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Published by Allen & Unwin, 2019
ISBN 10: 176052817XISBN 13: 9781760528171
Seller: medimops, Berlin, Germany
Book
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Published by Allen & Unwin, Sydney, 2019
ISBN 10: 176052817XISBN 13: 9781760528171
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Book
Paperback. Condition: new. Paperback. '. . . worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch . . . A masterly, multilayered story that will dazzle readers.' Library Journal (starred review)In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain - a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibition of female Dutch painters, and both versions threaten to arrive.As the three threads intersect with increasing and exquisite suspense, The Last Painting of Sara de Vos mesmerises while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.'Deeply researched, beautifully written, intellectually absorbing novel that also has the qualities of a page-turner . . . tremendous story of art, deception, love, ambition and the place of women in the world, and in history. From the opening pages you know you are in the hands of a writer at the top of his game.' Stephen Romei, The Australian'This beautiful novel is a gift . . . a seductive, rewarding read.'Kerryn Goldsworthy, The Advertiser'This densely layered, finely wrought book is a delight. The characters are complex and believable, the story compelling, the writing simply beautiful.' Australian Financial Review A dazzling and mesmerising story that charts the collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth. A literary novel of breathtaking scope, ambition and achievement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Allen & Unwin, 2019
ISBN 10: 176052817XISBN 13: 9781760528171
Seller: Reuseabook, Gloucester, GLOS, United Kingdom
Book
Mass Market Paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Grubby book may have mild dirt or some staining, mostly on the edges of pages.
Published by Allen & Unwin, Sydney, 2019
ISBN 10: 176052817XISBN 13: 9781760528171
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Paperback. Condition: new. Paperback. '. . . worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch . . . A masterly, multilayered story that will dazzle readers.' Library Journal (starred review)In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain - a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibition of female Dutch painters, and both versions threaten to arrive.As the three threads intersect with increasing and exquisite suspense, The Last Painting of Sara de Vos mesmerises while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.'Deeply researched, beautifully written, intellectually absorbing novel that also has the qualities of a page-turner . . . tremendous story of art, deception, love, ambition and the place of women in the world, and in history. From the opening pages you know you are in the hands of a writer at the top of his game.' Stephen Romei, The Australian'This beautiful novel is a gift . . . a seductive, rewarding read.'Kerryn Goldsworthy, The Advertiser'This densely layered, finely wrought book is a delight. The characters are complex and believable, the story compelling, the writing simply beautiful.' Australian Financial Review A dazzling and mesmerising story that charts the collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth. A literary novel of breathtaking scope, ambition and achievement. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Allen & Unwin, Sydney, 2019
ISBN 10: 176052817XISBN 13: 9781760528171
Seller: CitiRetail, Stevenage, United Kingdom
Book
Paperback. Condition: new. Paperback. '. . . worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch . . . A masterly, multilayered story that will dazzle readers.' Library Journal (starred review)In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain - a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibition of female Dutch painters, and both versions threaten to arrive.As the three threads intersect with increasing and exquisite suspense, The Last Painting of Sara de Vos mesmerises while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.'Deeply researched, beautifully written, intellectually absorbing novel that also has the qualities of a page-turner . . . tremendous story of art, deception, love, ambition and the place of women in the world, and in history. From the opening pages you know you are in the hands of a writer at the top of his game.' Stephen Romei, The Australian'This beautiful novel is a gift . . . a seductive, rewarding read.'Kerryn Goldsworthy, The Advertiser'This densely layered, finely wrought book is a delight. The characters are complex and believable, the story compelling, the writing simply beautiful.' Australian Financial Review A dazzling and mesmerising story that charts the collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth. A literary novel of breathtaking scope, ambition and achievement. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.