How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Although the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
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Hardcover. blue & bw illustrated boards w/ red printing. 279 pgs. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was invented and refined. Although this discourse was inevitably Sovietized in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Although the new official discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.--WorldCat. VG (spine ends crinkled; spine gutter veener wearing. upper corners bumped, creased & curled. remains tightly bound). Seller Inventory # 193449
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Writing Art History in the Post-War Decades. Edited by Krista Kodres, Kristina Jõekalda and Michaela Marek. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was 'invented' and refined. With 12 contributions by Milena Bartlovį, Katja Bernhardt, Ivan Gerįt et al. 279 Seiten mit 35 Abb., gebunden (Das östliche Europa. Kunst- und Kulturgeschichte; Band 9/Böhlau Verlag 2019) leichte Lagerspuren/minor shelfwear . Statt EUR 55,00 663 g. Sprache: en. Seller Inventory # 119392
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Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783412511616
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Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783412511616
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Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783412511616
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