Negotiating Copyright: Authorship and the Discourse of Literary Property Rights in Nineteenth-Century America (Literary Criticism and Cultural Theory) - Hardcover

Buinicki, Martin T.

Hardcover

ISBN 10: 0415976251 ISBN 13: 9780415976251

Publisher: Routledge, 2005

Synopsis

This book examines how debates over copyright law in the United States during the nineteenth century, particularly over the lack of an international copyright law, intersected with the business practices and political and artistic beliefs of American authors. These debates shaped a discourse of literary property rights that forced authors to negotiate their copyrights not only with their publishers, but with their readers as well. The author argues that the act of taking out a copyright was more than a mere legal mechanism marking a transition from amateur to professional or artist to businessperson. Taking out a copyright had a profound impact on how audiences viewed authors, how authors perceived their profession, and how they represented individual rights and property ownership within their texts. The book is unique in the scope of its research, tracking developments from the 1820s through the 1890s, and in the way it approaches the work and careers of well-known authors. The author employs research from the American Antiquarian Society, the Harriet Beecher Stowe Center, and the Government and Special Collections at the University of Iowa, drawing on an array of documents including newspaper editorials, legislative hearings, court decisions, and the public and private writing of James Fenimore Cooper, Walt Whitman, Harriet Beecher Stowe, Samuel Clemens, and Emily Dickinson to demonstrate how authors found themselves in an uneasy opposition to their reading public.

About this title

Synopsis:

Martin Buinicki examines how debates over copyright law in the United States, particularly over the lack of an international copyright law, during the nineteenth century intersected with the business practices and political and artistic beliefs of American authors. He argues that the act of taking out a copyright was more than a mere legal mechanism marking a transition from amateur to professional or artist to businessperson. Taking out a copyright had a profound impact on how audiences viewed authors, how authors perceived their profession, and how they represented individual rights and property ownership within their texts. Unique in the scope of his research, tracking developments from the 1820s through the 1890s, Buinicki brings together research from the American Antiquarian Society, the Harriet Beacher Stowe Center, and the Government and Special Collections at the University of Iowa.

Drawing on an array of documents including newspaper editorials, legislative hearings, court decisions, and the public and private writing of James Fenimore Cooper, Walt Whitman, Harriet Beacher Stowe, Samuel Clemens, and Emily Dickinson, he demonstrates how authors found themselves in an uneasy opposition to their reading public.

About this edition

• Publisher: Routledge
• Publication date: 2005
• ISBN 10: 0415976251
• ISBN 13: 9780415976251
• Binding: Hardcover
• Edition number: 1
• Number of pages: 248