of 1888 by Friedrich Nietzsche under the nom de plume of Dionysos. The first six poems (Zwischen Raubvögeln, Das Feuerzeichen, Die Sonne sinkt, Letzter Wille, Ruhm und Ewigkeit and Von der Armut des Reichsten) were published in the 1891 edition of Also sprach Zarathustra. Other three poems (Klage der Ariadne, Nur Narr! Nur Dichter! and Unter Töchtern der Wüste) are compositions drawn from those found in Also sprach Zarathustra only slightly altered. Ruhm und Ewigkeit was published at the finis of the 1908 first edition of Ecce Homo; however, it is now deemed to be a requisite part of Dionysos-Dithyramben. In January 1889, during his dementia, Nietzsche drafted "dedications" of Dionysos-Dithyramben to Catulle Mendès, a French poet, critic and novelist, an exemplar of Parnassianism, and author of the libretto to the operetta Isoline composed by André Messager, which made its debut at the Théâtre de la Renaissance in Paris on 26 December 1888, in which he states his high regard for Mendès, calling him des grössten und ersten Satyr, der heute lebt?und nicht nur heute. Today Dionysos-Dithyramben remains widely unread and is often not understood well enough; however, for some those colorful deconstructive verses represent an outstanding poetic achievement of pure Dionysian philosophy, or better yet, an essential entity with the deepest void of Dionysos.