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Book Description Hardcover. Condition: New. Oxford University Press, 2001. Hardcover 8vo, 268 pp, blue cloth, pictorial dj A BRAND NEW BOOK UNUSED. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request. Seller Inventory # nf3082
Book Description HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L1-9780195142952
Book Description Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book. Seller Inventory # ria9780195142952_lsuk
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 1.22. Seller Inventory # Q-0195142950
Book Description Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Seller Inventory # C9780195142952
Book Description HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L1-9780195142952
Book Description Hardcover. Condition: new. Hardcover. In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of hisaudience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare'sJulius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes. This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780195142952
Book Description Condition: New. Seller Inventory # ABLIING23Feb2215580033900
Book Description Hardcover. Condition: new. Hardcover. This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings in which Renaissance poets admit themselves accountable and to a degree guilty of a process whereby the literary subject is brought to some kind of destruction. Included among the many poems Kezar uses to explore the concept of authorial guilt raised by violent representations are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, and Milton's Samson Agonistes. This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780195142952