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Published by Colnaghi., London, 1969
Seller: Ken Jackson, Calgary, AB, Canada
Book First Edition
Soft cover. Condition: Very Good. 1st Edition. First printing in oblong paper covers. 85 pp. Illustrations. Minor wear and light soiling to covers, contents fine. Very Good.
Published by Princeton University Press, 1989
ISBN 10: 0691040486ISBN 13: 9780691040486
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by The National Gallery of Canada, Ottawa, 1970
Seller: Westside Stories, Hamilton, ON, Canada
Book First Edition
Soft cover. Condition: VG. Dust Jacket Condition: No. First Edition. Contains 20B&W plates with technical descriptions. . This is a tri-lingual catalogue of Michael Snow held during the xxxv International Biennial Exhibition of Art in Venice in 1970. Covers are still bright as is the plates.
Published by Gall Naz Canada, Ottawa, 1968
Seller: Antonio Pennasilico, MILANO, MI, Italy
Catalogo mostra Venezia , XXXIV Esposizione Internaziona d'Arte, Padiglione Canadese, 22 giugno - 20 ottobre 1968, testo italiano / francese / inglese, legatura a punto metallico, formato 26,5x20, pagine 24, illustrato in nero e colori, buone condizioni - 16966.
Published by Princeton, Princeton University Press,, 1988
Seller: Antiquariat Kunsthaus-Adlerstrasse, Stuttgart, Germany
Book
XXV, 274 S. u. 141 Abb. auf Tafeln. Umschl. mit min. Gebrauchsspuren. Gutes Exemplar. Sprache: Englisch Gr.-8°, Orig.-Leinen mit ill. Orig.-Schutzumschlag.
Published by Yale University Press, New Haven and London, 1998
ISBN 10: 0300075960ISBN 13: 9780300075960
Book
Hardcover. Burgundy cloth, gilt letters on spine, with white & color illustrated glossy dust jacket. 285 pp., profusely illustrated in BW and color. "The autonomous self-portrait, a central mode of expression in western art, was a Renaissance invention. This book explores for the first time the genesis and early development of this important genre as it took place in Italy in the fifteenth and sixteenth centuries. Joanna Woods-Marsden examines a series of self-portraits in Renaissance Italy and their relation to the social status of art and artists. She argues that these self-images represented the aspirations of their creators to change the status of art and thereby their own social standing. The book provides a rich account of the intellectual and social context in which the Italian Renaissance artist worked." (dj). VG-/VG- light foxing and scuffing to title page, minor wear to dj edges and corners, some light scuffing. Ex-library with labels and stamps on dj spine, block, inside front and rear covers and title page verso.
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Published by Brepols Publishers, 2008
ISBN 10: 2503518397ISBN 13: 9782503518398
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. illustrated edition. 161 pages. 11.50x8.00x0.50 inches. In Stock.
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Published by new haven & london, Yale University Press 1998 **AL1, new haven & london, 1998
Seller: Messinissa libri, Milano, MI, Italy
Condition: Buono (Good). un grande volume in ottime condizioni, copertina rigida con sovracoperta, 270 pagine, numerose tavole e illustrazioni b,n e a colori nel testo e f.t., come nuovo. Book.
Published by FisicalBook, 2008
ISBN 10: 8484801543ISBN 13: 9788484801542
Seller: Housing Works Online Bookstore, New York, NY, U.S.A.
Book
Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. Minimal shelfwear. Paperback.
viii, 161 pages, with 28 color plates. Soft cover. With an introduction by David Rosand.
Published by Princeton: University Press, 1988
Seller: Wissenschaftliches Antiquariat Zorn, Marburg, Germany
Book First Edition
XXV, 274 Seiten mit 141 s/w Abbildungen auf Tafeln. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. // Original hardcover in a dust jacket. Clean book in good condition. Book from a non smoking environment. Dieses Exemplar stammt aus der Bibliothek von Peter Amelung (Württembergische Landesbibliothek Stuttgart). Sprache: Englisch Original-Leinenband mit Schutzumschlag.
Published by Princeton, New Jersey, Princeton University Press., 1988
ISBN 10: 0691040486ISBN 13: 9780691040486
Book First Edition
4°. 26 cm. XXV, 274, [141] Seiten. Original-Leinenband mit Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Mit zahlreichen Abbildungen. Umschlag mit minimalen Gebrauchsspuren, ansonsten sehr gutes Exemplar. First edition. English language edition. Original cloth binding with dust jacket. With many illustrations. Dust jacket with minimal traces of use. Nearly fine condition. Sprache: englisch.
Published by New Haven & London: Yale University Press, [1998]., 1998
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
4to. pp. viii, 285. profusely illus. in colour & b/w. biblio. index. boards. dw.
Published by Yale University Press, New Haven, 1998
First Edition
Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. None (illustrator). First edition. A very smart, first edition copy of this art reference work which analyses Renaissance Self-Portraiture. Beautifully illustrated, with numerous examples of the Renaissance art Woods-Marsden investigates. The first edition. Split into three parts 'The Intellectual, Social and Psychic Contexts for Self-Portraiture', 'The Quattrocento Court Artist's Invention of the Autonomous Self-Portrait', 'The Cinquencento Court Artist as Aeqves Caesarevs'. This work provides a rich account of the intellectual and social context in which the Italian Renaissance artist worked. Woods-Marsden analyses artists from Mantegna and Alberti to Raphael, Parmigianino, Tital, Sofonisba Anguissola and Annibale Carracci. She looks at how they all construct themselves pictorially and how they used these self-representations. A very bright copy of this work. In the publisher's original cloth binding. Externally, very smart with minor bumping to the extremities. With the original unclipped dustwrapper. Externally, a fine example of this work, with just some minor bumping to the extremities. Dustwrapper is also in an excellent condition with just some light shelf-wear. Internally, firmly bound. Pages are very bright. Minor offsetting to the title page. Otherwise, just the odd spot. Near Fine. book.