Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Gallimard, Musee d'Orsay, Musee Bonnard, Paris, Le Cannet, 2012
ISBN 10: 2070138194ISBN 13: 9782070138197
Seller: art longwood books, Gloucester, MA, U.S.A.
Book First Edition
Hard Cover. Condition: Fine. First Edition. hard cover, illustrated boards, with intentionally unattached spine so it opens like a portfolio., no flaws or wear. clean, bright, no markings. no bumps. the unconventional binding is tight and sturdy. appears unused.; french text.; 191pp., five chapters, each containing texts by various contributors. reference material. exhibition flyer laid-in. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.
Published by Gallimard, Musée d'Orsay, Paris, 2011
ISBN 10: 2070133222ISBN 13: 9782070133222
Seller: Papier Mouvant, Houilles, France
Book
Condition: Very good. 297 pages : nombreuses illustrations en noir et en couleurs, fac-similés, couverture illustrée en couleurs ; 24,0 x 28,8 x 2,9 cm || English text (original) || Printed 2011 || No inscriptions.
Published by Musee d'Orsay / Gallimard, Paris, France, 2021
ISBN 10: 2072953464ISBN 13: 9782072953460
Book
Hardcover. white boards w/ color illustrations & blind-stamped printing. 269 pgs w/ color & bw illustrations. Bright, wonderfully detailed illustrations; many full page. Text in French. VG+ (light wear to boards & corners).
Published by Gallimard & Musee d'Orsay, Paris,, 2014
ISBN 10: 207014593XISBN 13: 9782070145935
Book
Hardcover. Condition: Good. No Jacket. Un sculpteur pour l'empire. Sous la direction de Edouard Papet et James David Draper. 4to. 359pp. Numerous color illus. Original pictorial boards, very slightly worn.
Published by Musee d'Orsay & Gallimard, Paris,, 2011
ISBN 10: 2070133230ISBN 13: 9782070133239
Book
Hardcover. Condition: Good. No Jacket. Paris, musee d'Orsay, 5 avril - 3 juillet 2011. 4to. 297pp. Numerous color illus. Original boards, slightly worn.
Published by Musee d'Orsay / Gallimard, Paris, 2023
ISBN 10: 2073013058ISBN 13: 9782073013057
Book
Hardcover. Light beige boards with blue lettering; 266 pp.; richly illustrated, primarily in color. Created on the occasion of an exhibition held from March 28th to July 23rd, 2023 at the Musee d'Orsay in Paris, France and at the Metropolitan Museum of Art in New York from September 24, 2023 to January 7, 2024. VG (Light bumping and edgewear to boards.).
Published by Paris : Musée D'Orsay et de l'Orangerie : Gallimard, impr., 2014
ISBN 10: 2070146820ISBN 13: 9782070146826
Seller: David Strauss, FOLKINGHAM, Lincolnshire, United Kingdom
Book
Hardcover. Condition: Fine. No Jacket. Publ. à l'occasion de l'exposition présentée à Paris, Museée d'Orsay, du 14 octobre 2014 au 25 janvier 2015. Contents: Sade à Orsay. Et pourquoi pas? / Guy Cogeval -- Attaquer le soleil -- Voir dans la nuit du corps -- Humain, trop humain, inhumain -- Le désir de saisir le désir -- Renversement de perspective -- Absolument atheée -- Le désir comme principe d'excès -- Première conscience physique de l'infini -- La nuit des éclairs. Text in FRENCH. 320 x 360 mm. illustrated throughout, mostly in colour. [ISBN: 978-2070146826] Harbound. Printed boards. A fine bright copy.
Published by Paris. Gallimard Musée d'Orsay., 2011
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germany
Erste Auflage. 29 x 24 cm. 297 S., 1 Blatt. Illustrierter OPappband. Einbandkanten mit minimalsten Bereibungen. Sonst sehr gutes Exemplar. Erschienen zur gleichnamigen Ausstellung Paris 2011 durchgehend mit Abbildungen versehen. Text in englischer Sprache. Sprache: englisch.
Published by Gallimard : Musée d'Orsay, Paris, 2011
Seller: BIBLIOPE by Calvello Books, Oakland, CA, U.S.A.
hardcover. Condition: Fine. Black quarto, color illus.; 297 pages : illustrations (chiefly color), portraits ; 29 cm. English content: Essays. Manet in view, Manet on view / Stéphane Guégan -- Painting in Morceaux / Laurence des Cars -- What market for Manet? / Simon Kelly -- The social character of Manet's art / Nancy Locke -- Manet's Parisiennes/ Helen Burnham -- "Monsieur Manet, who draws quite well." / Louis-Antonie Prat -- The Manet revival / Interview Philippe Sollers; Stéphane Guégan -- Catalogue. Couture's choices -- The Baudelaire moment -- A supspicious Catholicism -- From the Prado to the Place d l'Alma -- "The Promise of a Face" -- Impressionism caught in a trap -- The turning point of 1879 -- Less is more? -- The end of the story. || "Obviously unique, erotic and political, highly autobiographical, at times ironic, and always turned toward the public space, Manet's art was also playful. To gamble, to take risks, and to collect the winnings if possible, all three things were vital to this man of great ambition. The former sailor navigated by sight, always in open waters. No retreat, no safe haven, no evasion. Manet feared his doubts less than he feared failure and routine. To become tied down to some formula or particular genre would have been, for him, the worst way of giving up. A revolutionary, certainly, a history painter in his own way, he was above all a Salon painter, ready to do battle with the jury and the public so as to impose the Modern into great art."--Page 4 of cover. || Impressionism (Art) -- France -- Exhibitions|| Catalogue published in conjunction with an exhibition held at Musée d'Orsay, Paris, 5 April-3 July 2011 || **A large, heavy book. Extra shipping charges may apply.**. Fine with very light shelfwear to boards.
Published by Gallimard : Musée d'Orsay, Paris, 2011
Seller: BIBLIOPE by Calvello Books, Oakland, CA, U.S.A.
First Edition
hardcover. Condition: Very fine. Black quarto, color illus.; 297 pages : illustrations (chiefly color), portraits ; 29 cm. English content: Essays. Manet in view, Manet on view / Stéphane Guégan -- Painting in Morceaux / Laurence des Cars -- What market for Manet? / Simon Kelly -- The social character of Manet's art / Nancy Locke -- Manet's Parisiennes/ Helen Burnham -- "Monsieur Manet, who draws quite well." / Louis-Antonie Prat -- The Manet revival / Interview Philippe Sollers; Stéphane Guégan -- Catalogue. Couture's choices -- The Baudelaire moment -- A supspicious Catholicism -- From the Prado to the Place d l'Alma -- "The Promise of a Face" -- Impressionism caught in a trap -- The turning point of 1879 -- Less is more? -- The end of the story. || "Obviously unique, erotic and political, highly autobiographical, at times ironic, and always turned toward the public space, Manet's art was also playful. To gamble, to take risks, and to collect the winnings if possible, all three things were vital to this man of great ambition. The former sailor navigated by sight, always in open waters. No retreat, no safe haven, no evasion. Manet feared his doubts less than he feared failure and routine. To become tied down to some formula or particular genre would have been, for him, the worst way of giving up. A revolutionary, certainly, a history painter in his own way, he was above all a Salon painter, ready to do battle with the jury and the public so as to impose the Modern into great art."--Page 4 of cover. || Impressionism (Art) -- France -- Exhibitions|| Catalogue published in conjunction with an exhibition held at Musée d'Orsay, Paris, 5 April-3 July 2011 || **A large, heavy book. Extra shipping charges may apply.**. Very fine.