The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Like Love's Labour's Lost, Much Ado about Nothing shows Shakespeare moving into a more complex and darker terrain through his exploration of an apparently harmless comical romance. The play revolves around the adventures of the two gallants Claudio and Benedick at the court of Sicily. Claudio falls in love with the governor's daughter Hero, and is eager for his more misanthropic friend Benedick to also find love. Benedick is introduced to the fiery, independent Beatrice, and sparks soon fly as they banter with each other in a more wittier version of Kate and Petruchio in The Taming of the Shrew. Beatrice has some wonderful ripostes to marriage asking why should a woman marry "a clod of wayward marl", whilst Benedick grumbles that "She speaks poniards and every word stabs". Meanwhile, the jealous Don John convinces Claudio that Hero has in fact been unfaithful to him. When Claudio rejects Hero on their wedding day, she faints and is taken for dead. In the hectic final scenes the play moves towards reconciliation between Claudio and Hero, and the tentative admission of the love between Benedick and Beatrice. Famously filmed by Kenneth Branagh in the Tuscan countryside with a cast that included Keanu Reeves, Much Ado about Nothing remains one of Shakespeare's most successful comedies. --Jerry Brotton.
'Cambridge has come up with an excellent new series, Shakespeare in Production, which is going to be invaluable to anybody studying, acting, or producing his plays.' Plays and Players Applause Magazine
'Shakespeare in Production ... is ... ideally suited to people like me: people as interested in the stage history of a Shakespearean play as in its text. What distinguishes these editions, and makes them of particular interest to drama and theatre departments, is their unique concentration on theatrical production.' Studies in Theatre Production
'I cannot recommend too highly the whole series (a bargain at £16.99 for each play) to all theatre lovers, theatregoers, theatre practitioners, and anybody who enjoys Shakespeare.' Robert Tanitch, What's on in London
' ... interesting things to say on structure ...' Plays International
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