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Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.95.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Book
Condition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Princeton University Press, Princeton, NJ, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Lyon's Den Mystery Books & More, Rock Hill, SC, U.S.A.
Book
Soft cover. Condition: Fine. Second Printing and First Paperback Prin. A title in the "Princeton Studies in Opera" series. Cover shows no wear or tears and text block is tight with no loose or dog-eared pages and with no markings or underlinings. Bubble wrapped, boxed, and shipped with USPS Tracking (USA only). Proceeds from the sale of this book benefit WDAV, a 24-hour classical music public radio station in Davidson, NC; streaming online.
Published by Princeton, NJ: Princeton University Press, 1996, 1996
Seller: Steven Wolfe Books, Newton Centre, MA, U.S.A.
Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996, later printing, 288pp., PAPERBACK, light pencil marks in the margins on a few pages, otherwise very good copy. Princeton Studies in Opera, 1. Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. - CONTENTS -- Preface -- Chapter One. Music's Voices -- Chapter Two. What the Sorcerer Said -- Chapter Three. Cherubino Uncovered: Reflexivity in Operatic Narration -- Chapter Four. Mahler's Deafness: Opera and the Scene of Narration in Todtenfeier -- Chapter Five. Wotan's Monologue and the Morality of Musical Narration -- Chapter Six. Brünnhilde Walks by Night -- Notes -- Bibliography -- Index. 9780691026084 ISBN 0691026084.
Published by Princeton, Princeton University Press, 1991, 1991
First Edition
Octavo, xvi+288 pages, original boards in dustwrapper, some annotations, a very good copy. First edition.
Published by Princeton U. P., 1991
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Rare&Beautiful Books, Verdun, QC, Canada
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Soft cover. Condition: As New. Princeton U P, 1991 Softcover, 8vo, 288 pages Like new, unmarked, unsoiled and uncreased As New *.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Princeton University Press, New Jersey, 1991
Condition: Gut. Jahr: 1991. Einband: Leinen. Beschreibung: OLn. mit Orig.SU. Mit eigenh. Widmung der Autorin an den Musikwissenschaftler Prof. Rudolf Stephan auf dem Titel. Mit Notenbeispielen. Sehr gutes Expl. Sprache: en. XVI, 288 S.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Condition: New.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Princeton University Press, Princeton, Nj,, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Book
Paperback. Condition: Very Good. Second Edition. Wraps. 8vo. Large format paperback. Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. ISBN: 0691026084 Pages: 304 Very good indeed.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Who 'speaks' to us in "The Sorcerer's Apprentice", in Wagner's operas, in a Mahler symphony? This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book
Condition: New. Who 'speaks' to us in "The Sorcerer's Apprentice", in Wagner's operas, in a Mahler symphony? This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music. Series: Princeton studies in opera. Num Pages: 304 pages, 88 pp music. BIC Classification: AVA; AVGC4; AVGC9. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 159 x 20. Weight in Grams: 454. . 1996. Reprint. Paperback. . . . .
XVI, 288 S., Obr. Mit Notenbsp.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
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Condition: New.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Book
Condition: New. Who 'speaks' to us in "The Sorcerer's Apprentice", in Wagner's operas, in a Mahler symphony? This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music. Series: Princeton studies in opera. Num Pages: 304 pages, 88 pp music. BIC Classification: AVA; AVGC4; AVGC9. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 159 x 20. Weight in Grams: 454. . 1996. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Published by Princeton Univ Pr, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Revaluation Books, Exeter, United Kingdom
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Paperback. Condition: Brand New. reprint edition. 288 pages. 9.50x6.50x1.00 inches. In Stock.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Book
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Princeton Univ Pr, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. reprint edition. 288 pages. 9.50x6.50x1.00 inches. In Stock.
Published by Princeton University Press, 1996
ISBN 10: 0691026084ISBN 13: 9780691026084
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book Print on Demand
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Who 'speaks' to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that 'sings' is thus reanimated in a new context, and Abbate proposes interpretive strategies that 'de-center' music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.