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9780582289789: A Preface to Swift (Preface Books)
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Jonathan Swift's moral and political satires astonished his contemporaries and still have the power to disturb, with their compelling images and unsettling turns of argument, and to delight, with their charm and inventive wit. A Preface to Swift examines the complex appeal of this fierce critic of oppression.

While thematically arranged, the text follows a broadly chronological account of Swift's life to show his development as a writer from the prolific and inventive iconoclast to the mature satirist whose enduring memory of past events produced warm friendship as well as strong resentment. It considers in detail his engagement with the corruption of over-secure politicians and his opposition to the easy rationalism of free-thinking pundits. Gulliver's Travels is shown to be a coherent critique of eighteenth-century ideas of science, education and politics in which the order of the books ('the progress of the fable') is highly significant for its whole meaning. While this is a major focus, Keith Crook also discusses a wide range of Swift's other works, including his early satires, his political writings, his poems and his letters.

Detailed chronological charts place his life and works in the political and cultural context, and illustrations have been chosen with commentaries to extend the reader's sense of Swift's connections with London, Ireland and his contemporaries.

This will be a particularly useful introduction to students who are studying satire as a genre; the early eighteenth-century literary, scientific, philosophical and political context; the representation of women; the political relation of Ireland to England; and the position of the artist within society, especially in connection with the levers of power.

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Review:
"This is an advanced introduction to Swift which combines several skills; those of the biographer, historian and critic." Irish studies review, 1999
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'A description of what the Preface Books were intended to be was included in the first volume and has appeared unchanged at the front of every succeeding title- "A series of scholarly and critical studies of major writers intended for those needing modern and authoritative guidance through the characteristic difficulties of their work to reach an intelligent understanding and enjoyment of it." This may seem modest enough but a moment's reflection will reveal what a considerable claim it actually is. It is much to the credit of Longman and to their [founding] editor Maurice Hussey and his authors that these words have come to seem no more than a plain statement of fact.'
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Jonathan Swift's moral and political satires astonished his contemporaries and still have the power to disturb, with their compelling images and unsettling turns of argument, and to delight, with their charm and inventive wit. A Preface to Swift examines the complex appeal of this fierce critic of oppression.
While thematically arranged, the text follows a broadly chronological account of Swift's life to show his development as a writer from the prolific and inventive iconoclast to the mature satirist whose enduring memory of past events produced warm friendship as well as strong resentment. It considers in detail his engagement with the corruption of over-secure politicians and his opposition to the easy rationalism of free-thinking pundits. Gulliver's Travels is shown to be a coherent critique of eighteenth-century ideas of science, education and politics in which the order of the books ('the progress of the fable') is highly significant for its whole meaning. While this is a major focus, Keith Crook also discusses a wide range of Swift's other works, including his early satires, his political writings, his poems and his letters.
Detailed chronological charts place his life and works in the political and cultural context, and illustrations have been chosen with commentaries to extend the reader's sense of Swift's connections with London, Ireland and his contemporaries.
This will be a particularly useful introduction to students who are studying satire as a genre; the early eighteenth-century literary, scientific, philosophical and political context; the representation of women; the political relation of Ireland to England; and the position of the artist within society, especially in connection with the levers of power.
Keith Crook is Fellow and former Principal Lecturer in English Literature at Anglia Polytechnic University.

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  • PublisherRoutledge
  • Publication date1998
  • ISBN 10 0582289785
  • ISBN 13 9780582289789
  • BindingPaperback
  • Edition number1
  • Number of pages264

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