Product Type
Condition
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Published by Andreas Magdanz, Aachen, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: Antiquariat am St. Vith, Mönchengladbach, Germany
Book First Edition
Pappband. Dust Jacket Condition: mit Schutzumschlag. 1. Auflage. 13 cm x 14 cm. Erste Auflage, 105 S. Pappband mit Schutzumschlag. sehr gutes Exemplar. Mit zahlr. farb. Abb. mit beiliegendem Einführungstext.
Published by Magdanz Verlag, Aachen, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition (Russian), first printing. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (1/8- inch chip on the heel of the spin on dust jacket; minor bump to the crown of the spine; slight wear to the extremities; else fine). This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again.".
Published by self-published, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: Masalai Press, Oakland, CA, U.S.A.
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 105 pp., illustrations. In German. signed by author on title page. Limited edition of 1100 copies published in German. "These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened but on the forces of intolerance -- still at work -- that may allow it to happen again." -- The Photobook, Volume II by Martin Parr & Gerry Badger 0.0. Signed by Author(s).
Published by self-published, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: Masalai Press, Oakland, CA, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: As New. 105 pp., illustrations. Signed by author on title page. Limited edition of 100 copies in French. "These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened but on the forces of intolerance -- still at work -- that may allow it to happen again." -- The Photobook, Volume II by Martin Parr & Gerry Badger 0.0.
Published by Andreas Magdanz, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: ANARTIST, New York, NY, U.S.A.
Book Signed
Hardcover with dustjacket in plain cardboard box, 106 pages, in Polish; very good condition, except 2 corners of the box are slightly crimped and 1 edge of box has a 2-inch crease; book is clean and crisp except for tiny white scrapes to dj at spine; signed by Magdanz on dedication page; no other internal marks.
Published by Aachen. Andreas Magdanz. 2003., 2003
Seller: Buch + Foto Marie-Luise Platow, Hilden, Germany
Hartkartoneinband mit OSchutzumschlag. 105 Seiten mit zahlreichen ganz- und doppelseitigen Farbfotoabbildungen. Format/size 14,2 x 13,3 cm. In einer grauen Kartonschachtel. Guter Zustand. Hardcover with dj. 105 pp. with numerous colour illustrations. In grey card board box. Good condition. In dem autobiographischen Spielfim >Birkenau und Rosenfeld< kehrt Marceline Loridan-Ivens als überlebende des Konzentrationslagers Auschwitz-Birkenau nach 50 Jahren an diesen Ort zurück. Andreas Magdanz war mit der Kamera dabei. Die Bildauswahl folgt dem Weg, den M. Loridan-Ivens gegangen ist. Siehe auch Parr/The Photobook/Vol. II/Seite 244, 245. In deutscher Sprache. German language. Von Andreas Magdanz signiert. Signed by Andreas Magdanz.
Published by Magdanz Verlag, Aachen, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition (Polish), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Polish) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. From The Photobook, Volume II, by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author.
Published by Magdanz Verlag, Aachen, 2003
ISBN 10: 3000120912ISBN 13: 9783000120916
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition (Russian), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author.