Published by Da Capo Press, 1992
ISBN 10: 0306804905 ISBN 13: 9780306804908
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
More buying choices from other sellers on AbeBooks
New offers from £ 105.84
Used offers from £ 27.32
Also find Softcover First Edition
Published by Editions des artistes, 1955
Seller: Hairion Thibault, SAINT CHAMAS, France
Etat Passable 1er plat de la couverture quasiment détaché avec un coin corné. Intérieur propre un peu jauni. in8. 1955. Broché. 228 pages. Avec quelques reproductions photographiques en noir. Poids : 230 gr. Mauvais état.
Published by Jazz Book Club, London, 1957
Seller: Paperworks, Plymouth, United Kingdom
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1957 1st edition thus. No 9 in the Jazz Book Club series. Blue cloth, pink titles to spine, pictorial dustjacket. Illustrated with b/w photographs, and drawings by Paul Oliver. Condition: VG book in VG dj. Bright and clean inside and out. Dj with light edgewear, sunning to spine and back panel. Some marks. Now in removable plastic sleeve. Size: 7.5x5in / 19x13cm. 139pp. Weight: 320g.
Published by New York, Da Capo Press., 1992
ISBN 10: 0306804905 ISBN 13: 9780306804908
First Edition
First printing of this republication (original was 1964). "As told to Yannick Bruynoghe." With 9 pages of illustrations plus drawings by Paul Oliver. -- Softcover. Condition: near fine. ISBN 0306804905.
Published by CASSELL AND COMPANY LTD, LONDON E.C.4, 1955
Seller: Highstreet Books ABA ILAB, Honiton, United Kingdom
First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. Big Bill is one of the last of the old Mississippi Negroes who spent his life singing and composing blues. He does not need any introduction to the Jazz world. 8vo.Pp, viii, [4], 139,[1] Dust Jacket dark brown with drawing of Big Bill on front , tear in head and spine has small clips on head and tail. Front free has foxing also rear , but generally book apart from very slight shelf wear good.All plates correct, a very interesting and informative book.
Published by ludd, París, 1987
ISBN 10: 2906305022 ISBN 13: 9782906305021
Seller: La Social. Galería y Libros, Barcelona, BCN, Spain
Tapa blanda. Condition: Muy bien. Colección "Fundamentos" núm 185. MUY BUEN ejemplar con fotos en texto. 212pp + notas.
Published by Bruxelles, Editions des artistes, (um 1960)., 1960
Seller: EOS Buchantiquariat Benz, Zürich, Switzerland
8°. 228 S. Mit 10 Seitentafeln. Orig.-Broschur mit Porträt. Broschur mit Gebrauchsspuren. Sprache: französisch / français / french. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.
Couverture souple. Condition: bon. R320163751: 1955. In-12. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 228 pages - quelques planches en noir et blanc - quelques traces de crayon à papier en marge à l'intérieur de l'ouvrage sans conséquence sur la lecture. . . . Classification Dewey : 780.92-Musiciens, concertistes.
Published by Cassell & Company, 1955
Seller: J. Mercurio Books, Maps, & Prints IOBA, Garrison, NY, U.S.A.
Association Member: IOBA
First Edition
Soft cover. Condition: Fine. Dust Jacket Condition: Near Fine. Paul Oliver (illustrator). 1st Edition. Stated First Published. Short gift inscription on ffep. Clipped DJ in archival cover.
Published by Cassell & Company, 1955
Seller: Gregor Rare Books, Langley, WA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A Fine tight copy in a Fine bright unclipped dust jacket. A very crisp copy. This first person account by one of the great blues players is told in Big Bill's inimitable voice as recorded directly by Bruynoghe. Bill talks in his homey manner of his life, his songs, and his many friends in and out of music. In his lifetime he recorded over 250 songs and wrote many more which were recorded by others. Broonzy learned his blues trade in and around the farmlands of Mississippi then took his talents to Chicago in the 20's where he did most of his recording.
Published by Chicago, 1955
Seller: Cleveland Book Company, ABAA, Rocky River, OH, U.S.A.
Eight loose slips of paper, each measuring about 5" x 3". Each slip is dated in either July, August, or September, 1955, and is signed twice by blues legend Big Bill Broonzy, using various iterations of his name ["Wm. Broonzy," "Bill Broonzy," etc.]. Each of this is from a peformance that Broonzy gave at Chicago's College of Complexes, a sort of roving radical venue for free expression, art, and discussion founded in 1951 by Slim Brundage. The first signature is followed by a math equation, which lists Broonzy's payment for the performance, less a 2% withholding for Social Security. Below that, Broonzy signs his name again, then writes the payment received and the date received. All of the writing is clearly in Broonzy's hand. Big Bill Broonzy was a blues musician from rural Arkansas whose career vascillated between fame and obscutiry during his lifetime. Recording several albums for Meltone Records, Perfect Records, and other minor labels, he would gain some notoriety in the 1930s, even filling in for Robert Johnson at a planned concert at Carnegie Hall in 1938 (Johnson had recently died unexpectedly). While he developed a following, he was still working as a janitor in Iowa in 1951, when the growing folk revival and new support from Pete Seeger brought him national fame and recognition as a blues performer. He toured Europe that year. While Broonzy's music was not as overtly political as some of his folk contemporaries, his music and the circumstances of his life brought him into close quarters with other black blues musicians, and folk artists of all races who were invested in Civil Rights and other left-wing movements of the period. Broonzy autographs are not common; signed photographs and record albums occasionally appear at auction and frequently sell beyond the high estimate, but we were unable to find similar examples of work-related ephemera signed by the blues great, and believe this collection to be an important artifact of this musician's career, dating from the brief period of fame he enjoyed before his relatively early death from throat cancer just three years later, in 1958.