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Published by Kumarian Press, 2009
ISBN 10: 1565492811ISBN 13: 9781565492813
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Maeght Editeur - Chroniques de l'Art Vivant, 1970
Seller: Librairie Philoscience, Malicorne sur Sarthe, France
très nombreuses illustrations en noir et blanc 1ere édition Book Condition, Etat : Bon broché, sous couverture imprimée éditeur, illustrée d'une voiture de sport avec le numéro 46 (Porsche 917) grand In-4 1 vol. - 32 pages Contents, Chapitres : Des bolides au Louvres, Paris, Bolide Design - Exposition Brancusi (Texte d'Ezra Pound, Brancusi, Michel Chilo, Hajdu, Isamu Noguchi, Jean Arp) - Eduardo Chillida - Henry Galy-Carles : 1908, année charnière de la sculpture - Etienne Hajdu, grand prix national des arts - J. Subira Puig - Avec Stanley William Hayter dans l'Atelier 17 (2 pages, plusieurs photographies) - M.C. : Serge Poliakoff, un primitif abstrait - Charles Biederman - Jean-Louis Ferrier : La forme et les sens, entretien avec Philippe Sers - José Pierre : Apollinaire à la brocante - Gilbert Lascault : Carelman, la quincaillerie du délire - Jack Kerouac, vie et mort d'un clochard céleste, avec un extrait d'entretien paru dans Paris-Review - Philippe du Vignal : Théâtre, Peter Schumann, entretien - Daniel Caux et Philippe Gras : Entretien avec le musicien Cecil Taylor, une page de photographies - La danse à l'Université américaine, entretien avec Linda Mitchell 300.
Published by Sixties Press, Madison, MN, 1967
Magazine / Periodical First Edition
Paperback. 80p., with 41p. of articles and poems by and about Hernandez, including his Spanish Civil War poetry by Neruda, Alberti, Lorca and others, very good paperback journal in wraps.
Published by Hollins College June, 1990, Roanoke, VA, 1990
Seller: Lorne Bair Rare Books, ABAA, Winchester, VA, U.S.A.
First Edition
First Edition. Stapled self wraps; thin 8vo. 20 pp. Pages 1-12 including cover drawing of Simpson primarily an essay by Henry Taylor on Simpson's poetry; with bibliography. Very good.
Published by Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1954
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph from the 1954 film. Mimeo snipe and provenance stamp on the verso. Based on the 1908 novel by Henry Handel Richardson. A debutante follows her lover to Zurich hoping to marry him, until she meets another musician and must choose between the two. Set in Zurich, Switzerland, shot on location in Zurich, and Pontresina, Switzerland. 10 x 8 inches. Near Fine.
Published by University of Illinois Press, 1993
ISBN 10: 0252019865ISBN 13: 9780252019869
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Charles Scribner's Sons, New York, 1888
Seller: Steven Edwards, Coalmont, TN, U.S.A.
First Edition
1/2 leather. JCharles Stevens, Alfred Kappes, Robert Blum, Francis Day, C. Jay Taylor etc. (illustrator). First edition. 768 p. Includes illustrations. Contains: "Gravelotte to Sedan" by General Philip Sheridan, seven pieces from Robert Louis Stevenson, Henry James on London Life, Augustine Birrell on Matthew Arnold, "Fair Day" by Sarah Orne Jewett, John Bogart of Railway Engineering, N.S. Shaler on Yellowstone, poetry by Percival Lowell, George Parsons Lathrop, and much more. Many engraved illustrations. Spine and corners are leather on pebbled boards. Leather is scuffed up. Decorative mottling on page edges. Sticker on inside cover from Auburn Community College Library. Pages clean and unmarked. One page is loose. Very good. No dust jacket as issued. Ex-library.
Published by Isabella Stewart Gardner Museum, Boston, 1994
First Edition
Paperback. xiv, 33p., 10.5x9.5 inches landscape layout, lectures, essays, poetry, art, photos, very good first edition trade paperback original in pictorial wraps. Publication of pieces from the museum's series.
Published by Gale, Making of Modern Law, 2012
ISBN 10: 1277100578ISBN 13: 9781277100570
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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Published by Taylor & Francis Ltd, 2014
ISBN 10: 1138001724ISBN 13: 9781138001725
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Published by Garland Publishing, 2000
ISBN 10: 0815327498ISBN 13: 9780815327493
Seller: Bananafish Books, New Holland, PA, U.S.A.
Book
Hard Cover. Condition: Very Good. Very good copy with minor shelfwear to glossy pictorial cover.
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Published by Whitney Museum of American Art, 1994
ISBN 10: 0874270936ISBN 13: 9780874270938
Seller: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, U.S.A.
Book First Edition
Soft Cover. Condition: Very Good. First Edition. First edition. Sticker remains on rear cover. 1994 Soft Cover. 223 pp. On December 12, 2014, the Education department presented Looking Back at Black Male, a public program to mark the twentieth anniversary of the exhibition Black Male: Representations of Masculinity in Contemporary American Art, (November 10, 1994-March 5, 1995). Curated by Thelma Golden, now the Director and Chief Curator at the Studio Museum of Harlem, Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era. Looking Back at Black Male brought together exhibition curator Golden, Hilton Als, a writer who edited the exhibition catalogue, and Huey Copeland, art historian and critic, to discuss the exhibition and its afterlives. The program considered Black Male?s significance for cultural debates twenty years ago as well as how it has inspired artists and curators working in its wake. At the beginning of the conversation, Copeland remarked, 'As the nationwide protests of the unpunished murders of two unarmed black men, Michael Brown and Eric Garner have again brought into vivid focus, the 'black male' is a perennial site of fear and projection, policing and pathology, contestation and coalition.' He also stated that the exhibition was not about offering a mirror or image of black masculinity, but providing a context to comprehend how a black male might be produced visually, and the many ways that one might work through that visual production. Referring to the Black Male catalogue as a landmark anthology that has continually sparked many conversations, and a five-part film program organized by John Hanhardt, the Whitney's former film and video curator, Copeland asked Golden and Als to talk about the ways in which they created a multi-pronged curatorial and cultural approach to the exhibition. Golden explained that in order to address the complexities of black masculinity, the exhibition demanded many voices and perspectives. There was no previous model for understanding the complicated manifestations and nuances of representations of black men, and she described her feeling that in order to make this exhibition, it was as if a new language had to be invented. Both Golden and Als underscored the importance of the multiple exhibition components to create a broader context for considering the ideas and themes in the works themselves and to engage a wide audience that Golden was hoping would visit the show. Among these components was a context room (located within the exhibition) that displayed a thematic timeline created by cultural historian Maurice Berger, and a series of public programs organized by Connie Wolf, former director of the Whitney?s Education department. The context room featured an introductory panel and ten large-scale wall texts that, in Berger?s words, were intended to 'narrate very selective moments from this complex history of oppression, struggle, survival, and triumph; it is meant as an adjunct to the Black Male exhibition, as a space of learning and contemplation, as a means of contextualizing some of the issues explored in the exhibition.' Themes included Community and Leadership, Civil Rights, Business and Employment, Television and the Media, and Gender and Sexuality. The Business and Employment text panel provided historical information such as: '1971, The U.S. Bureau of Labor statistics reports that African Americans lag far behind whites in economic prosperity, earning three-fifths of the average white income.' Public programs related to the exhibition included an extensive film program as well as discussions of the event of the show itself. One of these programs was a conversation between cultural historian and Harvard University professor Henry Louis Gates, Jr. and philosopher and activist Cornel West. At the beginning of the conversation, Gates asked if the art-viewing public can 'move beyond all the polemics about so called positive and negative imagery.' During their conversation about, West mused, 'Did [the exhibition] shake you, did it unsettle you, did it in some sense unstiffen your presuppositions as to who and what you are in relation to these black bodies'' Gates emphasized that the importance of discussing the questions posed by the artworks was not only imperative to the exhibition as a whole, but also challenged the viewer to probe his or her understanding of black masculinity. In her discussion of the exhibition Black Male, Golden emphasized that its accompanying programs were intended to frame the show in dialogue with ideas far beyond the Museum's walls. Collectively the programs encouraged broader conversations about the exhibition and related cultural issues as a whole. As the exhibition's introductory wall panel read: '. . . in the end, the images reveal how the study of art is an essential tool for interpreting difficult social issues and promoting change in our society. We also discover that through an understanding of the social context, we gain a deeper appreciation of art itself.' - Whitney Museum of American Art.
Published by Harper & Brothers Publishers, New York, 1911
Book First Edition
Single Issue Magazine. Condition: Fair. Kemble, E.W.; Fancher, Louis; Groesbeck, Dan Sayre; Levering, Albert; Bayha, Edwin F.; Taylor, Horace (illustrator). First Edition. This issue devoted to motoring. Features: Title page photo of the sport of winter motoring; One-page cartoon by E.W. Kemple represents the G.O.P. as a car tilting in the 'stand pat' direction; Improvement to be offered auto purchasers in 1911; Photo comparison of Fifth Ave. traffic between 1901 and today (many more cars in use and no horses to be seen now); How to Sell a Car; The Anatomy of the Motor; Joy-Riding of the Real Kind - new car models are brutally tested; Motoring in Winter; Boggs Sees Naples and its Environs; Two photos of new fire truck for the Bradford, England fire brigade; First Aid to Broken Cars - article with great vintage photos; Laocoon (snake fiction by Herman Scheffauer); Article on Superstitions; Witherup's Cyclopaedia of the Months; Romances of the Recruiting Offices (for the United States Army); Home Song for Montana (poem by Leonard Bacon); Blanche Bates (article with photo); The Well-Kept Car "At Home" - article with photo of home grease pit in use, small home machine shop, and large storage building with several cars parked in front; The Horse and the Motor Car - article by Henry Harrison; One-page Goodyear tire ad; Automobile Horns - article by Steven D. Thatton; Sensational one-page illustrated ad for the Phipps-Grinnell Electric Car, featuring the Model "C" 1911! (yes, electric cars were in production well over 100 years ago!); Bond Markets Renewal - article by Franklin Escher; Nice one-page ad for the Carhartt Thirty-Five automobile; Nice half-page photo ad for the Speedwell Motor Car Co. of Dayton, OH features the 4-passenger Torpedo; Quarter page ads for the Premier Motor Mfg. Company and the Atlas Motor car Company; Motoring on European Highways; Nice illustrated ad for the Hupp-Yeats Electric Car Co. of Detroit; Full-page ad for the White Company of Cleveland features illustration of a Western canada Flour Mills Co. truck. Middle leaf loose but present. Please note: front cover is numbered page 3. Presumably this issue originally included an illustrated outer wrap which is no longer present. Otherwise, it appears complete and unmarked with average wear. A worthy vintage copy, notable for its wonderful coverage of a formative time in the history of motoring - both gas and electric.