Published by Palgrave Macmillan, 2011
ISBN 10: 0230115055 ISBN 13: 9780230115057
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Published by Bloomsbury Visual Arts, 2024
ISBN 10: 1350248479 ISBN 13: 9781350248472
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Published by Palgrave Macmillan, 2011
ISBN 10: 0230115055 ISBN 13: 9780230115057
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Published by Bloomsbury Visual Arts, 2024
ISBN 10: 1350248479 ISBN 13: 9781350248472
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Published by Palgrave Macmillan, 2012
ISBN 10: 134929635X ISBN 13: 9781349296354
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Published by Palgrave Macmillan, 2011
ISBN 10: 0230115055 ISBN 13: 9780230115057
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Published by Bloomsbury Visual Arts, 2024
ISBN 10: 1350248479 ISBN 13: 9781350248472
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Published by Bloomsbury Visual Arts, 2024
ISBN 10: 1350248479 ISBN 13: 9781350248472
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Published by Ava Pub Sa, 2024
ISBN 10: 1350248479 ISBN 13: 9781350248472
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Published by Palgrave Macmillan, 2012
ISBN 10: 0230115055 ISBN 13: 9780230115057
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Published by Palgrave Macmillan, 2011
ISBN 10: 0230115055 ISBN 13: 9780230115057
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Published by British Museum Pubns Ltd, 2012
ISBN 10: 0714125970 ISBN 13: 9780714125978
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Publishing PLC, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Publishing PLC, London, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Hardcover. Condition: NEW. Hardcover. Art, Observation, and an Anthropology of Illustration examines the role of sketches, drawings and other artworks in our understanding of human cultures of the past.Bringing together art historians and anthropologists, it presents a selection of detailed case studies of various bodies of work produced by non-Western and Western artists from different world regions and from different time periods (from Native North America, Cameroon, and Nepal, to Italy, Solomon Islands, and Mexico) to explore the contemporary relevance and challenges implicit in artistic renditions of past peoples and places.In an age when identities are partially constructed on the basis of existing visual records, the book asks important questions about the nature of observation and the inclusion of culturally-relevant information in artistic representations. How reliable are watercolours, paintings, or sketches for the understanding of past ways of life? How do old images of bygone peoples relate to art historical and anthropological canons? How have these images and technologies of representation been used to describe, illustrate, or explain unknown realities?The book is an essential tool for art historians, anthropologists, and anyone who wants to understand how the observation of different realities has impacted upon the production of art and visual cultures. Incorporating current methodological and theoretical tools, the 10 chapters collected here expand the area of connection between the disciplines of art history and anthropology, bringing into sharp focus the multiple intersections of objectivity, evidence, and artistic licence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Bloomsbury Publishing PLC, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Published by Bloomsbury Publishing PLC, London, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
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Hardcover. Condition: new. Hardcover. Art, Observation, and an Anthropology of Illustration examines the role of sketches, drawings and other artworks in our understanding of human cultures of the past.Bringing together art historians and anthropologists, it presents a selection of detailed case studies of various bodies of work produced by non-Western and Western artists from different world regions and from different time periods (from Native North America, Cameroon, and Nepal, to Italy, Solomon Islands, and Mexico) to explore the contemporary relevance and challenges implicit in artistic renditions of past peoples and places.In an age when identities are partially constructed on the basis of existing visual records, the book asks important questions about the nature of observation and the inclusion of culturally-relevant information in artistic representations. How reliable are watercolours, paintings, or sketches for the understanding of past ways of life? How do old images of bygone peoples relate to art historical and anthropological canons? How have these images and technologies of representation been used to describe, illustrate, or explain unknown realities?The book is an essential tool for art historians, anthropologists, and anyone who wants to understand how the observation of different realities has impacted upon the production of art and visual cultures. Incorporating current methodological and theoretical tools, the 10 chapters collected here expand the area of connection between the disciplines of art history and anthropology, bringing into sharp focus the multiple intersections of objectivity, evidence, and artistic licence. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Bloomsbury Publishing PLC, London, 2022
ISBN 10: 1350248436 ISBN 13: 9781350248434
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. Art, Observation, and an Anthropology of Illustration examines the role of sketches, drawings and other artworks in our understanding of human cultures of the past.Bringing together art historians and anthropologists, it presents a selection of detailed case studies of various bodies of work produced by non-Western and Western artists from different world regions and from different time periods (from Native North America, Cameroon, and Nepal, to Italy, Solomon Islands, and Mexico) to explore the contemporary relevance and challenges implicit in artistic renditions of past peoples and places.In an age when identities are partially constructed on the basis of existing visual records, the book asks important questions about the nature of observation and the inclusion of culturally-relevant information in artistic representations. How reliable are watercolours, paintings, or sketches for the understanding of past ways of life? How do old images of bygone peoples relate to art historical and anthropological canons? How have these images and technologies of representation been used to describe, illustrate, or explain unknown realities?The book is an essential tool for art historians, anthropologists, and anyone who wants to understand how the observation of different realities has impacted upon the production of art and visual cultures. Incorporating current methodological and theoretical tools, the 10 chapters collected here expand the area of connection between the disciplines of art history and anthropology, bringing into sharp focus the multiple intersections of objectivity, evidence, and artistic licence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.