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"The volume is copiously illustrated and firmly rooted in observation and research. Boime does not shy away from dissecting unconscious motivations and assumptions. . . . Enlightening, thought-provoking, and skillfully presented."
--R. K. Dickson "Bloomsbury Review ""In company with the first two volumes, it is a tour de force in the broader historical and sociocultural analysis of art practice and the uses of art in visual representation. The text is closely researched and highly informative. . . . The approach steers a steady course between traditional, sociological, theoretical, and discursive strategies while presenting astute critical appreciation of individual works of art. . . . Reinforced by effective endnotes and an exhaustive index, this book brings much new insight to the current literature and will certainly interest researchers, as well as provide reliable sources for students."
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