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The Coupling Convention: Sex, Text, and Tradition in Black Women's Fiction - Softcover

 
9780195085099: The Coupling Convention: Sex, Text, and Tradition in Black Women's Fiction
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Much more than a period study, "The Coupling Convention" spans the years from 1853 to 1948 and addresses the vital questions of gender, sexuality, race, and the marriage tradition in black women's fiction.

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Review:
To the extent to which du Cille wishes to privilege a number of neglected works, she puts forward vibrant new readings of more than a dozen novels....duCille is always careful to outline the critical heritage surrounding th novels and thereby allows her reader to proceed with an appropriate caveat. (American Studies vol 29 part 1)
Synopsis:
Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts as diverse as William Well Brown's Clotel (1853) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Amglo-American counterparts, has developed around the marriage plot-what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the very notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other.

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  • PublisherOxford University Press
  • Publication date1994
  • ISBN 10 0195085094
  • ISBN 13 9780195085099
  • BindingPaperback
  • Edition number1
  • Number of pages222
  • Rating

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Book Description Paperback. Condition: new. Paperback. What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel,like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and socialconventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literarytradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream andmarginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction. Much more than a period study, "The Coupling Convention" spans the years from 1853 to 1948 and addresses the vital questions of gender, sexuality, race, and the marriage tradition in black women's fiction. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780195085099

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