Product Type
Condition
Binding
Collectible Attributes
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Seller Rating
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
Hardcover. Condition: Very Good.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Very Good. First Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Book
Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Published by Los Angeles: The Museum of Contemporary Art and MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover with dustjacket, 184 pages; good condition, creases and scratched to dj; ex-gallery copy with sticker taped around bottom of spine; sticker on first page; no other internal marks. Foreign shipping may be extra.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Hardcover. Condition: Good. torn/chipped dj, some shelfwear/edgewear, may have remainder mark or previous owner's name, still NICE! Oversized.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: HPB-Diamond, Dallas, TX, U.S.A.
Book
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 2.95.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.95.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: A Good Read, Toronto, ON, Canada
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Light edgewear to DJ. Minor wear to surface of DJ. Remainder mark to bottom edge of text block. ; MIT Press; 12.20 X 9.45 X 0.79 inches; 200 pages.
Published by Cambridge, MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Book First Edition
Hardcover. Condition: Wie neu. Dust Jacket Condition: Wie neu. 1. Auflage. 184 pages with many coloured illustrations; with illustrated jacket.
Published by Museum of Contemporary Art; MIT Press, Los Angeles and Cambridge, MA, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 183 pages, illustrations (some colour); 31 cm. Exhibition Catalogue. Published to accompany an exhibition presented by the Museum of Contemporary Art, Los Angeles, Calif., September 16, 2001 to January 20, 2002. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/air, except by special arrangement. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darling's essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon's literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal life--for example, the ongoing List of Names lists all the people he has met in a given period of time--and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists. / Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum." - Publisher. CONTENTS: Trust Me, by Russell Ferguson; Love Triangulations, by Michael Darling; White Lies, by Francis McKee; a.k.a., by Nancy Spector; Interview with Douglas Gordon, by David Sylvester. Size: 4to. Collectible.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Anybook.com, Lincoln, United Kingdom
Book
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780262062220.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Michigander Books, Dundee, MI, U.S.A.
Book
Hardcover. Condition: New.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. 4to - over 9¾" - 12" Tall (tall). Slight rubbing to jacket (chiefly at edges); else a near fine copy internally. 183, [1] pages. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography.Over 100 Color Photographs.
Published by The MIT Press, First Edition, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: KULTURAs books, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. The MIT Press; 4to 11" - 13" tall; 200 pages.
Published by MIT Press, 2002
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Apeiron Book Service, Sant'Oreste, RM, Italy
Book
Rilegato. Condition: nuovo. New. Published for the occasion of the Exhibit at the Museum of Contemporary Art, Los Angeles 2002. With essays by Michael Darling, Francis McKee, Nancy Spector, David Sylvester, Ill. bn: --, Ill. colori: Fully Illustrated in colour, Peso: 1290 gr.
Published by Museum of Contemporary Art, Los Angeles / MIT Press, Cambridge, MA, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Book First Edition
Boards. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. 4to, 183 pp., color illus. Bottom edge of front board and front panel of jacket lightly bumped, light edgewear to jacket.
Published by Museum of Contemporary Art, Los Angeles, and MIT Press, Cambridge, MA, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Maya Jones Books, Cerrillos, NM, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. VERY GOOD/GOOD. Small smudge at lower edge of front board, a few pages lightly bumped at fore-edge, a couple of page corners turned. Jacket faded at spine, handled, edgeworn, with several chips and closed tears. 183 pp., color illus. Size: 4to.
Published by Los Angeles: The Museum of Contemporary Art and MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover exhibition catalog with dustjacket, 184 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.
Published by MIT Press, Cambridge, Mass. [u.a.], 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, Germany
Book
Hardcover. Condition: Gut. 30,5 x 23,5 cm 183 S. Hardcover. Sprache: Englisch, Zustand: Sehr Gut (Innen); Einband Außen hat keine Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.
Published by MIT Press (MA) September 2001, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Used - Like New. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time -- -and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Out of print. Creasing and/or tears on dust jacket.
Published by The Museum of Contemporary Art, Los Angeles (MOCA), and The MIT Press, Los Angeles and Cambridge, Massachusetts, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Textured black paper-covered boards, with photographically illustrated dust jacket. Photographs and video by Douglas Gordon. Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector. Interview with the artist by David Sylvester. Includes a selected bibliography and a list of works. 184 pp., with four-color plates throughout. 12 x 9-1/4 inches. Published on the occasion of an exhibition organized by Russell Ferguson at the Museum of Contemporary Art, Los Angeles, which traveled to other venues. Fine in Fine dust jacket.
Published by Los Angeles: Museum Of Contemporary Art / MIT Press, Cambridge, MA, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: monobooks, Livingston, NJ, U.S.A.
Book First Edition
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition 2001, first printing, matching copyright and publishing dates, no previous printings listed. Published by Los Angeles: Museum Of Contemporary Art / MIT Press. Hardcover in black cloth with DJ. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no bent page corners, not a reminder. DJ new, bright and shiny, no tears no chips, no edgewear, not clipped. 4to, 184 Pages, well illustrated. Exhibition catalog. Heavy book, will require additional postage for international orders.
Published by MIT / Museum of Contemporary Art, Cambridge Ma. / Los Angeles, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: The land of Nod - art & books, Oostende, Belgium
Book First Edition
Hard Cover. Exhibition Catalogue. Text: English. 183 p.; ill.; 24 x 31 cm. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Good.
Published by Cambridge. MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Libris Books, Bristol, United Kingdom
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Cambridge. MIT Press. 2001. Hard Cover. Black cloth boards with no spine titles. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese.
Published by MIT Press (MA) September 2001, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Used - Very Good. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time -- -and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Very nice clean, tight copy free of any marks.
Published by MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, France
Book
Couverture rigide. Condition: Bon état. In-4 relié 31 cm sur 24. 184 pages. Bon état d'occasion. in-4°.
Published by The MIT Press, 2001
ISBN 10: 0262062224ISBN 13: 9780262062220
Seller: Harmonium Books, Philadelphia, PA, U.S.A.
Book First Edition
Hardcover. Condition: New. 1st Edition. New large hardback w/ jacket; crisp,clean.