This four-volume "Companion to Shakespeare's Works", compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. It brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. It examines each of Shakespeare's plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. The volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. This book offers a provocative road map to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare's poems, problem comedies and late plays contains original essays on "Troilus and Cressida", "Measure for Measure", "All's Well That Ends Well", "Venus and Adonis", "The Rape of Lucrece", and "The Sonnets", as well as "Pericles", "The Winter's Tale", "Cymbeline", "The Tempest", and "The Two Noble Kinsmen".
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"Whether for the student wishing for an overview of critical approaches or anxious to fill in the gaps in his Shakespearean culture, for those wishing to catch up on the diversity of literary theories, or for the inquisitive browser, this set of volumes assuredly charts the map of current criticism." Cahiers Elisabethains
This companion to Shakespeare's poems, problem comedies, and late plays contains original essays on Troilus and Cressida, Measure for Measure, All's Well That Ends Well, Venus and Adonis, The Rape of Lucrece, and The Sonnets, as well as Pericles, The Winter's Tale, Cymbeline, The Tempest, Henry VIII, and The Two Noble Kinsmen. In addition, it includes eleven essays on such topics as the reception history of the sonnets, collaboration in Shakespeare's middle and late plays, the generic classification of Shakespeare's late plays, The Tempest in performance, and the relation of Shakespeare's "problem plays" to the work of contemporary dramatists.
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