"synopsis" may belong to another edition of this title.
"[Black] proved he could walk the crime-fiction walk with the Edgar(R)-nominated "Christine Falls," and now his luminous prose gets an even better infrastructure in the sequel, a faster-paced, further melancholic slice of the noir life of Dublin pathologist Quirke."--"Baltimore Sun"
"If you like your mysteries like Guinness--dark and Irish--look no further."--"Rocky Mountain News"(Denver)
"[A] brilliant book."--"The Seattle Times"
"A superb sense of place and an unsettling atmosphere of dread and repressed desire."--"The Providence Journal
"
"A satisfying blend of the muck, and pluck, of the Irish . . . The author knows 1950s Dublin inside and out and the narrative drives onward with pitch-perfect passages."--"The Christian Science Monitor
"
"[Black] is a superb, evocative writer."--"The Miami Herald
"
"Black's prose is as clear and moody as Banville's, never stooping to cliche in word, image, or concept. . . . The delicate but inexorable suspense grows in the natural way, from misunderstanding, deceit, loneliness, and fear."--"The Oregonian" (Portland)
"[Black's] sinuous prose, subtle eroticism, and 1950s period detail do more than enough to put this series on the map."--"The New York Times Book Review"
"Grippingly propulsive . . . "Christine Falls "was the most artful noir mystery in years; "The Silver Swan "is better."--"Los Angeles Times
"
"[Black] proved he could walk the crime-fiction walk with the Edgar®-nominated "Christine Falls," and now his luminous prose gets an even better infrastructure in the sequel, a faster-paced, further melancholic slice of the noir life of Dublin pathologist Quirke."--"Baltimore Sun"
"If you like your mysteries like Guinness--dark and Irish--look no further."--"Rocky Mountain News"(Denver)
"[A] brilliant book."--"The Seattle Times"
"A superb sense of place and an unsettling atmosphere of dread and repressed desire."--"The Providence Journal
"
"A satisfying blend of the muck, and pluck, of the Irish . . . The author knows 1950s Dublin inside and out and the narrative drives onward with pitch-perfect passages."--"The Christian Science Monitor
"
"[Black] is a superb, evocative writer."--"The Miami Herald
"
"Grippingly propulsive . . . "Christine Falls "was the most artful noir mystery in years; "The Silver Swan "is better."--"Los Angeles Times
"
"[Black] proved he could walk the crime-fiction walk with the Edgar(R)-nominated "Christine Falls," and now his luminous prose gets an even better infrastructure in the sequel, a faster-paced, further melancholic slice of the noir life of Dublin pathologist Quirke."--"Baltimore Sun"
"If you like your mysteries like Guinness--dark and Irish--look no further."--"Rocky Mountain News"(Denver)
"[A] brilliant book."--"The Seattle Times"
"A superb sense of place and an unsettling atmosphere of dread and repressed desire."--"The Providence Journal
"
"A satisfying blend of the muck, and pluck, of the Irish . . . The author knows 1950s Dublin inside and out and the narrative drives onward with pitch-perfect passages."--"The Christian Science Monitor
"
"[Black] is a superb, evocative writer."--"The Miami Herald
"
"Black's prose is as clear and moody as Banville's, never stooping to cliche in word, image, or concept. . . . The delicate but inexorable suspense grows in the natural way, from misunderstanding, deceit, loneliness, and fear."--"The Oregonian" (Portland)
"[Black's] sinuous prose, subtle eroticism, and 1950s period detail do more than enough to put this series on the map."--"The New York Times Book Review"
Grippingly propulsive . . . "Christine Falls "was the most artful noir mystery in years; "The Silver Swan "is better. "Los Angeles Times"
[Black] proved he could walk the crime-fiction walk with the Edgar(r)-nominated "Christine Falls," and now his luminous prose gets an even better infrastructure in the sequel, a faster-paced, further melancholic slice of the noir life of Dublin pathologist Quirke. "Baltimore Sun"
If you like your mysteries like Guinness--dark and Irish--look no further. "Rocky Mountain News(Denver)"
[A] brilliant book. "The Seattle Times"
A superb sense of place and an unsettling atmosphere of dread and repressed desire. "The Providence Journal"
A satisfying blend of the muck, and pluck, of the Irish . . . The author knows 1950s Dublin inside and out and the narrative drives onward with pitch-perfect passages. "The Christian Science Monitor"
[Black] is a superb, evocative writer. "The Miami Herald"
Black's prose is as clear and moody as Banville's, never stooping to cliche in word, image, or concept. . . . The delicate but inexorable suspense grows in the natural way, from misunderstanding, deceit, loneliness, and fear. "The Oregonian (Portland)"
[Black's] sinuous prose, subtle eroticism, and 1950s period detail do more than enough to put this series on the map. "The New York Times Book Review""
Grippingly propulsive . . . Christine Falls was the most artful noir mystery in years; The Silver Swan is better. Los Angeles Times
[Black] proved he could walk the crime-fiction walk with the Edgar(r)-nominated Christine Falls, and now his luminous prose gets an even better infrastructure in the sequel, a faster-paced, further melancholic slice of the noir life of Dublin pathologist Quirke. Baltimore Sun
If you like your mysteries like Guinness--dark and Irish--look no further. Rocky Mountain News(Denver)
[A] brilliant book. The Seattle Times
A superb sense of place and an unsettling atmosphere of dread and repressed desire. The Providence Journal
A satisfying blend of the muck, and pluck, of the Irish . . . The author knows 1950s Dublin inside and out and the narrative drives onward with pitch-perfect passages. The Christian Science Monitor
[Black] is a superb, evocative writer. The Miami Herald
Black's prose is as clear and moody as Banville's, never stooping to cliche in word, image, or concept. . . . The delicate but inexorable suspense grows in the natural way, from misunderstanding, deceit, loneliness, and fear. The Oregonian (Portland)
[Black's] sinuous prose, subtle eroticism, and 1950s period detail do more than enough to put this series on the map. The New York Times Book Review
""Grippingly propulsive . . . Christine Falls was the most artful noir mystery in years; The Silver Swan is better." --Los Angeles Times
"[Black] proved he could walk the crime-fiction walk with the Edgar(R)-nominated Christine Falls, and now his luminous prose gets an even better infrastructure in the sequel, a faster-paced, further melancholic slice of the noir life of Dublin pathologist Quirke." --Baltimore Sun
"If you like your mysteries like Guinness--dark and Irish--look no further." --Rocky Mountain News(Denver)
"[A] brilliant book." --The Seattle Times
"A superb sense of place and an unsettling atmosphere of dread and repressed desire." --The Providence Journal
"A satisfying blend of the muck, and pluck, of the Irish . . . The author knows 1950s Dublin inside and out and the narrative drives onward with pitch-perfect passages." --The Christian Science Monitor
"[Black] is a superb, evocative writer." --The Miami Herald
"Black's prose is as clear and moody as Banville's, never stooping to cliche in word, image, or concept. . . . The delicate but inexorable suspense grows in the natural way, from misunderstanding, deceit, loneliness, and fear." --The Oregonian (Portland)
"[Black's] sinuous prose, subtle eroticism, and 1950s period detail do more than enough to put this series on the map." --The New York Times Book Review
"About this title" may belong to another edition of this title.
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