Published by Vandenhoeck & Ruprecht, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: ISD LLC, Bristol, CT, U.S.A.
First Edition
hardcover. Condition: New. 1st.
Published by Bohlau Verlag Gmbh U Co Kg, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condition: new.
Published by Bohlau Verlag, Colonge, Germany, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Hardcover. blue & bw illustrated boards w/ red printing. 279 pgs. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was invented and refined. Although this discourse was inevitably Sovietized in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Although the new official discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.--WorldCat. VG (spine ends crinkled; spine gutter veener wearing. upper corners bumped, creased & curled. remains tightly bound).
Published by Köln: Böhlau 2019., 2019
Seller: Antiquariat Bergische Bücherstube Mewes, Overath, Germany
279 S., 35 Abb. Kart. *neuwertig*. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was invented" and refined. Although this discourse was inevitably Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Although the new official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
Published by Vandenhoeck & Ruprecht Gmbh & Co, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Germany
Writing Art History in the Post-War Decades. Edited by Krista Kodres, Kristina Jõekalda and Michaela Marek. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was 'invented' and refined. With 12 contributions by Milena Bartlová, Katja Bernhardt, Ivan Gerát et al. 279 Seiten mit 35 Abb., gebunden (Das östliche Europa. Kunst- und Kulturgeschichte; Band 9/Böhlau Verlag 2019) leichte Lagerspuren/minor shelfwear . Statt EUR 55,00 663 g. Sprache: en.
Published by Bohlau Verlag, Koln, 2024
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by B?hlau|B?hlau K?ln, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: moluna, Greven, Germany
Gebunden. Condition: New. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was \ inve.
Published by Bohlau Verlag, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2019. 1. Auflage ed. hardcover. . . . . .
Published by Bohlau Verlag, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2019. 1. Auflage ed. hardcover. . . . . . Books ship from the US and Ireland.
Published by Bohlau Verlag, Koln, 2024
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Bohlau Verlag, Koln, 2024
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Bohlau Verlag, 2019
ISBN 10: 3412511617 ISBN 13: 9783412511616
Seller: dsmbooks, Liverpool, United Kingdom
Hardcover. Condition: New. New. book.