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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, Princeton, New Jersey, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Softcover. glossy black & tan pictorial wraps w/ white printing. 400 pgs w/ select bw illustrations. In Down from Olympus Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist normative aesthetics and an ascetic scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art, especially sculpture, was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism. Most important, Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural and political consequences of the specialization of scholarship in the last two centuries.--WorldCat. VG (light scratches to wraps; instances of rubbed edge-wear. rubbing to spine ends. remains tightly bound; likely unread).
Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press 2003-03-14, Princeton, N.J. |Woodstock, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Condition: New. 2003. Paperback. Argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Num Pages: 424 pages, 35 halftones. BIC Classification: 1DFG; ACV; ACX; HBJD; HBLL; HBLW; HDDK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 157 x 25. Weight in Grams: 640. . . . . .
Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts.
Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton Univ Pr, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Paperback. Condition: Brand New. 424 pages. 9.00x6.00x1.00 inches. In Stock.
Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
Seller: Kennys Bookstore, Olney, MD, U.S.A.
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Condition: New. 2003. Paperback. Argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Num Pages: 424 pages, 35 halftones. BIC Classification: 1DFG; ACV; ACX; HBJD; HBLL; HBLW; HDDK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 157 x 25. Weight in Grams: 640. . . . . . Books ship from the US and Ireland.
Published by Princeton Univ Pr, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
Seller: Revaluation Books, Exeter, United Kingdom
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Paperback. Condition: Brand New. 424 pages. 9.00x6.00x1.00 inches. In Stock.
Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German 'neohumanists' promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism.This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German 'orientalism.' Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.
Published by Princeton University Press, 2003
ISBN 10: 0691114781ISBN 13: 9780691114781
Seller: moluna, Greven, Germany
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors German neohumanists promised to reconcile these intellectual commitments, and by so doing, to rev.