Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Bln., Schlesinger (PN 1239) [nach 1840]., 1840
Seller: Musik-Antiquariat Heiner Rekeszus, Wiesbaden, WI, Germany
Sheet Music First Edition
Qu.-fol. 9 S. * Späterer Abzug von den Platten der Erstausgabe dieser Fassung.
Published by o.O., o.V. (o.Pl.Nr.) [nach 1820]., 1820
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
14 gest. S. Etwas gebräunt und fingerfleckig, Papierausbesserungen. Eintragungen (Fingersatz) in Blei. Letzte Seiten lose. Jähns, Nr. 260.
Published by Berlin sowie Paris und Wien: A M Schlesinger sowie Moritz Schlesinger und F A Steiner ohne Jahr um, 1821
Seller: Antiquariat Dr. Lorenz Kristen, Berlin, Germany
Sheet Music
14 Seiten und 1 leeres Blatt. Ohne Einband (wohl aus einer privaten Zusammenstellung ausgelöst, stockfleckig [vgl. Abbildung], auf dem Titelblatt unten rechts ein handschriftlicher Besitzvermerk alter Hand [L. Türkheim], die ersten drei Blatt mit Fehlstellen im weißen Rand, ). Quer-4° (ca. 24,5 x 32,5 cm). Noch sehr frühe Edition, vermutlich ein nicht allzu späterer Nachdruck der ersten Ausgabe. Nicht bei Jähns oder Hoboken. 1050 gr.
Published by o.O., o.V. (o.Pl.Nr.) [nach 1820]., 1820
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
qu-fol. 11 gest. S. In losen Lagen. Etwas stock- und fingerfleckig. Jähns Nr. 260 (diese Ausgabe nicht verzeichnet).
Published by Berlin. Schlesingers Buch- und Musikhandlung. o.J.
Seller: Antiquariat am Flughafen, Berlin, Germany
Hardcover. Condition: sehr gut. Halbleinen mit Deckelschild. ca. 25 x 34 cm. 16 Seiten. gestochener Titel durchgehend braun / stockfleckig. kleiner Stempel auf Titel. Bindung gelockert. in deutscher Sprache.
Published by [PN S.1096], Berlin: In Ad: Mt: Schlesinger's Buch=und Musikhandlung, 1825
Seller: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Sheet Music
Oblong folio. Disbound. 1f. (title), 3-14 pp. Engraved. Caption title to p. 3: " C. M. v. Weber. Rondo brillant. Op. 65" to left; "Aufforderung zum Tanz (Invitation à la danse)" to center; notes to foot of p. 3: "Einzig rechtmässige Originalausgabe" to left; "Berlin, Eigenthum von Ad. Mt. Schlesinger" to right. Publisher's oval blindstamp to lower left corner of title. Fingerings in pencil and (to p. 4) in red crayon. Moderately foxed; title frayed and soiled; frayed at spine; some edge tears; old paper clip marks to outer bifolium; title, pp. 3-4, and 13-14 detached. Second edition. WeV S.10. Jähns 260. Hoboken 15, 347. Fuld p. 305 (issue e; subtitle, however, is in French, not English, suggesting a possible bibliographical error). One of six early issues by Schlesinger, the priority among which has not been established. The present issue is printed from plates different from those used in issue b; it could therefore be described as a separate edition. The styles of engraving suggest that b precedes e. One of Weber's best-known composition for piano, written in 1821.
Published by [?Schlesinger], [?Berlin], 1825
Seller: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Sheet Music
Oblong folio. Unbound. [1] (title), [2] (blank), 3-14 pp. engraved music + 1f. (blank). Somewhat worn and soiled; edges soiled and slightly stained; minor browning and offsetting. A curious edition, possibly issued by Schlesinger, however without imprint, plate number or price. Unrecorded by Jähns. Not in Hoboken, where a later printing with imprint, ca. 1825, is cited. Fuld records 6 early printings, all published by Schlesinger in Berlin in ca. 1821; precedence has not been firmly established. Not located in BSB or on COPAC.
Published by [PN 1096], Berlin: In der Schlesingerschen Buch=und Musikhandlung, 1821
Seller: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Sheet Music First Edition
Oblong folio. Disbound. Sewn. 1f. (title), 3-14, [ii] (blank) pp. Engraved. Caption title to p. 3: "Aufforderung zum Tanze." Housed in a custom-made dark green cloth folder. Light to moderate foxing; crease to lower outer corner of pp. 13-14. First Edition, [?second] issue. WeV S.10. Jähns 260. Fuld p. 305 (issue b). One of six early issues by Schlesinger, the priority among which has not been established. One of Weber's best-known compositions for piano, written in 1821.
Published by Schlesingerschen Buch= und Music[!]khandlung [PN 1096], Berlin, 1821
Seller: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Sheet Music First Edition
Oblong folio. Modern dark gray cloth-backed marbled boards with dark olive green leather title label gilt to upper. 1f. (recto title, verso blank), 3-14 pp. Engraved. First Edition, probable first issue. Rare. Fuld issue (a), pp. 304-305. Jähns 260, p. 282. Hoboken 15, 357 (a later issue). Written at the same time Weber was composing his opera Der Freischütz, the Aufforderung zum Tanze ("Invitation to the Dance") is considered to be the first actual concert waltz (i.e., designed for listening rather than for dancing); it was part of both Liszt's and Chopin's repertoire. " . the famous Aufforderung zum Tanze is the first and still perhaps the most brilliant and poetic example of the Romantic concert waltz, creating within its little programmatic framework a tone poem that is also an apotheosis of the waltz in a manner that was to remain fruitful at least until Ravel's poème choréographique, La Valse." Warrack: Carl Maria von Weber, p. 199. Bound with: Sieben Variationen ueber ein Zigeuner Lied für das Pianoforte . Op. 55 . Preiss 10 g. [1] (title), 2-7, [i] (blank) pp. Engraved. Berlin: Schlesingerschen Buch= und Music[!]khandlung [PN 1025], [1819]. First Edition. Jähns 219, p. 230. Hoboken 15, 331. Binding slightly worn, rubbed, and bumped, label with details of Op. 65. Very slightly browned; occasional foxing, a bit heavier to Op. 65. "A prototypical 19th-century musician-critic, [Weber] sought through his works, words and efforts as performer and conductor to promote art and shape emerging middle-class audiences to its appreciation. His contributions to song, choral music and piano music were highly esteemed by his contemporaries, his opera overtures influenced the development of the concert overture and symphonic poem, and his explorations of novel timbres and orchestrations enriched the palette of musical sonorities. With the overwhelming success of his opera Der Freischütz in 1821 he became the leading exponent of German opera in the 1820s and an international celebrity. A seminal figure of the 19th century, he influenced composers as diverse as Marschner, Mendelssohn, Wagner, Meyerbeer, Berlioz and Liszt." Philipp Spitta et al. in Grove Music Online.