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Published by Yale University Press, 1966
ISBN 10: 0300000014ISBN 13: 9780300000016
Seller: ZBK Books, Carlstadt, NJ, U.S.A.
Book
Condition: good. Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.
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Published by Penguin Classics, 1991
ISBN 10: 0140433317ISBN 13: 9780140433319
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Yale University, New Haven, 1966
Seller: Priceless Books, Urbana, IL, U.S.A.
Pb. Condition: VG-. 141pp. Remainder stripes on top & bottom edges; owner nameplate fep. Endnotes & index.
Condition: Fair. Acceptable condition. (Art, Painting, Painters) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
Published by Yale University Press, New Haven-London, 1966
Seller: LibrairieLaLettre2, Villefranche de Lauragais, France
Broché. Condition: Bon état. in-12 141 pp. Translated with Introduction and Notes by John R. Spencer. Taches de scotch sur la 1ère et la dernière pages. Couverture insolée. Langue : Anglais Nb de volumes : 1.
Published by Yale University Press, 1967
ISBN 10: 0300000014ISBN 13: 9780300000016
Seller: Monroe Street Books, Middlebury, VT, U.S.A.
Book First Edition
Condition: Very Good. Dust Jacket Condition: None. 141 pages. Minor corner and edgewear and fade, otherwise, very clean and tight copy. Record # 456266.
Published by Dover Publications Inc., United States, New York, 2005
ISBN 10: 0486441555ISBN 13: 9780486441559
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by New Haven-London, Yale University Press, 1966, 1966
Seller: Antiquariaat Hortus Conclusus, Den Haag, Netherlands
Original publisher s white paperback, pictorial frontcover, revised edition [1956], 8vo: 142pp., figs, introduction, notes to introduction, notes to text, index, table of contents. Spine a bit sunned, else good. Please see description or ask for photos.
Condition: Good. 1966. Paperback. Clean copy with some shelf wear. . . . . Books ship from the US and Ireland.
Published by Yale University Press 1966, 1966
Seller: Antiquariat Walter Nowak, Göttingen, Germany
Gewicht in Gramm: 550 Einband etwas fleckig, innen sauberes Exemplar.
Published by Phaidon Press, 1972
ISBN 10: 0714815527ISBN 13: 9780714815527
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
Published by New Haven, 1966
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: Good. 1966. Paperback. Clean copy with some shelf wear. . . . .
Published by New Haven: Yale University Press, 1956
Seller: Nighttown Books, South Pasadena, CA, U.S.A.
First Edition
Hard Cover. Condition: Near Fine. First Edition. First Printing in blue-stamped navy boards, no markings, NOT ex-lib, no foxing, slight softening to spine ends, else bright tight exemplary copy of title scarce in hardcover, lacking the dust jacket; 8vo; 141pp indexed.
Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1739 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 254 Language: Italian Volume 1 Pages: 254 Volume 1.
Published by Cambridge, 2011
ISBN 10: 1107694930ISBN 13: 9781107694934
Seller: Big Reuse, Brooklyn, NY, U.S.A.
Book
Soft cover. Condition: Near Fine. Excellent condition, no notable wear.
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Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1739 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 486 Language: Italian Volume 2 Pages: 486 Volume 2.
Published by London, Phaidon 1972., 1972
First Edition
4to. viii + 159pp, Original boards in backstrip faded dustwrapper. Black and white illustrations; a very good copy. . First edition thus.
Published by Routledge & Kegan Paul, 1956
Seller: M and M Books, Barkway, HERTS, United Kingdom
Book First Edition
Hardcover. Condition: Good+. No Jacket. 1st Edition. No jacket. Mauve cloth covers. Some fading to spine and covers. Slight bumping. 141pp.
Published by Praeger Publishers Inc, 1976
ISBN 10: 0837189748ISBN 13: 9780837189741
Seller: BBB-Internetbuchantiquariat, Bremen, Germany
Book
Gebundene Ausgabe, Leinen. Condition: Sehr gut. Auflage: Reprint. 141 Seiten Zustand: sehr gut; auf 20 Seiten Anstreichungen mit Bleistift (gut radierbar) w19839 9780837189741 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 350.
Published by New Haven: Yale University Press, 1956., 1956
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Hardcover. Condition: Very Good. Dust Jacket Included. 8vo. pp. 141. cloth. dw (rubbed with few short tears).
Paperback. Condition: new. New Copy. Customer Service Guaranteed.
Published by Phaidon 1972, 1972
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Super octavo, yellow cloth boards with gilt lettering to spine, viii + 159pp, illus, VG (light bruising to spine extrems, light foxing to page edges, light spradic foxing to pages) in d/w VG (moderate fading, light rubbing).
Published by Cambridge University Press May 2011, 2011
ISBN 10: 1107000629ISBN 13: 9781107000629
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Used - Like New. Leon Battista Alberti was one of the most important humanist scholars of the Italian Renaissance. Active in mid-fifteenth-century Florence, he was an architect, theorist, and author of texts on perspective and painting. Alberti's On Painting is a cardinal work that revolutionized Western art. In this volume, Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. Dr. Sinisgalli reverses the received understanding of the relationship between the Italian and Latin versions of Alberti's treatise by demonstrating that Alberti wrote it first in Italian and then translated it into a polished Latin over the course of several decades. This volume is richly illustrated to help demonstrate how Alberti understood optics and art. BEAUTIFUL COPY!!! Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.
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Hardcover. Brown cloth boards with gilt highlights, Black leather corners and spine. Gilt lettering and design elements on 5 raised band spine. xiii, [3], 341 pages, 69 leaves of plates (some folded) : illustrations, plans. Title vignette, tail-pieces and plates engraved by Pio Panfili. Very Good Cover has general wear, Leather peeling, corner/edge damage. Spine has damage to top/bottom. Bookblock has age toning. Interior pages have age toning and foxing.
Published by Thomas Edlin, London, 1726
Seller: William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, U.S.A.
First Edition
Condition: Very Good. Picart (illustrator). First edition in English. First English edition. Twentieth century cloth over eighteenth century boards sans endpapers. Folio engraved frontispiece by Bernard Picart; woodcut initials and tailpieces; parallel text in Italian and English; 102 engraved plates (24 of which are double-page). TOGETHER WITH Leoni's Designs for Buildings both Publick and Private. Folio 11 x 17.75 inches; 29.5 x 45 cm. Christie's, Apr 26, 1989, lot 163.
Published by Thomas Edlin., London., 1726
Book First Edition
4 works in 3 vols. Folio. pp. (16), 103; (2), 44, 46 - 47, 49 - 66, 68 - 68, 69 -130; (2), 34; (8), 6. Engraved allegorical frontispiece, printed title in Italian, printed title in English, leaf with Leoni's dedication in Italian to 'Giorgio, Prencipe di Vallia', two leaves with list of subscribers, four leaves with the life of Alberti and list of his works, four leaves with preface by Leoni, parallel text in English and Italian of books I - V (103 numbered leaves) and 9 engraved hors texte plates; printed title in English for vol. II, printed title in Italian and parallel text of books VI - X (130 numbered leaves) and 58 engraved hors texte plates, 3 double-page and one folding on two sheets; leaf with privilege, printed title to vol. III in English, printed title in Italian, leaf with dedication to Thomas Scawen in Latin, parallel text in English and Italian of Books I - III of 'On Painting' and book I of 'On Statuary' (34 numbered leaves) and 8 engraved hors texte plates; printed title in English for Leoni's Works, printed title in Italian, five leaves with 'To the Reader', six leaves with Leoni's text and additional subscribers list and 27 engraved plates, 11 double-page and 9 folding plates on two sheets. All of the plates are by Leoni apart from 3 by Bernard Picart, the engraver - often unnamed - is given variously as Picart, John Harris or J. Cole. Printed titles with woodcut vignettes, woodcut head- and tail-pieces and decorative initials throughout. (Sheet size: 426 x 275 mm). Full modern speckled calf. [PROVENANCE: Ownership signature to head of titles of [illegible] Mulholland and dated 'Sept[embe]r. 8th, 1843']. First edition in English of Alberti's De Re Ædificatoria, together with his other works De Pictura and Della Statua. John Evelyn had appended an English translation of Della Statua to his own work on Fréart, but it was not until Leoni (who had also introduced Palladio to an English audience) that any of Alberti's other works appeared in English. The engravings and text used by Leoni for Alberti's architectural text were based on the translation and first illustrated edition published by Bartoli in 1550, while he used du Fresne's 1651 edition for the painting and sculpture sections and the brief life of Alberti. Leoni added a further section at the end of Alberti's works to publicise his own endeavours. As part of the court of Cosimo de Medici the Elder, friend to Lorenzo, Brunelleschi and the Humanist circle, as well as secretary to six Popes, Leon Battista Alberti was much more than an architect or theoretician. Born into an important but exiled Florentine family in Genoa in 1404, Alberti, with his knowledge of Latin and Greek, flourished when the family were permitted to return in 1429. His works covered painting (De Pictura), sculpture (Della Statua), cryptography, the family and mathematics (Ludi Rerum Mathematicarum), the source for which was Euclid's Optics and it is the combination of his talents that led to the publication of perhaps his most famous and influential work, the De Re Ædificatoria of 1485. Printed in the year of the Battle of Bosworth Field and the ascendancy of the Tudors, Britain had to wait until 1726 for the first English edition, the publication of which is strongly indicative of the work's lasting importance. Building on the ideas of Vitruvius, Alberti also divides his work into ten books and stresses, in particular, the harmonious whole of a building, but has time to reflect on matters relating to gardens where he follwed the Roman landscapists rather than prevalent medieval ideas of walled gardens. Considered by later architects to be more of a theoretician than a practical architect, Alberti is most remembered for his facade of Santa Maria Novella in Florence, an exercise in the tiling of the plane, a breaking down of total surface area into harmonious compartments. In doing this, he provides the spectator with a group of additive units, by which he may visually take the measure of the building, (K. Williams). In this Alberti made use of his own researches, which involved precise measurement and survey of among other things the human body and Rome in its entirety, which he undertook in 1444, as well as the work of Masaccio and Brunelleschi and their rediscovery of geometrical perspective. Active until the end of his life, the De Re Ædificatoria, begun in 1450 was not published until after Alberti's death in Rome in 1472. Subscriber's to the edition included a large number of masons, plasterers, builders and carpenters as well as Nicholas Hawkesmore [sic], Sir John Vanbrugh, Sir Christopher Wren (although deceased when the work was finally issued), Leoni's patron Thomas Scawen and Lord Burlington who both ordered two copies including one, each, on large paper. [Millard 4; Berlin 2554; Fowler 11; Weinreb 16, 9].