Abbie Devereaux wakes in the dark. She is hooded and bound, with no idea where she is or how she got there. Kept alive by a man she never sees, his only promise is that eventually he will kill her - like the others.
But Abbie has spirit and bloody-mindedness on her side. She counts the seconds spent alone and plots her survival. Above all she dreams of returning to normal, careless, everyday life - the land of the living.
Grasping at memories, Abbie recalls snatches of her identity, her career, and her disintegrating relationship with her boyfriend. Is there a connection between her real life and the voice in the darkness? And how can she survive in a place where fear becomes madness and the effort to survive seems too much to bear?
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Land of the Living is possibly their most assured outing yet, with all the carefully crafted plotting and assiduous characterisation that has distinguished their earlier work. The basic situation is intense and immediate: Abbie Devereux wakes up and finds herself hooded and bound, with no idea of how she ended up in this terrifying state. She is tended to by a man she never sees: a man who makes the promise that he will eventually kill her "like the others". Abbie is forced to re-examine aspects of her identity, her career and the dying relationship she had with her boyfriend. The struggle for survival is physical and mental. If French's compelling novel owes more than a little to John Fowles' masterpiece The Collector, it is none the worse for that. And the delineation of extreme mental states has all the disturbing assurance of Patricia Highsmith. --Barry Forshaw
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