This eloquent 1757 treatise examines how interactions with the physical world affect formulation of ideals related to beauty and art. Tremendously influential on the development of aesthetic theory, this formative dissertation was among the first explorations of the concept of the sublime and remains a thought-provoking study for modern readers.
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About the Author:
Edmund Burke, III is Professor of History at the University of California, Santa Cruz. He is the editor of "Rethinking World History: Essays on Europe, Islam and World History" by Marshall G.S. Hodgson (1993) and co-editor (with Ira Lapidus) of "Islam, Politics, and Social Movements" (California, 1988).
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