Published by Thames & Hudsion, London, 1999
ISBN 10: 0500281653 ISBN 13: 9780500281659
Paperback. Condition: VG. Color-illustrated wraps with gray and black lettering. 238 pp. BW and color illustrations. This is a compendium of Bridget Riley's candid writings and interviews, revealing her thoughts on art, the development of her own work and her views on other artists including Seurat, Mondrian and Nauman. -Amazon.
Published by Thames & Hudsion, London, England, 1996
ISBN 10: 050055028X ISBN 13: 9780500550281
Hardcover. light blue cloth w/ gilt tiling & printing. 64 pgs w/ bw illustration. light blue cloth slipcase w/ gilt emblem. In 1913, outraged by Henri Matisse's painterly violations of the female body, students of the School of the Art Institute of Chicago found him guilty of "artistic murder" and "rapine" and proceeded to burn in effigy three of his works, including the Blue Nude of 1907. Since that time, Matisse's paintings of women have remained a source of deep controversy. In Pleasuring Painting, John Elderfield skillfully picks his way through the knotty politics of painterly pleasure, tracing the development of Matisse's feminine representations from Carmelina of 1903/4 through to the odalisques of the Nice period of the 1920s, offering a startling reinterpretation of some of the artist's best-known works. The author shows that Matisse was not, as his legend suggests, simply a painter of quintessentially male pleasures, but rather one who used his female models as a means of self-analysis and identification. Near Fine. pgs clean & bright; tight binding. slipcase has scuffs & scratches.
Published by Thames & Hudsion, London, 2005
ISBN 10: 0500512027 ISBN 13: 9780500512029
Hardcover. Condition: New/Sealed. tan cloth boards. pictorial dustjacket. 242 pgs w/ illustrations. A history of the Herman Miller Company.
Published by Thames & Hudsion, London, England, 1982
ISBN 10: 0500233578 ISBN 13: 9780500233573
Hardcover. blue cloth boards w/ gilt emblem & spine printing. Color-illustrated dust jacket, white lettering on black spine. 251 pp. Numerous illustration in BW and color. Photo is of a previous copy; this copy is the Thames & Hudson edition with identical pagination and dustjacket design as the American Rizzoli edition. Good/Good- (ex-libris w/ embossed stamp to front endpaper. scuffs, scratches to boards; light sunning to edges. front board curled. back spine gutter has puncture/tear from bruise/bump. dustjacket upper edges have pronounced curling w/ harsh edge-wear chips & tears; lower edge rubbed & curled w/ small tears, chips; upper corners harshly rubbed; tear to back spine gutter; back has old price-sticker).
Hardcover. red cloth boards w/ white illustrated tiling. 445 pp. 34 color, 572 bw plates. Thames & Hudson edition. No dust-jacket. Remains nice copy and a wonderful resource on the artist. Lovely tipped-in color plates. VG (light scuffs & scratches to boards; edge-wear to lower. light rubbing to corners. spine ends crinkled; upper bumped & creased. light foxing to textblock edge. interior remains bright).
Published by Thames & Hudsion, London, 1991
ISBN 10: 0917493176 ISBN 13: 9780917493171
Paperback. Condition: VG. Glossy color-illustrated wraps with black lettering. 177 pp. Mainly color illustrations. Catalog of an exhibition held at Newport Harbor Art Museum, October 14 to December 30, 1990 and four other location through February 9, 1992. Includes bibliographical references.
Published by Thames & Hudsion, London, England, 1989
ISBN 10: 0500275386 ISBN 13: 9780500275382
Softcover. glossy blue wraps w/ illustrations & white priting. 524 pgs w/ color & bw illustrations throughout. Illustrated throughout. Good+ (ex-museum w/ taped ID to lower spine; bookplate w/ stamps; no other markings evident. wraps scuffed & scratched; rubbed edge-wear. spine sunned. spine creased; slight split to opening textblock & center w/ binding firmly intact. shelf-wear to lower textblock.).
Published by Thames & Hudsion, London, England, 2014
ISBN 10: 050005181X ISBN 13: 9780500051818
Hardcover. 5 (illustrator). grey boards w/ blind-stamped emblem, silver spine printing. 304 pgs w/ bw & 188 color illustrations. rose dustjacket w/ bw illustrations, white printing. Light abrasion to upper textblock edge; no damage to page edges. "The Great Archaeologists takes the reader on a journey from the first attempt to establish just how ancient the "ancient past" really was, through the revelatory discovery of lost civilizations and unknown cultures, right up to today's search for explanations about the past. We meet Thomsen and Worsaae, Danish researchers and rivals, and Sanz de Sautuola and Abbé Breuil, who astonished the world with their discoveries of cave art. Controversial figures such as Heinrich Schliemann and the Hungarian Aurel Stein, plunderer of ancient manuscripts from Central Asia, are given new assessments. Little-known pioneers such as Max Uhle in Peru and Li Chi in China are set beside the giants in the field from Koldewey, Dörpfeld, and Woolley in the Near East, to Louis and Mary Leakey, who transformed knowledge of our African ancestry. Other indomitable women include Gertrude Bell, Kathleen Kenyon, and the script-decipherer Tatiana Proskouriakoff. Brian Fagan has assembled a team of some of the world's greatest living archaeologists to write knowledgeably and entertainingly about their distinguished predecessors in this handsome volume, full of fascinating anecdotes, personal accounts, and unexpected insights."--Amazon. Good+ (upper front & back board edges have bruise/indentations w/ creases. bump & crease to lower spine edge. smudges, wear to boards. dustjacket has creasing & rubbing to upper edges & spine ends; small tear to lower spine edge.).
Published by Thames & Hudsion, London, England, 1980
ISBN 10: 0500050341 ISBN 13: 9780500050347
Hardcover. bronze cloth boards w/ gilt emblem. 207 pgs. grey bw illustrated dustjacket w/ white printing. Remains a nice, bright and sharp copy. VG/Good+ (light wear to cloth boards & corners. spine ends bumped & crinkled. dustjacket scuffed & rubbed w/ light foxing; rubbed edge-wear w/ chips & tears; rubbing to corners & spines).
Hardcover. Well-illustrated (illustrator). Gray and black stamped boards. Color-illustrated dust jacket with white lettering. 80 pp. Color illustrations. "In Arch, Andy Goldsworthy is working in his home territory, as he traces the route along which sheep were once driven from Scotland over the border to markets in England. A red sandstone arch, made of blocks hewn from a Scottish quarry, begins its journey in a dilapidated stone sheepfold deep in the hills of Southwest Scotland. From there it progresses south, often constructed in the evening and dismantled early in the morning, in a rich variety of locations: on the site of a vanished stone sheep pen in a town centre, on land high above a six-lane motorway, half in and half out of a stream running through lush pastureland." -Jacket. VG signed and dated by sculptor!.
Hardcover. brown cloth boards w/ blind-stamped emblem, silver spine printing. 319 pgs w/ bw & color illustrations. glossy tan & black pictorial dustjacket w/ white printing. "In this book, the Enlightenment derives its special appeal as the historical staging ground for an intellectual ferment across Europe and America. Dorinda Outram places ideas in their widest possible context, expounding upon their social, political, and cultural implications and how they condition society's conduct in a variety of ways. She looks at what "Enlightenment" meant to contemporaries, how it affected day-to-day life - for instance, by the spread of reading, the open discussion of religion and the relationship between the sexes, self-knowledge and introspection, scientific research, and advances in medicine."--Publisher/WorldCat. VG/VG (light scratches to boards; shelf-wear to lower boards. indentation to upper board edge. light bump to spine top. dustjacket has light wear to edges, spine & corners.).
Published by Thames & Hudsion, London, England, 1974
ISBN 10: 0500850011 ISBN 13: 9780500850015
Hardcover. light brown cloth boards w/ gilt emblem & printing. 224 pgs w/ bw illustrations. glossy light orange & tan illustrated dustjacket. Remains a nice, bright copy. VG/VG- (ex-libris w/ embossed stamp to front endpaper. light shelf-wear to boards. light were to corners. rubbing, crinkling to spine ends. dustjacket scuffed & scratched; rubbing to spine ends & corners; light sunning to back spine edge & upper edge; foxing to interior.
Published by Thames & Hudsion, London, England, 2020
ISBN 10: 0500094241 ISBN 13: 9780500094242
Hardcover. brown boards w/ blind stamped emblem, gilt spine printing. 432 pgs w/ bw illustrations section of color plates. cream, illustrated paper dustjacket w/ blue printing. "This captivating collection of Vincent van Gogh's letters opens a window into the mind of one of history's greatest artists. Giving rare insight into his complicated relationships with family, friends, and other fellow artists, the letters describe his personal doubts, fears, and above all his overriding passion for his art. Introductions by the letters editors from the Van Gogh Museum highlight the most recent discoveries and theories surrounding Van Gogh's work and personal history. Illustrated with original manuscript letters, sketches, paintings, and photographs of correspondents, this book brings Van Gogh's story and work to life."--Amazon. VG+ (crinkling to spine ends w/ light rubbing. tightly bound; appears unread. dustjacket has edge-wear,
Published by Thames & Hudsion, London, England, 1976
ISBN 10: 0500270805 ISBN 13: 9780500270806
Softcover. glossy green & tan illustrated wraps w/ tan printing. 112 pgs w/ bw illustrations. Illustrated throughout. VG- (scuffs, scratches to wraps; instances of rubbed edge-wear; tanning to back wrap. rubbing to corners w/ curling to upper. toning to pgs. remains tightly bound.).
Published by Thames & Hudsion, London, 1982
ISBN 10: 0500091587 ISBN 13: 9780500091586
Hardcover. Cream colored cloth boards. Illustrated dj. 299 pages : illustrations. "Translated from the 'Italian Michelangelo scultore' by Clare Coope. Texts by Michelangelo in the Introduction translated by John Addington Symonds, London 1878 (the sonnets), and Brad Divitt."/ Includes bibliographical references (pages 295-298). Very Good. ex-lib copy. Dj has general wear, tearing. Cover has general wear. Interior pages have foxing, some staining.
Published by Thames & Hudsion, London, England, 1999
ISBN 10: 0500019711 ISBN 13: 9780500019719
Hardcover. navy boards w/ blue pictorial dustjacket, white printing. 256 pgs w/ primarily color illustrations. "Germany has a wealth of magnificent palaces and castles, rich in art and history. Photographed by Paolo Marton and described by a team of local scholars, this collection of photographs records an incredible number of architectural styles, from the Gothic severity of Schloss Gattorf to the fin-de-siecle madness of King Ludwig's Bavarian castles. Many, such as Berlin's Charlottenburg and Wurzburg's Residenz with its splendid Tiepolo frescoes are popular tourist sites. Others, equally grand, are relatively unknown. Here are enchanting pavilions, beautiful formal gardens, magnificent interiors and their priceless contents. The book also contains an introduction to the princely states, maps, a glossary and a bibliography."--Amazon. New/Sealed (remains in publisher's wraps; may have rubbing, bumping to corners, edges etc).
Published by Thames & Hudsion, London / New York, 2002
ISBN 10: 0500510660 ISBN 13: 9780500510667
Hardcover. green cloth boards w/ white spine printing. bw illustrated pastedowns & endpapers. 327 pgs w/ bw & color illustrations. bw & color illustrated dustjacket w/ blue printing. Wonderfully illustrated with 248 color and duotone. "This new volume by and about the sculptor and pioneer land artist Richard Long explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty in both outdoor and indoor spaces is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert and down the Rio Grande, from coast to coast in Ireland and Spain, to Tierra del Fuego and Mongolia, and to the forests of Honshu in Japan."--Worldcat. VG- (front board has a looping series of light puncture holes; does not tear cloth. spine lightly rattled; textlbock & pgs firm, intact. rubbing to lower board edges. dustjacket spine top creased; light rubbing, creasing to corners; scuffs & scratches).
Published by Thames & Hudsion, London, 1967
Hardcover. Blue cloth boards with gilt design on front cover and gilt lettering on spine, color illustrated dust jacket with white lettering, mylar cover, 388 pp, 244 bw illustrations, 33 color plates, plan, diagrams. "The series of mosaics executed in Rome from teh 3rd century until the Reanissance period is one of the glories of late classical, and more particularly, medieval art. Some of these works were created by men whose genius also found expression in other media. But many, including some of the finest, were designed by artists whose names are unknown. Moreover, the assessment of authorship and style is further bedevilled by the frequency with which mosaics have had to be restored or replaced on account of damage or architectural alterations. These are among the problems which D. Walter Oakeshott discusses in this book. Over the last 12 years, he has made a close study of every surviving mosaic made in Rome during the period in review."- dust jacket. Includes bibliographical references (pages 380-385). VG-/Good (rubbing to corners of block, light foxing to block, text and illustrations otherwise very clean. Dust jacket has tear along front edge and overall light wear).
Published by Thames & Hudsion, London / New York, 1989
ISBN 10: 0500235643 ISBN 13: 9780500235645
Hardcover. black cloth w/ white printed emblem & spine printing. 456 pgs w/ bw & color illustrations. glossy black illustrated dustjacket. fold-out chronology. A nice, bright copy. Wonderfully illustrated. Chronology laid-in. Published same year by Harry N. Abrams. VG/VG (scuffs, scratches & smudges to cloth. bump & crease to upper front corner. dustjacket scuffed & scratched; rubbing to corners).
Published by Thames & Hudsion, London, England, 1982
ISBN 10: 0500340919 ISBN 13: 9780500340912
Hardcover. grey cloth boards w/ black emblem & black printing. 195 pgs w/ primarily bw illutrations, select color. glossy white illustrated dustjacket. Illustrated throughout; 168 illustrations, 15 color. VG-/Good+ (ex-libris w/ embossed stamp to front endpaper. wear, scratches to cloth; light sunning to edges. two corners bruised & creased. spine ends bumped. light foxing to all textblock edges w/ fine remnants to pg edges. dustjacket scuffed & scratched w/ foxing to edges; tears to upper corners; curling, creasing to edges; price sticker to back).
Published by Thames & Hudsion, London, England, 1981
ISBN 10: 0500340978 ISBN 13: 9780500340974
Hardcover. cream boards w/ gilt emblem, gilt spine printing. 364 pgs w/ bw illustrations. glossy cream illustrated dustjacket w/ black printing. Contain 544 Illustrations. VG-/VG- (boards scuffed & smudge; scoring to back. spine ends bumped w/ indentation, slight tear to tail. corners bumped & rubbed. upper textblock has speckled foxing. diagonal abrasion to textblock edge w/ fine rubbs to pg edges. dustjacket scuffed & scratched; curled edge-wear; tear to spine top; scoring to back; corners creased; price sticker to back).
Hardcover. navy boards w/ blind-stamped emblem w/ gilt spine. 287 pgs w/ color illustrations. blue pictorial dustjacket w/ white spine. "The marvels of Sicilian Baroqueâ"the dramatic power of its architecture and the emotional power of its decorative art - are well known. Numerous studies have been made, ranging from a focus on the major Sicilian towns or on architectural themes like churches and villas to an examination of its chronology, but none of these gives a comprehensive view. This book looks at the subject from a difference perspective, defining what makes the Baroque of Sicily distinctive. How does it differ from the Baroque in other countries and in other Italian regions, such as Rome and Piedmont? How was it possible to impose that particular character upon churches and palaces, sculpture and painting? What was the role of cities such as Palermo and Catania, and smaller towns like Noto? To what extent did it absorb styles from abroad? How decisive a factor in change and renewal was the Sicilian earthquake? All these questions go to the heart of an architecture that was open to the world of European Baroque and yet stubbornly protective of its own unique identity. 272 color illustrations."--Amazon. VG-VG (light scuffs, smudges to boards. spine ends bumped & crinkled. corners bumped & creased. dustjacket has light edge-wear w/ rubbing, curling & creasing; creasing to corners & spine ends).
Hardcover. tan cloth boards w/ gilt emblem, gilt spine printing. 451 pgs w/ bw illustrations. glossy tan & white illustrated dustjacket w/ white, black printing. Remains a nice, bright copy. Includes 400 monocrhome plates, 147 drawings and 158 illustrations. VG/VG (light scratches & small, spots of staining to cloth boards. light rubbing to corners. speckled & spotted foxing to upper textblock. dustjacket has scuffs & smudges; darkening & scuffing to spine w/ closed tear to top; toning to back).