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Condition: Fair. Acceptable condition. (Collages, Art, Exhibition Catalogs) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
Published by Smithsonian Institution Press, 1978
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.
Published by Chicago: Gallery 400 University of Illinois,, 1988
Seller: Redux Books, Grand Rapids, MI, U.S.A.
Softcover. Condition: Very Good. Very good paperback. Pages are clean and unmarked. Covers show minor shelf wear with minor rubbing, scuffing. Book does have a minor bend.; 100% Satisfaction Guaranteed! Ships same or next business day!.
Published by Washington. National Gallery., 1978
Seller: The Bookroom, Raleigh, NC, U.S.A.
First Edition
Soft cover. Condition: Fine. 1st Edition. Very clean and tight.
Published by Smithsonian Institution Press, Washington, D. C., 1978
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Condition: Good with no dust jacket. Square, sound binding. Clean and bright pages. Wrappers have general handling wear, edge rubbing, creased corners, small closed tear at lower front edge, scuffing. One exlibrary stamp inside back of wraps but no other exlibrary accession marks. ; Color plates illustrating the artistic work of Irwin Kremen from an exhibition at the Southeastern Center for Contemporary Art, Winston-Salem, NC, September 8-October 22, 1978. Text contents: Joshua C. Taylor, "Foreword"; Ted Potter, "On the Exhibition"; John Cage, "For Irwin K. And His Work"; M. C. Richards, "That Pure and Riddling Truth"; Merce Cunningham, "Irwin Kremen"; Irwin Kremen and Janet Flint, "Why Collage? An Interview with the Artist"; catalog of the exhibition. 10.25" tall; 48 pages.
Published by Smithsonian Institution Press, 1978
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Paperback. Condition: Very Good. Minimal library marks, otherwise text clean and solid; Ex-Library; 8vo 8" - 9" tall; 48 pages.
Published by Chicago: Gallery 400 University of Illinois, 1988
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple bound exhibition catalog, 16 pages, very good condition, no internal marks, clean and crisp, with b/w reproductions.
Published by Green Hill Center for North Carolina Art, 1996
ISBN 10: 0964823411ISBN 13: 9780964823419
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Book
Condition: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, May 6 (weekend sale item)* 28 pp., paperback, includes folding plate, minor library markings, text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Published by Smithsonian Institution Press, Washington,D.C., 1978
Seller: Richard F. Murphy, Jr. Old Books, Hartford, CT, U.S.A.
Association Member: SNEAB
Book
Soft cover. Condition: Fine. Published for the National Collection of Fine Arts on the occasion of an exhibition at the Southeastern Center for Contemporary Art, Winston-Salem, North Carolina.
Published by Southeastern Center for Contemporary Art, Winston-Salem, NC, 1989
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Softcover. 11 pages. Exhibition catalog for a show that ran October 8 through November 26, 1989 in San Antonio, TX and then went on to Wichita, Kansas and Winston-Salem, NC for additional dates. Features an essay by Kremen. Includes, with the covers, 3 color illustrations and a black and white photograph of the artist. A close to near fine copy in stapled wrappers and from the Cranbrook Academy of Art Library with their stamp to the verso of the rear cover. Uncommon.
Published by Memphis Brooks Museum of Art, 1987
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple bound, 16 pages, very good condition, no internal marks, clean and crisp.
Published by Brooklyn Museum, 1985
ISBN 10: 0872731014ISBN 13: 9780872731011
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover staple bound, 16 pages, very good condition, no internal marks, clean and crisp.
Published by Memphis Brooks Museum of Art, Memphis, TN, 1987
Manuscript / Paper Collectible
Pamphlet. 16p., stapled wraps, 8.25x11 inches, illus., wraps lightly soiled else very good exhibition catalog. Black Mountain alumnus and friend of John Cage.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1978 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 56.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1989 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 18.
Softcover. Blue illustrated wraps. 48 pp. Numerous color and bw plates. Published on the occasion of an exhibition at the Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, September 8-October 22, 1978 and National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., January 26-March 25, 1979. VG- (slight age toning to page edges).
Published by Green Hill Center for North Carolina Art, Greensboro, 1996
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Book
Staple-bound Wrappers. Condition: Near Fine. Aside from some very minor rubbing and shelfwear to the covers that are slightly yellowing with age, this 28 page, handsomely designed staple bound softcover catalogue is in excellent, near fine condition. Published on the occasion of the exhibition that was organized in Greensboro, and travelled to Lincoln, Nebraska; Little Rock, Arkansas; and New Orleans, Louisiana. Warmly inscribed by the artist in black on the title page. Well illustrated, with one fold-out page. An essay by the exhibition curator, and a fun and articulate imagined interview between the artist and himself enliven this charming presentation of the Black Mountain College graduate and contemporary of Jasper Johns, John Cage, Robert Rauschenberg, and others, who has been quietly making unassuming, but richly powerful collages and sculpture for some time. Inscribed by the Artist.
Published by Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago Chicago, IL, 1988
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 21.4 x 14 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with show held February 17 - March 19, 1988. Recto features reproduction of "i(x)," 1980. Fair. Mailed copy with diagonal fold and scattered staining on recto and verso.
Condition: Good. SIGNED/INSCRIBED! Memphis, TN: Memphis Brooks Museum of Art, 1987. Sm 4to. 16pp. Illus. Inscribedf by artist on title page. Near Very Good book. Corners bent. (exhibition catalog, Re'eh series) Inquire if you need further information.
Published by [self-published] Durham, NC, 1998
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 17.5 x 13.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard with full paragraph text announcing Irwin Kremen's forthcoming show at AXA Galleries, September 10 - October 3, 1998. Recto features reproduction of "still i(x)," 1986, a collage from the Reva K. Series. Very Good. Mailed copy with handwritten note signed "Krem," the familiar way Kremen was known.
Published by Washington, Smithsonian Institution Press,, 1978
Seller: Antiquariat Jürgen Fetzer, Wien, Austria
Book First Edition Signed
Erste Ausgabe. * Erste Seite mit eigenhändigem Gruß des Künstlers mit Unterschrift (Kremen), datiert: September 1978. Wegen der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Polen, Rumänien, Schweden, Slowakei, Spanien. No shipping to Bulgarien, Frankreich, Griechenland, Luxemburg, Polen, Rumänien, Schweden, Slowakei, Spanien. Sprache: Englisch Gewicht in Gramm: 189 8°. 48 S. OKarton. Minimal gebraucht, Errata-Zettel auf eine Tafel montiert. Ausstellungskatalog, verzeichnet 53 Exponate. Mit zahlreichen Abbildungen im Text und auf farbigen Tafeln. Mit Texten von Joshua C. Taylor, Ted Potter und M.C. Richards, einem Gedicht für den Künstler von John Cage sowie einem Interview mit ihm von Janet Flint.