Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
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paperback. Condition: As New. Illustrated. LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line or red dot on the bottom/exterior edge of pages.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
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Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
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Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Ebooksweb, Bensalem, PA, U.S.A.
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Published by The MIT Press, 2014
ISBN 10: 0262026880 ISBN 13: 9780262026888
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hardcover. Condition: Fair. Illustrated. No dust jacket.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
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Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
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Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Ebooksweb, Bensalem, PA, U.S.A.
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Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
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Published by Afterall Books, 2022
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Publishing, 2023
ISBN 10: 184638253X ISBN 13: 9781846382536
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Paperback. Condition: new. Paperback. A strikingly original analysis of Isa Genzken's move towards merging sculptural and architectural morphologies into a trailblazing practice of contemporary assemblage.A strikingly original analysis of Isa Genzken's move towards merging sculptural and architectural morphologies into a trailblazing practice of contemporary assemblage.Fuck the Bauhaus, a series of audacious architectural models for future high-rise buildings in Manhattan, marks a poetic and provocative shift in Isa Genzken's artistic oeuvre. Made in the year 2000, out of quotidian objects and cheap materials foraged in the streets and stores of New York, these sculptural assemblages depart from the German artist's 'post-Minimalist' works begun in the 1970s. The earlier works conjured the haunting spectres of catastrophe, destruction and failed utopia, as well as the potential for freedom amidst the ruins of post-War reconstruction culture.Analysing Genken's post-2000 penchant for appropriation, collage and montage, Andre Rottmann draws on the writings of Deleuze and Guattari, Bruno Latour and other theorists of "assemblage," to show how her 'late style' is not a return to (neo-)avant-garde traditions but a powerful reimagining of them for the contemporary moment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
Seller: Ebooksweb, Bensalem, PA, U.S.A.
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Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Publishing, 2023
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by Afterall Publishing, 2023
ISBN 10: 184638253X ISBN 13: 9781846382536
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Published by MIT Press (MA) February 2014, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: New. For more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy notions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and economic conditions of varied sites, his works systematically challenge notions of object, sign, context, authorship, and value, and they confront audiences not only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts, by such prominent figures as Benjamin H. D. Buchloh, Anne Rorimer, Alexander Alberro, and Birgit Pelzer, offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art- and design as well as corporate culture at large. The book provides the first collection of these often hard-to-find texts on Knight and will serve as an essential guide for further consideration of his oeuvre.
Published by MIT Press (MA) February 2014, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: New. For more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy notions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and economic conditions of varied sites, his works systematically challenge notions of object, sign, context, authorship, and value, and they confront audiences not only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts, by such prominent figures as Benjamin H. D. Buchloh, Anne Rorimer, Alexander Alberro, and Birgit Pelzer, offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art- and design as well as corporate culture at large. The book provides the first collection of these often hard-to-find texts on Knight and will serve as an essential guide for further consideration of his oeuvre.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: New. Book is in NEW condition. 0.9.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: New. New! This book is in the same immaculate condition as when it was published 0.9.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: GoldenDragon, Houston, TX, U.S.A.
Paperback. Condition: new. Buy for Great customer experience.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Big Bill's Books, Wimberley, TX, U.S.A.
Paperback. Condition: new. Brand New Copy.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Paperback. Condition: very good. Purchase pre-owned books for prompt service and customer satisfaction.
Published by Afterall Books, 2024
ISBN 10: 184638253X ISBN 13: 9781846382536
Seller: Russell Books, Victoria, BC, Canada
paperback. Condition: New. Special order direct from the distributor.
Published by MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Front Cover Books, Denver, CO, U.S.A.
Condition: new.
Published by The MIT Press, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Seller: Wizard Books, Long Beach, CA, U.S.A.
Paperback. Condition: new. New.