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Published by Revell, 2017
ISBN 10: 0800727959ISBN 13: 9780800727956
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by Forgotten Books, 2018
ISBN 10: 0243009038ISBN 13: 9780243009039
Seller: Forgotten Books, London, United Kingdom
Book Print on Demand
Paperback. Condition: New. Print on Demand. Excerpt from The Boston Medical and Surgical Journal, 1856. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
Published by Envoi Poets, Newport, 1990
ISBN 10: 0948478705ISBN 13: 9780948478703
Seller: Beach Hut Books, Lingfield, United Kingdom
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition.
Published by Forgotten Books, 2018
ISBN 10: 0243302878ISBN 13: 9780243302871
Seller: Forgotten Books, London, United Kingdom
Book Print on Demand
Paperback. Condition: New. Print on Demand. Excerpt from The Boston Medical and Surgical Journal. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
Published by 18th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A stipple engraving by John Raphael Smith (1751-1812) after George Morland (1763-1804), Plate 2 from the 'Laetitia' series. Inscribed with the title and names of the artist in plate to the lower edge. There is a label verso inscribed with details about the engraving. On wove laid to card. Size: Large (30-60cm) Framed: No Style: Realism.
Publication Date: 1789
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A stipple engraving by John Raphael Smith (1751-1812) after George Morland (1763-1804), Plate 1 from the 'Laetitia' series. Presented in a white painted mount and a black lacquer wooden frame with a tin gilt-effect bead course to the inner edge and tin gilt-effect lozenge moulding to the outer edge. Inscribed with the title in plate to the lower edge, other information obscured by the mount. There is an identical impression in the collection of the British Museum. There is a label verso inscribed with details about the engraving. On wove. Size: Large (30-60cm) Framed: Yes Style: Realism.
Publication Date: 1789
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A stipple engraving by John Raphael Smith (1751-1812) after George Morland (1763-1804), Plate 3 from the 'Laetitia' series. Presented in a white painted mount and a black lacquer wooden frame with a tin gilt-effect bead course to the inner edge and tin gilt-effect lozenge moulding to the outer edge. Inscribed with the title in plate to the lower edge, other information obscured by the mount. There is an identical impression in the collection of the British Museum. There is a label verso inscribed with details about the engraving. On wove. Size: Large (30-60cm) Framed: Yes Style: Realism.
Publication Date: 1789
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A stipple engraving by John Raphael Smith (1751-1812) after George Morland (1763-1804), Plate 6 from the 'Laetitia' series. Presented in a white painted mount and a black lacquer wooden frame with a tin gilt-effect bead course to the inner edge and tin gilt-effect lozenge moulding to the outer edge. Inscribed with the title in plate to the lower edge, other information obscured by the mount. There is an identical impression in the collection of the British Museum. On wove. Size: Large (30-60cm) Framed: Yes Style: Realism.
Publication Date: 1789
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A stipple engraving by John Raphael Smith (1751-1812) after George Morland (1763-1804), Plate 4 from the 'Laetitia' series. Presented in a white painted mount and a black lacquer wooden frame with a gilt-effect bead course to the inner edge and gilt-effect lozenge moulding to the outer edge. Inscribed with the title in plate to the lower edge, other information obscured by the mount. There is a label verso inscribed with details about the engraving. On wove. Size: Large (30-60cm) Framed: Yes Style: Realism.
Published by c. 1790, 1790
Seller: Pictura Prints, Art & Books, Overasselt, Netherlands
Art / Print / Poster
G. Morland (illustrator). 'FISHERMEN.'Original antique master print after George Morland showing fisherman on the British coast. On the right figures with a donkey and a dog.Made by J. R. Smith after G. Morland.Medium: Etching / stipple engraving with hand colouring on hand laid (verge) paper.Sheet size: 44 x 37.5 cm (17.32 x 14.76 inch). Image size: 43 x 37 cm. (16.93 x 14.57 inch).FISHERMEN-DONKEY-BOAT-SEA-COAST-DOG | DPO-A2-003-38BACKGROUND INFORMATIONPublished in Britain c. 1790.Biography engraver: John Raphael Smith (1751-1812) was a British painter and mezzotinter. He was the son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. .Biography artist: George Morland (1763-1804) was an English painter of animals and rustic scenes. He was born in London, third son of Henry Robert Morland. His father, artist, engraver and picture restorer. Morland's work in painting is characterised by the simple subjects he painted. He depicted the life he knew from his own experience. Morland worked closely with William and James Ward, and later married their sister Anne. Condition: fair, given age. Several imperfections. Paper browned. Plate cropped, narrow margins with several tiny tears. One larger tear bottom edge, just outside image. Some crinkles and light creases. Sold as is. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
Published by Published by H. Macklin, Poets Gallery, Fleet Street, London, 1803
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Art / Print / Poster
Colour-printed mezzotint. In fair condition with the exception of being trimmed within the plate mark. Title has been inset. Nail burns in left margin. Tear in upper margin extending into image. Image size: 18 x 23 1/2 inches. A lovely colour printed impression of Smith's idyllic print of rural life, after a painting by George Morland. George Morland was one of the most successful genre painters of his time, creating, during his industrious career, some of England's most cherished paintings. At an early age Morland displayed his artistic genius, he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. He was a prodigious painter, producing more than 4000 paintings during the entirety of his career, and sometimes painting two or three works in a day. His pleasant rural scenes were a favorite source of inspiration for contemporary engravers, and as many as 250 separate engravings were done of his paintings during his lifetime. His brother-in-law, William Ward, engraved a great number of them. Here a young girl clings to her mother's apron, as her father takes up his rifle to go hunting. Her fearful reaction is contrasted with that of the dogs who are excited, and the maid who indifferently prepares the fire in the fireplace. Dawe, G. Morland p. 146.
Publication Date: 1917
Seller: Chapter 1, Johannesburg, GAU, South Africa
Signed
Condition: Very Good. Original oil Painting on canvas. the painting is 65x44cm and with the frame it is 81x61cm.boldly signed and dated by Morland. Morland settled in Cape Town in 1888. he moved back to England for a brief period but returned to the Cape to escape the English weather. he died in 1921. this painting is very well preserved. Our orders are shipped using tracked courier delivery services. Signed.
Published by Published by John Raphael Smith, London, 1801
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Art / Print / Poster
Mezzotint with roulette, coloured by hand. Image size: 17 1/4 x 21 1/2 inches. A touching scene after Morland: 'a master of genre and animal painting, an artist worthy to be placed in the same rank as the best of those Dutch masters whom he studied as a boy' (DNB) This print is a wonderful example of the manner in which Morland perfectly conveys the hardships and beauties of country life, his depiction of a poor country family battling the hardships of winter shows the bitter side of the pastoral life with grace and sympathy. George Morland was one of the most successful genre painters of his time, creating, during his industrious career, some of England's most cherished paintings. At an early age Morland displayed his artistic genius, he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. Morland was a prodigious painter, producing more than 4000 paintings during the entirety of his career, and sometimes painting two or three works in a day. His beautiful idealistic scenes were a favorite source of inspiration for contemporary engravers, and as many as 250 separate engravings were done of his paintings during his lifetime. One such engraver was John Raphael Smith, who throughout his career translated many of Morland's paintings to print. Smith was a highly influential figure in the late eighteenth-century British art world, he quickly became an impresario of the print-publishing trade producing nearly 400 prints during his lifetime, 130 of which were of his own design. This beautiful print refelects both the talents of the engraver and the genius of the artist, in its sentiment and execution it demonstrates the best of English genre.
Published by J. R. Smith, London, 1791
Seller: Arader Galleries of Philadelphia, PA, Philadelphia, PA, U.S.A.
Book
N/A. Condition: Very Good. Dust Jacket Condition: N/A. Mezzotint. Sheet size: 9 1/4 x 26 1/4". Inventory#: p303pmat.