Published by Routledge, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Routledge 2014-06-17, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Ashgate Publishing Company, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Routledge, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Routledge, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Taylor and Francis Ltd (Sales), 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Ashgate Pub Co, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Taylor & Francis, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. John O Flynn is Senior Lecturer and Head of Music at St Patrick s College, Dublin City University. He is author of The Irishness of Irish Music (Ashgate, 2009) and has penned numerous book chapters, articles and encyclopaedia entries on a diverse range of t.
Published by Taylor and Francis Ltd (Sales), 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Routledge, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Taylor & Francis Ltd, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Ashgate Pub Co, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. new edition edition. 255 pages. 9.45x6.22x1.14 inches. In Stock.
Published by Taylor & Francis Ltd, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Routledge, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Published by Taylor & Francis Ltd (Sales) Jun 2014, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
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Buch. Condition: Neu. Neuware - This interdisciplinary volume of essays contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of 'Historical Perspectives', 'Recent and Contemporary Production' and 'Cultural Explorations' its various chapters act to juxtapose the socio-historical distinctions between the major style categories - traditional, classical and popular - and to explore a range of dialectical relationship(s) between these musical styles in matters pertaining to national and cultural identity.