The late medieval Digby "Mary Magdalene" play is dominated by its female protagonist. The playwright seems deliberately to have crafted an especially complex version of the popular saint: a multivalent female figure who both challenges boundaries and presents an exemplar of active, virtuous womanhood. This study begins by examining the play's use of imagery common in lyric poetry. Phrases from Latin scripture, liturgy and hymns accentuate the depiction of a protagonist who represents a meshing of genres, conventions, languages and modes of signification. The play is also a fusion of romantic and spiritual adventure which deploys two major romance 'memes, ' creating a figure who redefines the romance heroine as both Lady and Hero. In echoing the "fabliaux" and other comic intertexts, the play straddles generic boundaries to explore contemporary social issues. Finally, the play's use of space and stagecraft highlights Mary's ability to defy conventional gender boundaries. Since the Digby playwright demonstrates a broad knowledge of secular literature, this study situates his Mary Magdalene within the landscape of literary intertexts and contemporary concerns that might have shaped his thinking. It examines the ways in which the audience might have responded to a liminal figure who, marked by ambivalence and paradox, occupies the space between earth and heaven, ordinary time and eternity, sensuality and sanctity.
"synopsis" may belong to another edition of this title.
The Digby "Mary Magdalene" has hitherto been studied primarily as it relates to East Anglian devotional culture. Joanne Findon deepens and broadens our understanding of the play by exploring its use of the 'secular' genres of romance, "fabliau," and love lyric to develop its characters and themes. She further shows how it subverts generic conventions and how that subversion is echoed in its unconventional use of space. Findon thus illuminates both the play's ideology and its literary strategies while clarifying its place in literary history. "Lady, Hero, Saint" is a splendid contribution to the revisionary scholarship that is transforming our understanding of fifteenth-century English literature. - Karen Winstead, Ohio State University
Joanne Findon received her doctorate from the Centre for Medieval Studies at the University of Toronto, where her dissertation focussed on women in medieval Irish literature. Her book "A Woman's Words: Emer and Female Speech in the Ulster Cycle" was published in 1997. While she continues to publish new work on female characters in some of the lesser-known medieval Irish prose tales, her abiding interest in women's speech and agency in medieval literature has led her to focus most recently on Middle English romance and drama, and she has published several articles in these areas. She is Associate Professor in the Department of English Literature at Trent University, Peterborough, Ontario, Canada, where she teaches courses on Chaucer, medieval drama, medieval romance, creative writing, and children's literature.
"About this title" may belong to another edition of this title.
Shipping:
£ 11.88
From United Kingdom to U.S.A.
Shipping:
£ 25
From United Kingdom to U.S.A.
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. Volume 173. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Seller Inventory # 9761046
Quantity: 1 available
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. Volume 173. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Seller Inventory # 9761038
Quantity: 1 available
Seller: dsmbooks, Liverpool, United Kingdom
Hardcover. Condition: New. New. book. Seller Inventory # D8S0-3-M-0888441738-6
Quantity: 1 available