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What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.
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Brian Wall is an assistant professor in the Cinema Department at Binhamton University, SUNY.
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- PublisherPalgrave Macmillan
- Publication date2013
- ISBN 10 1349455067
- ISBN 13 9781349455065
- BindingPaperback
- Edition number1
- Number of pages184
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Theodor Adorno and Film Theory : The Fingerprint of Spirit
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Book Description Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art What would that mean - can it still matter This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones. 188 pp. Englisch. Seller Inventory # 9781349455065
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Book Description Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art What would that mean - can it still matter This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones. Seller Inventory # 9781349455065
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