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Published by Cambridge University Press, Cambridge, 1994
ISBN 10: 0521395399ISBN 13: 9780521395397
Seller: Lost Horizon Bookstore, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: near fine. First edition. First edition. Hardcover. 10'' X 7''. 199pp. with index.
Published by Cambridge University Press, 1994
ISBN 10: 0521395399ISBN 13: 9780521395397
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Hardcover. Condition: Acceptable. ex-library hardcover with usual stamps and markings - includes dust jacket This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.
Published by Cambridge University Press, 1994
ISBN 10: 0521395399ISBN 13: 9780521395397
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: Red's Corner LLC, Brookhaven, GA, U.S.A.
Book
Condition: VeryGood. All orders ship by next business day! This is a used paperback book. Has wear on cover and/or pages. Book has no markings on pages. For USED books, we cannot guarantee supplemental materials such as CDs, DVDs, access codes and other materials. We are a small company and very thankful for your business!.
Published by Cambridge University Press 11/11/2004, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Paperback or Softback. Condition: New. French Motets in the Thirteenth Century: Music, Poetry and Genre 0.87. Book.
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Book Print on Demand
Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Published by Cambridge University Press 2004-11, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: Chiron Media, Wallingford, United Kingdom
Book
PF. Condition: New.
Published by Cambridge University Press, 1994
Seller: Paul van Kuik Antiquarian Music, Kranenburg, Germany
Book
200 S. Sprache: Englisch Gewicht in Gramm: 300 4°. OLn. Schutzumschlag. (Or. Cloth).
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Book Print on Demand
Condition: new. Questo è un articolo print on demand.
Published by Cambridge Univ Pr, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 199 pages. 9.50x7.50x0.50 inches. In Stock.
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book Print on Demand
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Published by Cambridge University Press, Cambridge, 1997
ISBN 10: 0521395399ISBN 13: 9780521395397
Book First Edition
Hard Cover. Condition: Good. No Jacket. Reprint. From an academic library with the usual stamps etc. A00017397.
Published by Cambridge University Press, 1994
ISBN 10: 0521395399ISBN 13: 9780521395397
Seller: Anybook.com, Lincoln, United Kingdom
Book
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521395399.
Published by Cambridge University Press, 1994
ISBN 10: 0521395399ISBN 13: 9780521395397
Seller: Anybook.com, Lincoln, United Kingdom
Book
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521395399.
Published by Cambridge: CUP, 1994. *, 1994
Seller: Travis & Emery Music Bookshop ABA, London, United Kingdom
4to 199 pages. Cloth, d/w a little worn with vertical back edge scuffed at top. Else VG. Music examples.
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: moluna, Greven, Germany
Book Print on Demand
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This is the first full length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling the gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fou.
Published by Cambridge University Press, 2004
ISBN 10: 0521612047ISBN 13: 9780521612043
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.