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Book Description Hardcover. Condition: new. Seller Inventory # 9781137306135
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Book Description Condition: New. Seller Inventory # 19091256-n
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Book Description Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art What would that mean - can it still matter This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones. 173 pp. Englisch. Seller Inventory # 9781137306135
Book Description Hardcover. Condition: Brand New. 192 pages. 1.11x1.11x1.11 inches. In Stock. Seller Inventory # x-1137306130
Book Description Condition: New. What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones. Num Pages: 184 pages, biography. BIC Classification: APFA; APFN; JFC. Category: (P) Professional & Vocational. Dimension: 148 x 219 x 16. Weight in Grams: 344. . 2013. Hardcover. . . . . Seller Inventory # V9781137306135
Book Description Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art What would that mean - can it still matter This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones. Seller Inventory # 9781137306135