Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Condition: As New. Unread book in perfect condition.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.54.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.54.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 1.54.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: New. New! This book is in the same immaculate condition as when it was published 1.54.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Condition: New. Buy with confidence! Book is in new, never-used condition 1.54.
Published by Cambridge University Press 6/23/2016, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Paperback or Softback. Condition: New. Ancient Greek Music 1.48. Book.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Paperback. Condition: Brand New. reprint edition. 506 pages. 8.75x5.75x1.25 inches. In Stock.
Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Published by Cambridge University Press, 2016
ISBN 10: 1316610896 ISBN 13: 9781316610893
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.